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UPDATE: Registration for EMULSIVE Santa 2019 has closed. There is a little over one week to go before registration for EMULSIVE Secret Santa...
I love the Lomography Diana Mini and I'll stand by this little plastic gal with all my heart, even when nobody else wants to.
When I came back to film photography in early 2018, very soon I wanted to try medium format film. Not being sure if I would like it with its lesser number of photos per roll compared to a 35mm film...
Welcome to a fresh instalment of my "...this is why I shoot film" series!
"What about Berlin?", I asked my partner. We were looking for a city break last October and had no idea where to go.
My choice fell on Kodak Panchromatic Sound Recording Film 2374, a film I had never heard of until I saw a few dusty rolls in a photo store in Ukraine.
Most of my photo output is from digital cameras, although I have an abiding love for film. I recently bought some 35mm and medium format cameras online.
I've known today's interviewee online for a few years now, and even had the pleasure of meeting her back in 2018*.
In 1975, Mamiya introduced their M645 series of medium format cameras. The M645 series have been very successful over the years, continually being upgraded and refined.
Greetings from EMULSIVE HQ.
Duvel Shot on Lomography Berlin 400 at EI 800. Black and white motion picture film in wide 35mm format (TEXPan) Push processed 1-stop. Fuji GW690III + EBC Fujinon 90mm f/3.5. Development notes Kodak HC-110: 1+31(B), 21°C/70°F, 11:00
Slow day Shot on Lomography Berlin 400 at EI 800. Black and white motion picture film in wide 35mm format (TEXPan) Push processed 1-stop. Fuji GW690III + EBC...
It's the fourth article in 2018's end-of-year lazy post, this time counting down the most popular film reviews here on EMULSIVE over the course of 2018. Ready?
Here is an introduction to a local festival that may surprise you! And a camera that I have not mentioned before, although it is featured in my contributor’s portrait: My Fuji GA645Zi.
I have been eager to use Lomochrome Purple for some time now. I love the work of Richard Mosse using infrared colour film, and as the psychedelic portraits taken by Elliott Landy.
My first film camera was the Nikon FE, I bought it off Kijiji (the Canadian version of Craigslist) with two lenses, flash and a funky vintage bag for $75.
1000 layers Shot on Lomography Color Negative 800 at EI 800 Color negative film in 35mm format Nikon FM3A / Nikkor 50mm f/1.2 AI-S 1000 layersShot on Lomography Color Negative 800 at EI 800.Color negative film in 35mm format.Nikon
Load bearing Shot on Lomography Lady Grey BW 400 at EI 1600. Black and white negative film in 35mm format. Push processed two stops. Development notes: Kodak HC-110: 1+47(E), 21°C/70°F, 06:00 (N+2) No presoak, 1-minute initial agitation
Child-friendly facilities Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 Color negative film in 35mm format
I've written a bit for Lomography before and got a random email out of the blue asking if I was interested in testing out their new Diana Instant Square camera.