Tag: Zeiss
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5 Frames… Of Laurel Hill Cemetery on Fomapan 100 Classic (120 Format / EI 100 / Zeiss Ikon Super Ikonta A 531 + 7cm Tessar)
The weather is getting colder so any temperate day is a good excuse to go for a walk. With the pandemic worsening, the only crowds I felt safe visiting were those interred in Philadelphia’s Laurel Hill Cemetery. Founded in the first half of the 19th century it was meant as a park for the living…
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5 Frames… At an art class on Kentmere 400 (EI 400 / 35mm format / Zeiss Contaflex)
I’ve been shooting film for over 50 years, in the last few years mainly with medium format (Mamiya, Fuji and Hasselblad primarily) but still actively shooting 35mm with a broad range of cameras. Aside from my Leicas (M3 and IIIc) and a few others that I’ve purchased over the years, most of what I shoot…
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5 Frames… With 25 year-old ILFORD PAN F (EI 50 / 120 format / Zeiss Ikon Nettar 517/16) – by David Hume
I’m not sure if it’s a sign of having too many cameras or failing memory, but I recently slid open the ruby film window of my Nettar and saw there was a film in there that I had no
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5 Frames… With Kodak Portra 400 (EI 400 / 120 format / Zeiss Ikon Nettar 517/16)
The Munda Bidi Trail is a wonderful thousand-kilometre dirt bicycle ride between Perth and Albany in Western Australia. I started down the Albany at the south-west tip of Australia and spent nine days meandering north.
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Mumbai Part 5: a permanent change of station
MEXICO — The monsoon rains had been slow in coming. The heat built and there were clouds in the white-hot sky but the rains did not come. People died in their houses and in the streets.
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Camera review – the Zeiss Ikon Nettar II 517/16 6×6 folding camera
I bought my Zeiss Ikon Nettar 6×6 folder in 1992 for $50, pretty much in perfect nick. At the time I was shooting a Mamiya RB67 professionally; exclusively running Fuji Velvia through it for magazine covers and editorial work.
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5 Frames… With Kodak EASTMAN Double-X 5222 (EI 250 / 35mm format / Contax G2)
I couldn’t resist trying this film. The truth is I am eager to experiment with any emulsion I encounter. But I sought out this esoteric option because of its cinematic heritage.
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5 Frames… With ILFORD XP2 Super (EI 400 / 120 format / Zeiss IKON Nettar)
I love ILFORD XP2 SUPER. It’s a film I have shot with extensively. It is a C-41 black and white film so not a ‘true’ black and white film.
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EMULSIVE interview #167: I am Mike Janik and this is why I shoot film
Today’s interviewee should need no introduction but he gets one anyway.
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The beautiful but maddening Exakta VAREX IIb
You may recall the scene below from Rear Window (1954).
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Recensione: vi racconto le mie folding – Zeiss Ikon Ikonta 520/2 & Zeiss Ikon Nettar 515/2
Il panorama della fotografia analogica è ricchissimo di fotocamere e attrezzature prodotte negli ultimi secoli da centinaia di produttori diversi, e questo ci aiuta a capire la bellezza e lo stato di evoluzione che questa Arte (la Fotografia) è riuscita
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Camera review: My Zeiss Ikon folders – the Zeiss Ikon Ikonta 520/2 & Zeiss Ikon Nettar 515/2
Over the past two centuries, the film photography panorama has had plenty of cameras and other gear produced from hundreds of manufacturers.
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EMULSIVE interview #67: I am Pierluigi Tolu and this is why I shoot film
Well then, who do we have here? I’m incredibly pleased to welcome today’s interviewee and new (re)entrant to the film photography world.