Tag: Lomography
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5 Frames… With Lomography Lomochrome Purple XR 100-400 (EI 400 / 35mm / Nikon F6)
This was from my 2nd roll of Lomography’s new Lomochrome Purple XR 100-400. I had shot my first roll in Malta and liked what it could do with colours.
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EMULSIVE interview #150: I am Toni Skokovic and this is why I shoot film
It’s a real pleasure to be able to bring you today’s interviewee, Toni Skokovic.
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Photography: Cylon vision – Shot on Kodak PROFESSIONAL ELITE Chrome 100 – EB-3 (35mm)
Cylon vision Shot on Kodak PROFESSIONAL ELITE Chrome 100 (EB-3) at EI 100. Color reversal (slide) film in 35mm format. Cross processed / Lomography Sprocket Rocket.
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EMULSIVE interview #148: I am Ashley B Williams and this is why I shoot film
There’s a sense of good will and camaraderie in the film photography community that’s hard to beat.
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Long exposure film tests part two: ILFORD HP5 PLUS, ILFORD Delta Professional 400, ILFORD Delta Professional 3200, ILFORD SFX 200
Welcome to part two of my long exposure test results.
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Film review: Cinestill 800T vs Fuji 800 (35mm) inside the Buenos Aires underground aka Subterranean Explorations
Regular contributor Lorraine Healy is back, this time with a comparison of CineStill’s 800T against the mighty Fuji 800 of yesteryear that was also recently featured in the Lomography Magazine (details for the curious are below.
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EMULSIVE interview #133: I am Lisa DeShantz-Cook and this is why I shoot film
After last week’s lifting of the curtain with my interview of myself (meta!), it’s back to business as usual with this week’s interview. Well, I say business as usual but Lisa DeShantz-Cook’s photography is nothing of the sort.
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EMULSIVE interview #132: I am #EMULSIVE and this is why I shoot film
Welcome to this week’s EMULSIVE interview! Today’s interviewee is someone a few of you may have heard of and to be frank, it’s been a bit of headache to put together.
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Photography: Nuthin’ but bokeh – Lomography Lomochrome Purple XR 100-400 (35mm)
Nuthin’ but bokeh Lomography Lomochrome Purple XR 100-400 shot at EI 400 Color negative film in 35mm format
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Every new film photography stock announced in 2017 (v6)
2017 has been a bumper year for film photography so far! This article provides a living record of all the new films announced in 2017.
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EMULSIVE interview #127: I am Hilde Heyvaert and this is why I shoot film
Creative, experimental, quirky and always evolving.
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Long exposure film tests part one: ILFORD PAN F+, ILFORD FP4+, ILFORD Delta 100 Professional
Long exposure film photography is a technique central to my currently ongoing photography project, Where We Meet. Capturing the smooth extensions of water movement, contrasted with static elements of the shoreline is the key to this visual narrative.
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Photography: Blessing and happiness for friends – Lomochrome Purple XR 100-400 (35mm)
Blessing and happiness for friends Lomochrome Purple XR 100-400 shot at EI 200 Color negative film in 35mm format
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Photography: Spindly bobbly things – Lomochrome Purple XR 100-400 (35mm)
Spindly bobbly things Lomochrome Purple XR 100-400 shot at EI 200 Color negative film in 35mm format
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Photography: Hitachi 1969 – Lomography Purple XR 100-400 (35mm)
Hitachi 1969 Lomography Lomochrome Purple XR 100-400 shot at EI 200 Color negative film in 35mm format
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Photography: Vacated – Lomography Color Negative 400 (120)
Vacated Lomography Color Negative 400 shot at EI 400 Color negative film in 120 format shot as 6×6
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Permission to Create
I am no stranger to self-doubt. In fact, it feels as if I’ve stumbled through most of my life–save for my late teens when most of us think we know everything–with self-doubt at my side.
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EMULSIVE Secret Santa 2016: registration is closed and next steps
Welcome one and all! Thanks to your support and participation, this year’s EMULSIVE Secret Santa is over three times bigger than last year’s inaugural event.
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Camera review: Me and my Lomography LC-A 120
The LCA 120 camera is part of the LCA family of cameras, but I believe it is the only one which is a creation of the Lomography Society and not a reworking of the old U.S.S.R .
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Photography: Redfern – Lomography Redscale XR 50-200 (120)
Redfern Lomography Redscale XR 50-200 shot at EI100 Color redscale negative in 120 format shot as 6×12 Kodak Aero Ektar 178/2.5