As a 6×6 format twin lens reflex camera, the Yashica Mat-124 TLR is considered a great entry-level camera for people who are moving up from 35mm to medium format film.
Tag: Kodak T-MAX 100
Here’s everything related to one of the finest black and white negative films ever made: Kodak’s T-MAX 100.
Comparing Fuji NEOPAN 100 ACROS, ILFORD Delta 100 Professional and Kodak T-MAX 100
This whole project started when I realized I had been blindly allegiant to certain black and white films for a number of years without any particular rhyme or reason.
Photoset: Nature Wins
I like to try a little of everything while I’m out and about with cameras, so I shoot some digital and some film, but my passion is the film work.
EMULSIVE's most popular film photography posts of 2017
In the time honoured tradition of lazy posting at the end of each year, here’s the first in a series of top 10 and countdown articles planned for EMULSIVE during this final week of 2017.
First up, time to take
EMULSIVE interview #167: I am Mike Janik and this is why I shoot film
Today’s interviewee should need no introduction but he gets one anyway.
EMULSIVE interview #165: I am Thomas Slatin and this is why I shoot film
A massive thanks to today’s guest for bearing with me over the past few months.
EMULSIVE interview #163: I am Antonio Lastoria and this is why I shoot film
Regular readers should be familiar with the recent #5FramesWith article by today’s interviewee.
5 Frames… With Kodak T-MAX 100 (EI 100 / 4×5 / Linhof Technika V)
I was recently looking through my film archives and found a number of photographs shot on Kodak T-MAX 100.
EMULSIVE interview #155: I am Dan Dao and this is why I shoot film
Today’s interviewee has been posting video reviews product, guides, manuals for film cameras, information on film stocks and all things analogue on Youtube since 2011 and shows no signs of slowing down any time soon.
EMULSIVE interview #151: I am Denise Grays and this is why I shoot film
Today’s interviewee is a stalwart of the Twitter film photography community and I’m so happy to be able to bring her interview to you today.
EMULSIVE interview #148: I am Ashley B Williams and this is why I shoot film
There’s a sense of good will and camaraderie in the film photography community that’s hard to beat.
Photography: Nameless launch – Kodak T-MAX 100 (120)
Nameless launch
Shot on Kodak T-MAX 100 at EI 100
Black and white negative film in 120 format shot as 6×6
Orange 21 filter
Photography: Dried out – Shot on Kodak T-MAX 100 TMX at EI 100 (120 format)
Dried out
Shot on Kodak T-MAX 100 (TMX) at EI 100.
Black and white negative film in 120 format shot as 6×6.
Lens love: shooting the Kodak Aero Ektar 7″ f/2.5 aka how I found my Kodak Aero Ektar, or how it found me
Up until the day I was able to call it “mine” I had never heard about the Burnett-Combo or David Burnett and I was completely unaware of the cult status of Kodak’s Aero Ektar lens.
So why did I buy
EMULSIVE x Kodak Alaris Community Interview: results time
Back in October 2016, we invited you all to submit your questions to Kodak Alaris for the third #EMULSIVE community interview. Well, we’re finally ready to share the results!
Thank you’s and introductions
First of all, a massive
Photography: Canon porn – Kodak T-MAX 100 (35mm)
Canon porn
Shot on Kodak T-MAX 100 at EI 100
35mm Black and white film in 35mm format
Photography: Let me out – Kodak T-MAX 100 (35mm)
Let me out
Shot on Kodak T-MAX 100 at EI 100
35mm Black and white film in 35mm format
Photography: Let me in – Kodak T-MAX 100 (35mm)
Let me in
Shot on Kodak T-MAX 100 at EI 100
35mm Black and white film in 35mm format
Photography: Plumb line – Kodak T-MAX 100 (35mm)
Plumb line
Shot on Kodak T-MAX 100 at EI 100
35mm Black and white film in 35mm format
Photography: Boing – Kodak T-MAX 100 (35mm)
Boing
Shot on Kodak T-MAX 100 at EI 100
35mm Black and white film in 35mm format