Tag: Lomography Color Negative 800
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Photography: Be careful out back – Shot on Lomography Color Negative 800 at EI 800 (120 Format)
Shot on Lomography Color Negative 800 at EI 800.Color negative film in 120 format shot as 6×6.Hasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8. Check out my Lomography CN 800 vs Kodak Portra 800 vs Fuji Natura 1600 (day and night) blind film test.
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Photography: Light and shadow – Shot on Lomography Color Negative 800 at EI 800 (120 Format)
Both shot on Lomography Color Negative 800 (EI 800, meter readings differ by 2-stops).Color negative film in 120 format shot at 6×6.Hasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8. Check out Lomography CN 800 vs Kodak Portra 800 vs Fuji Natura 1600 (day and night) in my blind film test.
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Photography: Side on – Shot on Lomography Color Negative 800 at EI 800 (35mm Format)
Shot on Lomography Color Negative 800 at EI 800Color negative film in 35mm formatNikon F100 + Nikkor 85mm f/1.8 AF-D
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5 Frames… Of Nordic summer bliss (and Heathrow) on Lomography 800 and a Hasselblad 500CM with Carl Zeiss Planar CF 80mm f/2.8
My family and I recently moved to Sweden. I had owned the Hasselblad for a few months prior to moving, but documenting our first few months in the country of its origin seemed poignant! The first few film stocks I had tried were Ektar 100, then Lomography Color Negative 800 (which I had unsuccessfully tried…
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My 2020 lockdown journey: a comparative test of Kodak EKTACHROME E100 and Fujifilm Velvia 50 (bonus Portra/Lomography included)
I set out this Spring and Summer to do a comparative test of Kodak EKTACHROME E100 and Fujifilm Fujichrome Velvia 50 (RVP50). In my lifetime experience with film (going back to childhood), I’ve mostly shot slide film, and we had those traditional slide shows with Family and Friends because my mother used the original EKTACHROME from…
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Embracing accidents: An unexpected double exposure collaboration
Since my return to film photography, I made the decision that I wanted to document what life uncovered for me in terms of experiences, memories and moments and store them on a medium that lasts forever. In Summer 2019 I met Lynn, a junior colorist for one of my projects who turned out to be…
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My year on film in 115 photos: A 2019 retrospective or, my not-a-365-project
What follows is my 2019 in film photography, a 365 photography project that was absolutely not a 365 project. In this article, I share the results from 115 of the sheets/rolls of film I shot in 2019. It boils down to over one hundred photographs taken by yours truly, all wrapped up in a couple…
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EMULSIVE’s most popular film stock reviews of 2019
There are a few days left for 2019 but fingers crossed, it’s the first year for quite some time where we haven’t seen one or more film discontinued – great, isn’t it? In fact, we’ve seen somewhere in the region of three new film stocks announced AND released – ILFORD ORTHO PLUS, Fujifilm NEOPAN 100…
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EMULSIVE’s most popular film stock reviews of 2018
It’s the fourth article in 2018’s end-of-year lazy post, this time counting down the most popular film reviews here on EMULSIVE over the course of 2018. Ready?
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Photography: 1000 layers – Shot on Lomography Color Negative 800 at EI 800 (35mm format)
1000 layers Shot on Lomography Color Negative 800 at EI 800 Color negative film in 35mm format Nikon FM3A / Nikkor 50mm f/1.2 AI-S 1000 layersShot on Lomography Color Negative 800 at EI 800.Color negative film in 35mm format.Nikon
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Every single film stock still made today – Part 4: Kodak to Maco Direct (v4)
Update 03: 2018-11-20 Welcome to part four of this series exploring every single film stock (including instant film, dry plates, etc.), still being made today.
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Blind film review #01: Fuji Natura 1600 vs Kodak Portra 800 vs Lomography Color Negative 800 (35mm)
At the end of 2017 I mentioned to Aislinn Chuahiock that I’d received some 35mm Kodak Portra 800 to test out and was planning on pitting it against Lomography’s Color Negative 800 in a side-by-side review. In her infinite wisdom
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Photography: Cubed #05 – Shot on Lomography Color Negative 800 at EI 800 (120 format)
Cubed #05 Shot on Lomography Color Negative 800 at EI 800 Color negative film in 120 format as 6×6
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Photography: Cubed #04 – Shot on Lomography Color Negative 800 at EI 800 (120 format)
Cubed #04 Shot on Lomography Color Negative 800 at EI 800 Color negative film in 120 format as 6×6
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Photography: Cubed #03 – Shot on Lomography Color Negative 800 at EI 800 (120 format)
Cubed #03 Shot on Lomography Color Negative 800 at EI 800 Color negative film in 120 format as 6×6
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Photography: Cubed #02 – Shot on Lomography Color Negative 800 at EI 800 (120 format)
Cubed #02 Shot on Lomography Color Negative 800 at EI 800 Color negative film in 120 format as 6×6
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Photography: Cubed #01 – Shot on Lomography Color Negative 800 at EI 800 (120 format)
Cubed #01 Shot on Lomography Color Negative 800 at EI 800 Color negative film in 120 format as 6×6
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5 Frames… With Lomography Color Negative 800 (EI 800 / 35mm format / Olympus XA)
“High ISO color negative films are rare and expensive, period.” That’s what I saved in my mind for years, and then used to skip the wish to shoot that gold dust – except for special events like the Berlin Light
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Photography: Lightbulb moment – Shot on Lomography Color Negative 800 (120)
Lightbulb moment Shot on Lomography Color Negative 800 at EI 1600. Colour negative film in 120 format shot as 6×6. Push processed one stop.
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Photography: Hanging around – Shot on Lomography Color Negative 800 at EI 800 (120 format)
Hanging around Lomography Color Negative 800 shot at EI 800. Color negative film in 120 format shot as 6×6.
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