Category: Film stock reviews
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Photoset #01: Kodak Ektar 100 – +1-stop push with +1 over development
As regular readers will know, I’ve been doing #FILMSWAPs for close to six months now and things are going great guns. Since it all started back in July, I’ve been lucky enough to swap over 150 rolls (and reels) of
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Film stock review: Kodak EASTMAN DOUBLE-X (5222) – 35mm format
EMULSIVE: By way of a quick preface, regular readers and followers of EMULSIVE-related ramblings on Twitter will be familiar with our Interview and Photographer’s Daypack series should be familiar with Jonas Lundström.
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Film stock review: Kodak AEROCHROME III color infrared film
Let me get this out of the way. AEROCHROME is hands-down my favourite film stock. Yes, that includes EKTACHROME E100VS and I implore you to try some AEROCHROME out if you can.
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Film stock review: AgfaPhoto Vista Plus 200 – 35mm format
AgfaPhoto Vista Plus 200 is one of two films previously sold under the AgfaPhoto brand (the other being the higher speed Vista 400).
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Film stock review: Efke KB-25 in 35mm format
Shortly after opening the doors to EMULSIVE I kicked off a little #FILMSWAP project on Twitter.
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Film stock review: Kodak VISION3 250D (5207) motion picture film
The Imitation Game, Les Miserables, Lincoln, The Wolf of Wall Street, 12 Years a Slave and Argo…oh, and the upcoming Star Wars: Episode VII. What do all these movies have in common?
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Film notes: Lomography LomoChrome Turquoise XR 100-400
Welcome to Field Notes: bite-sized film reviews covering the essential information you need to help make an informed decision when choosing a photographic film stock.
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Film notes: Rollei Superpan 200
Following on from my review and experimentation guide, here’s a quick reference for Rollei Superpan 200.
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Film notes: ILFORD FP4 PLUS 125
Following on from our recent review, here’s a quick reference for ILFORD’s fine detail, old school contrast monster, FP4 PLUS. Here’s what they have to say: “For high quality black and white photography, ILFORD FP4 PLUS is unrivaled.
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Experimenting with Rollei Superpan 200 (with bonus infrared)
Today I’ve decided to give you all a look at the kind of results you can expect from Rollei’s Superpan 200 black and white film in 120 format.
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Film stock review: ILFORD FP4 PLUS in 35mm, 120 format and sheet film
Looking for a medium speed black and white film with buckets of character and great, deep contrast at moderate box speed? Pack ILFORD FP4 PLUS.
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Shooting Kodak Tri-X 400 from EI 800 to EI 12800 (+ development times)
Covering the results of experimenting with Kodak Tri-X 400, this article picks up from my original Kodak Tri-X 400 review and will show you single-stop pushes from EI 400 all the way up to EI 12800.
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Film notes: Kodak Tri-X 400 (400TX)
Another quick reference guide for you all. This time it’s Kodak Tri-X 400. As this article proved, Tri-X 400 is is the best film black and white film in the world…if you want a certain look.
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Film stock review: LomoChrome Turquoise XR 100-400 – 35mm and 120 format
A lot of film shooters give The Lomographic Society a hard time and I’ve often asked myself why.