Tag: ILFORD FP4 PLUS
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EMULSIVE's most popular film stock reviews of 2017
Welcome to the fourth lazy-post of the end of year season here at EMULSIVE.
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The Ghost of New Walk Centre aka double exposures on ILFORD FP4 PLUS
The New Walk Centre in Leicester was the City Council’s headquarters since the mid-70s and the twin-towers, being among the city’s tallest buildings, have been a landmark feature on the skyline all of my life.
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EMULSIVE interview #166: I am Fabian Schmid and this is why I shoot film
You might remember today’s interviewee from part one of his beautiful 2017 travelogue.
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EMULSIVE interview #159: I am Toby Van de Velde and this is why I shoot film
Hello and welcome to another fresh EMULSIVE interview, today with Toby Van de Velde, freelance photographer based in the south of England.
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Camera review: Mamiya 645 1000S
The Mamiya 645 1000S was not my first medium format camera.
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EMULSIVE interview #152: I am Ed Worthington and this is why I shoot film
Wahey! It’s Ed Worthington aka “The 6 Million P Man” (that’s P as in English pence, not Mike, or the other P word).
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EMULSIVE interview #148: I am Ashley B Williams and this is why I shoot film
There’s a sense of good will and camaraderie in the film photography community that’s hard to beat.
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EMULSIVE interview #145: I am Aislinn Chuahiock and this is why I shoot film
I’m incredibly pleased to bring you the words and pictures of Aislinn Chuahiock in this week’s EMULSIVE interview.
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Camera review: My journey with the Pentax 645
If you are just an old timer still shooting film, or new to the craft, photographing with film encourages one to explore and play with tactile gear and tangible materials.
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EMULSIVE interview #137: I am Mads Madison and this is why I shoot film
Even if you have a short memory, you’ll remember today’s interviewee from their guest post on experimental development with mouthwash, orange juice and a whole bunch of other household goods;
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EMULSIVE interview #134: I am Monika and this is why I shoot film
Finally! That’s all I’m going to say about today’s interview.
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EMULSIVE interview #132: I am #EMULSIVE and this is why I shoot film
Welcome to this week’s EMULSIVE interview! Today’s interviewee is someone a few of you may have heard of and to be frank, it’s been a bit of headache to put together.
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EMULSIVE interview #131: I am Jessica Hobbs and this is why I shoot film
This week’s interview is with talented Montrealian (Montrealite?) Jessica Hobbs.
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Photography: Into the breeze – ILFORD FP4 PLUS (35mm format)
Into the breeze ILFORD FP4 PLUS shot at EI 400 Black and white negative film in 35mm format Push processed 1+2/3 stops Read the ILFORD FP4 PLUS review.
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Photography: Taking out the trash – ILFORD FP4 PLUS (35mm format)
Taking out the trash ILFORD FP4 PLUS shot at EI 400 Black and white negative film in 35mm format Push processed 1+2/3 stops Read the ILFORD FP4 PLUS review.
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Photography: Steamroom – Ilford FP4+ (35mm)
Steamroom Ilford FP4+ shot at EI 400 Black and white negative film in 35mm format Push processed 1+2/3 stops
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Photography: The gatekeeper – ILFORD FP4 PLUS (35mm format)
The gatekeeper ILFORD FP4 PLUS shot at EI 400 Black and white negative film in 35mm format Push processed 1+2/3 stops Read the ILFORD FP4 PLUS review.
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FP4 Party 2016: epilogue and award announcement
When FP4Party started back in September 2016, the organisers and I had no idea it would turn into the community phenomenon was by the final party month in December 2016. Let me be clear: I don’t use that word lightly
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Long exposure film tests part one: ILFORD PAN F+, ILFORD FP4+, ILFORD Delta 100 Professional
Long exposure film photography is a technique central to my currently ongoing photography project, Where We Meet. Capturing the smooth extensions of water movement, contrasted with static elements of the shoreline is the key to this visual narrative.
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FP4 Party December 2016 – winner announcement
It’s with both joy and sadness that we announce the winner of December 2016’s #FP4 Party. We said that judging November was tough.