Tag: Lomography
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Photography: Outpost – Shot on Ferrania Solaris 400 (35mm)
Outpost Shot on Ferrania Solaris 400 at EI 400 Color negative film in 35mm format Lomography Sprocket Rocket
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5 Frames… With Lomography Color Negative 400 (EI 400 / 35mm format / Olympus OM-2S) -by Tim Dobbs
My favourite colour negative film is Fuji Reala 100 which was discontinued quite a few years ago (thanks a lot Fuji).
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Photography: Cubed #05 – Shot on Lomography Color Negative 800 at EI 800 (120 format)
Cubed #05 Shot on Lomography Color Negative 800 at EI 800 Color negative film in 120 format as 6×6
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Photography: Cubed #04 – Shot on Lomography Color Negative 800 at EI 800 (120 format)
Cubed #04 Shot on Lomography Color Negative 800 at EI 800 Color negative film in 120 format as 6×6
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Photography: Cubed #03 – Shot on Lomography Color Negative 800 at EI 800 (120 format)
Cubed #03 Shot on Lomography Color Negative 800 at EI 800 Color negative film in 120 format as 6×6
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Photography: Cubed #02 – Shot on Lomography Color Negative 800 at EI 800 (120 format)
Cubed #02 Shot on Lomography Color Negative 800 at EI 800 Color negative film in 120 format as 6×6
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Photography: Cubed #01 – Shot on Lomography Color Negative 800 at EI 800 (120 format)
Cubed #01 Shot on Lomography Color Negative 800 at EI 800 Color negative film in 120 format as 6×6
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5 Frames… With Lomography Color Negative 800 (EI 800 / 35mm format / Olympus XA)
“High ISO color negative films are rare and expensive, period.” That’s what I saved in my mind for years, and then used to skip the wish to shoot that gold dust – except for special events like the Berlin Light
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Photography: Lightbulb moment – Shot on Lomography Color Negative 800 (120)
Lightbulb moment Shot on Lomography Color Negative 800 at EI 1600. Colour negative film in 120 format shot as 6×6. Push processed one stop.
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Photography: No parking at any time – Shot on Kodak EKTACHROME 200 E200 (120 format)
No parking at any time Shot on Kodak EKTACHROME 200 (E200) at EI 200 Color reversal (slide) film in 120 format shot as 6×6 Over processed one stop
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EMULSIVE interview #165: I am Thomas Slatin and this is why I shoot film
A massive thanks to today’s guest for bearing with me over the past few months.
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Photography: The morning after the night before – Shot on Kodak EKTACHROME 200 – E200 (120)
The morning after the night before Shot on Kodak EKTACHROME 200 (E200) at EI 200 Color reversal (slide) film in 120 format shot as 6×6 Over processed one stop
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EMULSIVE interview #161: I am Ante Prskalo and this is why I shoot film
I’m very pleased to be able to bring you the words and pictures of Ante Prskalo, previous contributor to EMULSIVE and dabbler in strange things with Rodinal. Over to you, Ante! Hi Ante, what’s this picture, then? AP
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Photography: Small hot chillies – Shot on Lomography Color Negative 400 (120)
Small hot chilies Shot on Lomography Color Negative 400 at EI 800 Color negative film in 120 format shot as 6×6 Push processed one stop
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Photography: Offaly good – Shot on Lomography Color Negative 400 (120)
Offaly good Shot on Lomography Color Negative 400 at EI 800 Color negative film in 120 format shot as 6×6 Push processed one stop
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Photography: Wild pig – Shot on Lomography Color Negative 400 (120)
Wild pig Shot on Lomography Color Negative 400 at EI 800 Color negative film in 120 format shot as 6×6 Push processed one stop
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Photography: Strung up – Shot on Lomography Color Negative 400 (120)
Strung up Shot on Lomography Color Negative 400 at EI 800 Color negative film in 120 format shot as 6×6 Push processed one stop
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Photography: Snack time – Shot on Lomography Color Negative 400 (120)
Snack time Shot on Lomography Color Negative 400 at EI 800 Color negative film in 120 format shot as 6×6 Push processed one stop
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Pentax 110 Auto and Lomography Color Tiger 200 Review
I was recently given a Pentax 110 Auto, it is in lovely condition and it fired up happily with a new set of batteries.