Tag: ILFORD FP4 PLUS
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Photography: Break time – Ilford FP4+ (120)
Break time Ilford FP4+ shot at EI 400 Black and white negative film in 120 format shot as 6×6 1+1/3 stop push
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FP4 Party November 2016 – winner announcement
Shoot week of the final FP4 Party of 2016 has just wrapped and I expect you’re all hunched over your darkroom gear trying to coax an image from your rolls.
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EMULSIVE interview #117: I am Alex Luyckx and this is why I shoot film
Alex Luyckx. For me it’s a name synonymous with an irascible passion for film.
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FP4 Party: Best of November 2016
Welcome to the 3rd #FP4Party after party, celebrating the #FP4Party that was November 21st-27th 2016. As with FP4 Party September and October 2016, we’d like your help making the selection for your favorite photograph of the week.
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EMULSIVE interview #116: I am Richard Pickup and this is why I shoot film
I’m hoping you remember today’s interviewee from his wonderful contributed article discussing the importance and impact of effective visualisation for film photographers. If you haven’t read it yet head on over, we’ll wait. Back? Excellent.
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FP4 Party October 2016 – winner announcement and honourable mentions
We’re sitting at the week before the start of FP4 Party #04 and that can only mean one thing: time to revisit the October’s Party #02 and make a few announcements! You’ll remember that we wrapped up the best of
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Camera review: the Hasselblad 500C/M
In high school, I bought myself a Minolta Maxxum 3000i with some off-brand lenses. It worked great as a point and shoot on drugstore Fuji film.
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FP4 Party: Best of October 2016
Welcome to the 2nd #FP4Party after party, celebrating the #FP4Party that was October 3rd-9th 2016. As with FP4 Party September 2016, we’d like your help making the selection for your favorite photograph of the week. With November’s #FP4Party fast approaching (starting November 4th), we’re asking for your votes by the end of this week – October 28th 2016. Please leave your…
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FP4 Party September 2016 winner announcement
Welcome to the beginning of dev week for #FP4Party #02!
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Camera review: Lomography Sprocket Rocket
Overlapping nicely with the 52 Rolls project, September 5-11th saw the first ‘Shoot Week’ of the #FP4Party.
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Photography: Street racers – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)
Street racers ILFORD FP4 PLUS shot at EI 800 Black and white negative film in 35mm format Push processed 2+2/3 stops Read the ILFORD FP4 PLUS review here.
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Photography: Would you like younger looking skin? – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)
Would you like younger looking skin? ILFORD FP4 PLUS shot at EI 800 Black and white negative film in 35mm format Push processed 2+2/3 stops Read the ILFORD FP4 PLUS review here
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Cheatsheet: ILFORD FP4 PLUS development times – EI 100 to EI 6400
Over the years I’ve built up a large bank of development times and schemes for many black and white films, old and new;
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Photography: Filthy habit – Ilford FP4+ (35mm)
2016-09-07 – Filthy habit Ilford FP4+ shot at EI 800 Black and white negative film in 35mm format Push processed 2+2/3 stops
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Photography: Over my shoulder – Ilford FP4+ (35mm)
Over my shoulder Shot on Ilford FP4+ at EI 6400 Black and white negative film in 35mm format Push processed 5+2/3 stops
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Introducing #FP4Party – celebrating ILFORD FP4 PLUS
Sometimes things happen fast and sometimes they happen REALLY FAST. #FP4Party falls into the latter end of that speedy spectrum. What started out as a few comments on a post of one of my favorite Ilford FP4+ photographs quickly turned
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Photography: Tuning forks – Shot on ILFORD FP4 PLUS at EI 125 (35mm format)
Tuning forks Shot on ILFORD FP4 PLUS at EI 125Black and white negative film in 35mm format Tuning forksILFORD FP4 PLUS shot at EI 125.Black and white negative film in 35mm format.
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EMULSIVE interview #94: I am R E Hengsterman and this is why I shoot film
We’re lucky to have perpetual film photographer R E Hengsterman with us today – you can call him Rob if you’re nice. Rob has a lot to say…a LOT to say, so grab a cup of coffee or cold jug
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EMULSIVE interview #93: I am Bobby Kulik and this is why I shoot film
If you believe when today’s photographer says he’s only been shooting film for the past four or five years, you’re in the minority.