Tag: ILFORD FP4 PLUS
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EMULSIVE interview #92: I am Chris Maliga and this is why I shoot film
Chris Maliga’s work has been displayed up and down the US. His work is haunting, can be claustrophobic and often leaves the viewer with a feeling of an image half seen or absorbed.
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Photography: Don’t leave me hanging – ILFORD FP4 PLUS (120 format)
2016-05-27 – Don’t leave me hanging Ilford FP4+ shot at EI 800 Black and white film in 120 format shot as 6×6 Push processed 2+2/3
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Photography: At play – Shot on Ilford FP4+ (35mm)
At play Shot on Ilford FP4+ at EI 400 Black and white film in 35mm format Push processed 1+1/3 stops
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EMULSIVE interview #78: I am Johann Bottos and this is why I shoot film
We’re here today with landscape photographer Johann Bottos, Italian native but (for the time being), settled in Austria Not to diminish the wonderful images and narrative below but Johan is what one might call a little nutty about mountains. Over
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Photography: Come and get ’em – Ilford FP4+ (120)
2016-05-12 – Come and get ’em Ilford FP4+ shot at EI 800 Black and white negative film in 120 format shot as 6×6 2+2/3 stop push
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EMULSIVE 52 Rolls 2016 Week 10-13 update
“What is this mysterious object in the sky? Why does it burn my eyes? What is this feeling on my skin?
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EMULSIVE interview #73: I am Ron Hammond and this is why I shoot film
Today’s interviewee is prolific to say the least. Ron Hammond has been actively photographing for over 50 years and exhibiting his work in solo shows for over 25 of them.
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EMULSIVE 52 Rolls 2016 – Week 06-09 update
Time for a look at the latest frames from week 06-09 2016 of my 52 Rolls project (not 06-10, as I incorrectly tweeted). The over/under exposure and push/pull/XPRO theme covered in my first update of 2016 continues unabated
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EMULSIVE interview #59: I am Duncan Waldron and this is why I shoot film
Today I’m sitting down with Duncan Waldron, life-long photographer both at work and play.
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EMULSIVE interview #58: I am David Lingham and this is why I shoot film
We grabbed some time to have a chat with David Lingham, Wales-based darkroom purist and ex-litho industry stripper (not THAT kind). David’s got some beautiful images to share, as well as some insight into his photographic journey and why
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EMULSIVE interview #55: I am Paul Berry and this is why I shoot film
Grab a coffee and a pack of your favorite biscuits, this is going to be a long and interesting read.
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EMULSIVE interview #53: I am Thom Axon and this is why I shoot film
There’s salt in the air and it must have something to with today’s interviewee, Thom Axon. Thom’s a busy man.
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Photography: Slipway – Shot on ILFORD FP4 PLUS at EI 800 (120)
Slipway ILFORD FP4 PLUS shot at EI 800 Black and white negative film in 120 format as 6×6 Push processed 2+2/3 stops Read the ILFORD FP4 PLUS review here.
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EMULSIVE interview #45: I am Hans ter Horst and this is why I shoot film
“No more chimping” – Hans ter Horst isn’t the first person to have said that and her certainly won’t be the last.
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EMULSIVE interview #44: I am Gary W Smith and this is why I shoot film
We’re sitting down today with with Liverpudlian turned Londoner, Gary W Smith. You might recognise some of the images below from his Zones 1-4 and London Street projects.
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EMULSIVE interview #43: I am Andrew Bartram and this is why I shoot film
35mm, medium format, instant and Large format; they’re all fair game for today’s interviewee, Andrew Bartram.
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Photography: Temple cleaning – Shot on ILFORD FP4 PLUS shot at EI 100 (35mm format)
Temple cleaning Shot on ILFORD FP4 PLUS at EI 100 Black and white negative film in 35mm format Read the full ILFORD FP4 PLUS review here.
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Photography: Shuttered – Shot on ILFORD FP4 PLUS (35mm)
Shuttered Shot on ILFORD FP4 PLUS at EI 125 Black and white negative film in 35mm format
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EMULSIVE interview #22: I am Roy Clark and this is why I shoot film
Currently based in one of my favorite parts of London (hint: US movie buffs might will recognise it as being near the main location of that Hugh Grant and Julia Roberts film), today’s interviewee, Roy Clark is a professional writer
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EMULSIVE interview #16: I am Tim Dobbs and this is why I shoot film
One must keep on one’s toes when talking with the Welsh.
Recently published
- Ultreia: Making pilgrimage to Santiago de Compostela
- 5 Frames… In the pits at Brands Hatch motor racing circuit on FP4 PLUS (35mm format / EI 125 / Nikon L35AF) – by Nik Stanbridge
- 5 Frames… Of my boy (skeleton) Jeffrey on Polaroid Color SX-70 film
- New film day! Say hello to HARMAN Phoenix 200, a brand new mid-speed colour film
- My First Roll… With a Yashica Mat 124G
- The Contax 645: Not just a wedding camera
