Category: Film stock reviews
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Film stock review: a first look at FILM FERRANIA P30® Alpha
UPDATE: Scott Micciche has published part one and part two of his extensive FERRNIA P30 Alpha tests. EMULSIVE: As film photography practitioners, you’ll hopefully be familiar with the release of FILM Ferrania’s FERRANIA P30®Alpha 35mm black and white film
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Film stock review: Bergger Pancro 400 Part 1 – 35mm EI 400 (bracketed +/- 1 stop)
UPDATE: Part two: EI 800 bracketed +/- 1 stop is hereRead part two of this series, exploring Pancro 400 shot at EI 800 and bracketed +/- 1 stop here! You may have seen this recent article covering all the
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Long exposure film tests part one: ILFORD PAN F+, ILFORD FP4+, ILFORD Delta 100 Professional
Long exposure film photography is a technique central to my currently ongoing photography project, Where We Meet. Capturing the smooth extensions of water movement, contrasted with static elements of the shoreline is the key to this visual narrative.
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Investigating Fuji INSTAX Mini Monochrome, Color and the Fuji SP-2 Printer
I’m going to call this an informal assessment, because it’s neither properly a product review, nor a test report.
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Thoughts on Fuji NEOPAN 1600 AKA: let your film fulfil its destiny
Some weeks back I bought 3 rolls of expired Fuji Neopan 1600.
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Film review: Fuji Instax Mini Monochrome
Welcome to – to the best of my knowledge – the world’s first review of Fuji Instax Mini Monochrome!
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Cheatsheet: ILFORD FP4 PLUS development times – EI 100 to EI 6400
Over the years I’ve built up a large bank of development times and schemes for many black and white films, old and new;
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Push processing ILFORD HP5 PLUS from EI 800 to EI 6400
Hi! My name is Daniel and I live in Helsinki, Finland.
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Film love: DISCONTINUED… Working with Fuji NEOPAN
A mother informs her son that his best friend has just died… ”Just thought I should tell you, Peter is dead.” Stunned silence. “Why don’t you go down the road and play with Paul instead, I know you’ve never met
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Film stock review: Fomapan 400 Action / Arista EDU Ultra 400 plus infrared uses
I first tried Foma Bohemia’s films in around 2008 when I moved to the Czech Republic.
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Amore al primo rullo: ILFORD HP5 PLUS
Quando EMULSIVE mi ha chiesto di scrivere qualcosa su ilford HP5 plus sono rimasto molto sorpreso e anche un po’ preoccupato: non sono un tecnico e non sono un fotografo professionista e non ho neanche molta esperienza. Bene, probabilmente vi
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Love at first roll: ILFORD HP5 PLUS
When EM asked to me to write something about ILFORD HP5 PLUS I was very surprised and a little worried. I’m not a technician, I’m not a professional photographer and I also don’t have too much experience, so you’re probably
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Film stock review: ADOX SILVERMAX 100 35mm black and white negative film
First of all a disclaimer; I am not affiliated with ADOX, nobody paid me to write this and I’m just doing this review because I think it might be of interest to some people.
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Esperimenti fotografici con Fuji Instanx in bianco e nero
English version here: https://emulsive.org/experiments/black-and-white-fuji-instax-photographic-experiments Mi chiamo WhatsBehindThat e faccio foto. La mia prima foto e’ stata fatta con una Yashica, dopo che mio fratello mi spiego’ come leggere la tabella dei valori dietro al flash e come impostare
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Experimenting with black and white photography on colour Fuji INSTAX
Versione in Italiano e qui: https://emulsive.org/experiments/esperimenti-fotografici-con-fuji-instanx-in-bianco-e-nero My name is WhatsBehindThat and I make photos. I took my first shots with a Yashica film camera (after my brother explained me how to read the table of values behind the
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A paean to ILFORD PAN F PLUS or: there’s something about slow film
Sub 100 ISO films… There’s mystique about them; smooth, finely grained, challenging. Something for the true pros and “serious types”.
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Black and white film high EI shootout part 2: Kodak Tri-X 400, T-MAX 400 and ILFORD HP5 PLUS, Delta 400 at EI 25600
The high EI shootout is back for part two: the pushening. Poorly executed references to the terrible sequel that was Highlander 2 aside, I’m hoping that you’ll find this extension of part one just as informative as the first and
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Black and white film high EI shootout part 1: Kodak Tri-X 400, T-MAX 400 and ILFORD HP5 PLUS, Delta 400 at EI 12800
A few months ago I wrote a post about experimenting with pushing Kodak Tri-X from ISO 800 to 12800.
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Film stock review: Kodak Professional Portra 400BW
Well here’s something you don’t see every day or every week for that matter.
Recently published
- Ultreia: Making pilgrimage to Santiago de Compostela
- 5 Frames… In the pits at Brands Hatch motor racing circuit on FP4 PLUS (35mm format / EI 125 / Nikon L35AF) – by Nik Stanbridge
- 5 Frames… Of my boy (skeleton) Jeffrey on Polaroid Color SX-70 film
- New film day! Say hello to HARMAN Phoenix 200, a brand new mid-speed colour film
- My First Roll… With a Yashica Mat 124G
- The Contax 645: Not just a wedding camera
