ILFORD HP5 PLUS

EMULSIVE interview #189: I am Keith Moss and this is why I shoot film

Today's interviewee marks the completion of a conversation started in June 2015, back when I started researching people to include in my very first series, which started barely a month later. He's someone you'll probably be aware of, especially

Photography: Claw – ILFORD HP5 PLUS shot at EI 12800 (120 format)

Claw ILFORD HP5 PLUS shot at EI 12800 Black and white negative film in 120 format shot as 6x6 Push processed 5 stops.   Development notes: Kodak HC-110: 1+79, 23°C/73°F, 21:30 (N+5) No presoak, 1-minute initial agitation, 5 inversions/minute

EMULSIVE interview #177: I am Clara Araujo and this is why I shoot film

It's my pleasure to welcome you all to the words and work of occasional EMULSIVE contributor, Clara Araujo. If you haven't already done so, please do check out her take on portrait photography and double exposure portraiture.

Finding Film part 13: ILFORD HP5 PLUS

Having finished my rolls of ILFORD Delta 100 and 400 Professional for part 12 of this series, I decided to carry on with the Ilford theme, and shoot some HP5, the last of Ilford’s offerings I am yet to try.

EMULSIVE interview #171: I am John Michael Caldwell and this is why I shoot film

It's wonderful to be able to introduce you today to the wonderful work of film photographer and musician, John Michael Caldwell. Over to you, John! Hi John, what's this picture, then? Alexis in Dripping SpringsNikon FA, Nikon 50mm f/1.4