Welcome to part two of my long exposure test results.
Every year on the summer solstice, the sun is higher in the sky than at any other time in the year.
Welcome to the sixth and final part of the AEROgraphic project series.
“All styles are good except the boring kind.” – Voltaire
Let’s get a few things straight before we go any further: I did not study photography and I don’t really consider myself to be an artist.
Working as a
Analoge Schwarz Weiss Filme in Hühnerbrühe entwickelt? Genug Internet für heute…
Keine alltägliche Kombination, aber laut eines Artikels den ich gefunden habe durchaus machbar. Und die Ergebnisse waren wirklich sehenswert! Natürlich weckte dies mein Interesse für alternative Entwickler.
Welcome to part three of my series on photography using paper negatives aka photographic paper!
If you’re new to the series, please take a moment to read the preceding parts before diving in.
Analog black and white film development and chicken soup. Enough internet for today?
An unusual combination, but according to an article I found online, chicken soup can be used to develop film.
Fuji Velvia 50 is my favourite colour film. The colours, saturation and contrast are unique. It’s especially good for golden hour colours around dawn and sunset.
This article covers making and experimenting with redscale film at home.
Long exposure film photography is a technique central to my currently ongoing photography project, Where We Meet.
Capturing the smooth extensions of water movement, contrasted with static elements of the shoreline is the key to this visual narrative.
You might remember that we featured an interview with Robert Marsters some months ago.
Before I jump into the guide, allow me a few moments to tell you the story of how I began shooting and developing slide film.
Many years ago, while working as an employee of a transport and delivery company, I
You’re standing at the base of a waterfall, semi-numb fingers fumbling a new roll of 35mm into the back of your ice-cold SLR.
Over the years I’ve built up a large bank of development times and schemes for many black and white films, old and new;
This article originally appeared over at Addicted2light in November 2012 and has been kindly updated by author Gianluca Bevacqua. Gianluca’s taken a bit of time to update his initial findings with his updated DSLR “scanner”, a Sony A7r.
You’ve heard of GAS?
English version here: https://emulsive.org/experiments/black-and-white-fuji-instax-photographic-experiments
Mi chiamo WhatsBehindThat e faccio foto.
La mia prima foto e’ stata fatta con una Yashica, dopo che mio fratello mi spiego’ come leggere la tabella dei valori dietro al flash e come impostare
Versione in Italiano e qui: https://emulsive.org/experiments/esperimenti-fotografici-con-fuji-instanx-in-bianco-e-nero
My name is WhatsBehindThat and I make photos.
I took my first shots with a Yashica film camera (after my brother explained me how to read the table of values behind the
Film photography, or analog photography – to use a term that better encompasses other media and processes – really is a fascinating world.
To those relatively new to the world outside what is considered traditional film photography (such as myself
Snatched from the streets of San Diego in late March 2016 by a group of masked assailants, Diz has been spending some time at EMULSIVE HQ (voluntarily) working on a guest post covering his process for developing motion picture film