Tag: ILFORD Delta 400 Professional
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EMULSIVE's most popular film photography experimentation articles of 2017
What would film photography be without the experimentation aspect? Sticking to box speeds, recommended developers and “the right way” of doing things is boring 10.
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Camera review: Fuji GA645i, “The Portrait Machine”
In this piece, I will be reviewing the Fuji GA645i 6×4.5 medium format camera.
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Camera review: Mamiya 645 1000S
The Mamiya 645 1000S was not my first medium format camera.
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EMULSIVE interview #147: I am Isabel Curdes and this is why I shoot film
I’ve been looking forward to this for a while and in fact…that’s all I’m going to say about it.
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Long exposure film tests part two: ILFORD HP5 PLUS, ILFORD Delta Professional 400, ILFORD Delta Professional 3200, ILFORD SFX 200
Welcome to part two of my long exposure test results.
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EMULSIVE interview #131: I am Jessica Hobbs and this is why I shoot film
This week’s interview is with talented Montrealian (Montrealite?) Jessica Hobbs.
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EMULSIVE interview #126: I am Lilly Schwartz and this is why I shoot film
It’s a pleasure to be able to bring you Lilly Schwartz or @blaurebell, as she’s know on Twitter for today’s interview. Lilly is a true film photography hero.
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Photography: Bench – Ilford Delta 400 Professional (120)
Bench Ilford Delta 400 Professional shot at EI 400 Black and white negative film in 120 format shot as 6×6 2x Teleconverter
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Camera review: Me and my Ricoh GR1s Date
I work as full-time photographer during the week taking pictures for corporate companies and shooting events, so unfortunately, photography was becoming more and more like work.
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EMULSIVE interview #105: I am Jasjit Singh and this is why I shoot film
It’s that time of week again, time to sit down with another film photographer and find out what makes them tick.
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EMULSIVE x ILFORD community interview: results time
Back in mid-May 2016, we invited you all to submit your questions to Ilford Photo for the second in a new series of community interviews here on #EMULSIVE.
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Photography: Forest floor – Ilford Delta 400 Professional (35mm)
Forest floor Shot on Ilford Delta 400 Professional at EI 800 Black and white negative film in 35mm format Push processed one stop
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Photography: Rapids – Ilford Delta 400 Professional (35mm)
Rapids Shot on ILFORD Delta 400 Professional at EI 800 Black and white negative film in 35mm format Push processed one stop
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EMULSIVE interview #91: I am John B Crane and this is why I shoot film
Certain readers may recognise today’s interviewee as the man behind www.nikonf6.net. I prefer to call him John.
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EMULSIVE interview #84: I am Rory Power and this is why I shoot film
Today we’re sitting down with 20-year old Rory Power. It’s safe to say that he’s been around a bit but I’ll let him tell you that himself.
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EMULSIVE interview #75: I am Kevin Luyo and this is why I shoot film
It’s the beginning of May, spring is in full bloom (mostly), I for one can feel summer’s imminent arrival – it’s not soon enough. So, it seems like the perfect time to bring you the work of another young
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Black and white film high EI shootout part 2: Kodak Tri-X 400, T-MAX 400 and ILFORD HP5 PLUS, Delta 400 at EI 25600
The high EI shootout is back for part two: the pushening. Poorly executed references to the terrible sequel that was Highlander 2 aside, I’m hoping that you’ll find this extension of part one just as informative as the first and
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Photography: Alley 35 – Ilford Delta 400 Professional
Alley 35 Ilford Delta 400 Professional shot at EI 12800 Black and white negative film in 120 format shot at 6×6 Push processed 5-stops
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Black and white film high EI shootout part 1: Kodak Tri-X 400, T-MAX 400 and ILFORD HP5 PLUS, Delta 400 at EI 12800
A few months ago I wrote a post about experimenting with pushing Kodak Tri-X from ISO 800 to 12800.
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Photography: Pick-me-up – Shot on ILFORD DELTA PROFESSIONAL 400 (120 format)
Pick-me-up ILFORD DELTA PROFESSIONAL 400 shot at EI 1600 Black and white negative film in 120 format shot as 6×6 Push processed two stops