Tag: ILFORD
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Film love: DISCONTINUED… Working with Fuji NEOPAN
A mother informs her son that his best friend has just died… ”Just thought I should tell you, Peter is dead.” Stunned silence. “Why don’t you go down the road and play with Paul instead, I know you’ve never met
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EMULSIVE x ILFORD community interview: results time
Back in mid-May 2016, we invited you all to submit your questions to Ilford Photo for the second in a new series of community interviews here on #EMULSIVE.
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Photography: Forest floor – Ilford Delta 400 Professional (35mm)
Forest floor Shot on Ilford Delta 400 Professional at EI 800 Black and white negative film in 35mm format Push processed one stop
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Photography: Rapids – Ilford Delta 400 Professional (35mm)
Rapids Shot on ILFORD Delta 400 Professional at EI 800 Black and white negative film in 35mm format Push processed one stop
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Photography: Letters to the editor – Ilford HP5+ (35mm)
Letters to the editor Shot on Ilford HP5+ at EI 800 Black and white negative film in 35mm format Push processed one stop
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Photostory: Bars – Mamiya RB67 and ILFORD HP5 PLUS at the Yorkshire Museum of Farming
The York Photographic Society have a large membership of active enthusiasts, at least 50 or so.
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Amore al primo rullo: ILFORD HP5 PLUS
Quando EMULSIVE mi ha chiesto di scrivere qualcosa su ilford HP5 plus sono rimasto molto sorpreso e anche un po’ preoccupato: non sono un tecnico e non sono un fotografo professionista e non ho neanche molta esperienza. Bene, probabilmente vi
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Love at first roll: ILFORD HP5 PLUS
When EM asked to me to write something about ILFORD HP5 PLUS I was very surprised and a little worried. I’m not a technician, I’m not a professional photographer and I also don’t have too much experience, so you’re probably
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EMULSIVE interview #94: I am R E Hengsterman and this is why I shoot film
We’re lucky to have perpetual film photographer R E Hengsterman with us today – you can call him Rob if you’re nice. Rob has a lot to say…a LOT to say, so grab a cup of coffee or cold jug
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Theater of the Everyday: Photographs
Manhattan often seems like a stage where performers and exhibitionists of all varieties put on a non-stop show. I started documenting these “performers” in 2008, as the U.S.
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EMULSIVE interview #93: I am Bobby Kulik and this is why I shoot film
If you believe when today’s photographer says he’s only been shooting film for the past four or five years, you’re in the minority.
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EMULSIVE interview #92: I am Chris Maliga and this is why I shoot film
Chris Maliga’s work has been displayed up and down the US. His work is haunting, can be claustrophobic and often leaves the viewer with a feeling of an image half seen or absorbed.
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EMULSIVE interview #91: I am John B Crane and this is why I shoot film
Certain readers may recognise today’s interviewee as the man behind www.nikonf6.net. I prefer to call him John.
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Save the planet – understand film washing kinematics
Gist: You are basically wasting water if you wash your film for greater than 7 mins after fix. I wash for 10 mins because I am paranoid. I never followed ILFORD’s recommendations and I think I was wrong.
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EMULSIVE interview #90: I am Walter Rothwell and this is why I shoot film
A big welcome to Walter Rothwell! Well travelled and widely exhibited, it’s a real pleasure to be able to share the work of such a relented and experienced photographer on these pages.
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EMULSIVE 52 Rolls 2016 – Week 14-17 update (bonus large format)
I’m bored. Photographically, that pretty much sums up the past few months for me. Yes I know it’s probably not best to start off this update post with a lamenting and needy statement but there it is.
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EMULSIVE interview #89: I am Greg McKnight and this is why I shoot film
Today’s interviewee sold all of his digital camera gear in 2015.
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Campinas: o berço da fotografia mundial
Campinas é o berço da fotografia mundial. Sei que provavelmente você não conhece a cidade, e muito menos porque eu disse que ela é o berço da fotografia.
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Campinas: The cradle of world photography
Campinas is the cradle of world photography. I know you probably do not know the city, regardless of my statement about it being the cradle of photography, so here’s a little background why I believe it to be true. For