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Today's interviewee marks the completion of a conversation started in June 2015, back when I started researching people to include in my very first series, which started barely a month later.
He's someone you'll probably be aware of, especially
I think one of the first interactions I had with David was in Feb 2017 when he commented "best thread ever" on a Twitter thread I was involved in, which included a stock photo of two shirtless elderly gentlemen having
ILFORD HP5 PLUS shot at EI 12800
Black and white negative film in 120 format shot as 6x6
Push processed 5 stops.
Kodak HC-110: 1+79, 23°C/73°F, 21:30 (N+5)
No presoak, 1-minute initial agitation, 5 inversions/minute
It's my pleasure to welcome you all to the words and work of occasional EMULSIVE contributor, Clara Araujo. If you haven't already done so, please do check out her take on portrait photography and double exposure portraiture.
Having finished my rolls of ILFORD Delta 100 and 400 Professional for part 12 of this series, I decided to carry on with the Ilford theme, and shoot some HP5, the last of Ilford’s offerings I am yet to try.
It's wonderful to be able to introduce you today to the wonderful work of film photographer and musician, John Michael Caldwell.
Over to you, John!
Hi John, what's this picture, then?
Alexis in Dripping SpringsNikon FA, Nikon 50mm f/1.4