Tag: ILFORD
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FP4 Party October 2016 – winner announcement and honourable mentions
We’re sitting at the week before the start of FP4 Party #04 and that can only mean one thing: time to revisit the October’s Party #02 and make a few announcements! You’ll remember that we wrapped up the best of
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Photography: Tucked away – Ilford Pan F+ (120)
Tucked away Ilford Pan F+ shot at EI 800. Black and white negative film in 120 format shot as 6×6. Push processed 4 stops.
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Camera review: the Hasselblad 500C/M
In high school, I bought myself a Minolta Maxxum 3000i with some off-brand lenses. It worked great as a point and shoot on drugstore Fuji film.
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Photography: So long chaps! – Ilford HP5+ – 120
So long chaps! Ilford HP5+ shot at EI 1000 Black and white negative film in 120 format shot as 6×4.5 Push processed 1+1/3 stops
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FP4 Party: Best of October 2016
Welcome to the 2nd #FP4Party after party, celebrating the #FP4Party that was October 3rd-9th 2016. As with FP4 Party September 2016, we’d like your help making the selection for your favorite photograph of the week. With November’s #FP4Party fast approaching (starting November 4th), we’re asking for your votes by the end of this week – October 28th 2016. Please leave your…
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Minimalism in photography
“Simplicity is the ultimate sophistication”, Leonardo Da Vinci Minimalism of any form requires a degree of discipline… The discipline required is to recognize what is essential and is superfluous. So it is with minimalist photography.
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EMULSIVE interview #109: I am Unsavoryandgrouse and this is why I shoot film
Today we’ve got a little treat for you in the form of Nik, aka unsavouryandgrouse. Nik’s a relatively new film shooter and based in Australia.
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FP4 Party September 2016 winner announcement
Welcome to the beginning of dev week for #FP4Party #02!
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Camera review: Lomography Sprocket Rocket
Overlapping nicely with the 52 Rolls project, September 5-11th saw the first ‘Shoot Week’ of the #FP4Party.
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EMULSIVE interview #106: I am Robert J Davie and this is why I shoot film
Today I’m delighted to bring Rob Davie for your intellectual consumption.
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EMULSIVE interview #105: I am Jasjit Singh and this is why I shoot film
It’s that time of week again, time to sit down with another film photographer and find out what makes them tick.
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Photography: Street racers – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)
Street racers ILFORD FP4 PLUS shot at EI 800 Black and white negative film in 35mm format Push processed 2+2/3 stops Read the ILFORD FP4 PLUS review here.
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Photography: Would you like younger looking skin? – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)
Would you like younger looking skin? ILFORD FP4 PLUS shot at EI 800 Black and white negative film in 35mm format Push processed 2+2/3 stops Read the ILFORD FP4 PLUS review here
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Cheatsheet: ILFORD FP4 PLUS development times – EI 100 to EI 6400
Over the years I’ve built up a large bank of development times and schemes for many black and white films, old and new;
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Photography: Filthy habit – Ilford FP4+ (35mm)
2016-09-07 – Filthy habit Ilford FP4+ shot at EI 800 Black and white negative film in 35mm format Push processed 2+2/3 stops
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Photography: Over my shoulder – Ilford FP4+ (35mm)
Over my shoulder Shot on Ilford FP4+ at EI 6400 Black and white negative film in 35mm format Push processed 5+2/3 stops
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Push processing ILFORD HP5 PLUS from EI 800 to EI 6400
Hi! My name is Daniel and I live in Helsinki, Finland.
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Introducing #FP4Party – celebrating ILFORD FP4 PLUS
Sometimes things happen fast and sometimes they happen REALLY FAST. #FP4Party falls into the latter end of that speedy spectrum. What started out as a few comments on a post of one of my favorite Ilford FP4+ photographs quickly turned
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Photography: Tuning forks – Shot on ILFORD FP4 PLUS at EI 125 (35mm format)
Tuning forks Shot on ILFORD FP4 PLUS at EI 125Black and white negative film in 35mm format Tuning forksILFORD FP4 PLUS shot at EI 125.Black and white negative film in 35mm format.