Tag: 2018 – April
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5 Frames… With. Kodak ColorPlus 200 (EI 200 / 35mm format / Leica M6)
After a long struggle trying to find the right lens for my Leica M6, I decided to give the 7Artisans 50mm f/1.1 a try (in other words, I was giving myself a chance to shoot with the Leica since getting
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May 2018 film photography horoscope – ‘mystic’ help to better photography
Hallo, Barry here. There’s a lot of astrological movement to ponder now we’re getting closer to the middle of the year.
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5 Frames… With Kodak EKTACHROME 64T (EI 64 / 35mm format / Leica M6)
The photos I present you were made with my Leica M6, 35mm Summicron and Kodak EKTACHROME 64T, which was cross-processed. This is my all-time favorite film and it’s sad that Kodak doesn’t produce it anymore.
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Comparing Fuji NEOPAN 100 ACROS, ILFORD Delta 100 Professional and Kodak T-MAX 100
This whole project started when I realized I had been blindly allegiant to certain black and white films for a number of years without any particular rhyme or reason.
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Photography: Saw – Shot on Kodak VISION3 250D 5207 at EI 500 (35mm format)
Saw Shot on Kodak VISION3 250D (5207) at EI 500 Color negative motion picture film in 35mm format Push processed one stop
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Featured project: Piers
I always find it difficult to talk about myself in situations where I know it’s expected of me to present myself and who I am.
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Photography: The staircase – Shot on Kodak Vericolor III VPS 6006 (120 format)
The staircase Shot on Kodak Vericolor III VPS 6006 at EI 100 Color negative film in 120 format shot as 6×12 Graflex Speed Graphic Kodak Aero Ektar 178/2.5 6×12 film back
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EMULSIVE interview #178: I am Lisa Toboz and this is why I shoot film
Ladies and gentlemen, welcome to the 178th EMULSIVE interview! Today I have great pleasure in introducing you all to Lisa Toboz.
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Photography: Twins – Shot on Kodak T-MAX 3200 at EI 800 (35mm format)
Twins Shot on Kodak T-MAX 3200 (TMZ) at EI 800 Black and white negative film in 35mm format Pull processed 2 stops Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review) Development notes Kodak HC-110 (B
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Film stock review: Kodak EKTACHROME 100G (E100G)
I wasn’t overly keen on writing a film review when EM first suggested it.
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Photography: Blue green dream – Shot on Kodak Portra 160VC at EI 160 (120 format)
Blue green dream Shot on Kodak Portra 160VC at EI 160 Color negative film in 120 format shot as 6×6
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5 Frames… With Kodak Tri-X 400 (EI 400 / 35mm format / Olympus Stylus Epic)
I moved to Taipei, Taiwan, about one and a half years ago, after seven years in China, two years in Canada and one year in Morocco.
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Book: Studies of an ephemeral medium
Even though people keep asking me to create a book I’ve never really planned on doing so. All that changed after a conversation with good old Nils Karlson.
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Photography: Condensed – Shot on Kodak T-MAX 3200 at EI 800 (35mm format)
Condensed Shot on Kodak T-MAX 3200 (TMZ) at EI 800 Black and white negative film in 35mm format Pull processed 2 stops Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review) Development notes Kodak HC-110 (B
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5 Frames… With Kodak EASTMAN Double-X 5222 (EI 250 / 35mm format / Contax G2)
I couldn’t resist trying this film. The truth is I am eager to experiment with any emulsion I encounter. But I sought out this esoteric option because of its cinematic heritage.
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The Ceramic Pinhole Camera build
In the summer of 2017 I decided that I needed a new pinhole camera.
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Photography: Royalty – Shot on Kodak T-MAX 3200 at EI 800 (35mm format)
Royalty Shot on Kodak T-MAX 3200 (TMZ) at EI 800 Black and white negative film in 35mm format Pull processed 2 stops Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review) Development notes Kodak HC-110 (B
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Lens review: the 7artisans 35mm f/2 Leica M-mount lens – first production batch exclusive
UPDATE 01 2017-04-27: Added production specifications Standing on the shoulders of Hamish Gill’s early look at the pre-release prototype of the 7artisans 35mm f/2 Leica M-mount lens, I’m here to offer my thoughts on one of the very first copies
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Photography: That’s my ride – Shot on Kodak Tri-X 400 at EI 1600 (35mm format)
That’s my ride Shot on Kodak Tri-X 400 at EI 1600 Black and white negative film in 35mm format







