Hasselblad 2000FCW


Not in stock - Shot on Rollei Ortho 25 at EI 25. Black and white negative film in 120 format shot as 6x6.

Photography: Not in stock – Shot on Rollei Ortho 25 at EI 25 (120 format)

Not in stock

Shot on Rollei Ortho 25 at EI 25
Black and white negative film in 120 format shot as 6×6

 

Development notes:
Rodinal: 1+50, 21°C/70°F, 06:00 (N)
No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse

Light traffic - Shot on Rollei Ortho 25 at EI 25. Black and white negative film in 120 format shot as 6x6.

Photography: Light traffic – Shot on Rollei Ortho 25 at EI 25 (120 format)

Light traffic

Shot on Rollei Ortho 25 at EI 25
Black and white negative film in 120 format shot as 6×6

 

Development notes:
Rodinal: 1+50, 21°C/70°F, 06:00 (N)
No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse

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My pond has no fish - Shot on ILFORD FP4 PLUS at EI 400. Black and white negative film in 120 format shot as 6x6. Push processed 1+2/3 stops.

Photography: My pond has no fish – Shot on ILFORD FP4 PLUS at EI 400 (120 format)

My pond has no fish

Shot on ILFORD FP4 PLUS at EI 400
Black and white negative film in 120 format shot as 6×6
Push processed 1 2/3 stops

Read the ILFORD FP4 PLUS review

 

 

 

Seventeen sticks - Shot on Kodak EKTACHROME Professional Plus 100 (6005) at EI 100. Color reversal (slide) film in 120 format shot as 6x6.

Photography: Seventeen sticks – Shot on Kodak EKTACHROME Professional Plus 100 (6005) at EI 100 (120 format)

Seventeen sticks

Shot on Kodak EKTACHROME Professional Plus 100 (6005) at EI 100Color reversal (slide) film in 120

Light pollution - Shot on Fuji ACROS 100 at EI 50. Black and white negative film in 120 format shot as 6x6. Pull processed one stop.

Photography: Light pollution – Shot on Fuji ACROS 100 at EI 50 (120 format)

Light pollution

Shot on Fuji ACROS 100 at EI 50
Black and white negative film in 120 format shot as 6×6
Pull processed one stop

 

 

 

Flow - Shot on Kodak Tri-X 400 at EI 51200. Black and white negative film in 120 format shot as 6x6. Push processed seven stops.

Photography: Flow – Shot on Kodak Tri-X 400 at EI 51200 (120 format)

Flow

Shot on Kodak Tri-X 400 at EI 51200
Black and white negative film in 120 format shot as 6×6
Push processed seven stops

 

 

Transition 05 - Shot on Rollei Superpan 200 at EI 200. Black and white negative film shot as 6x6. Hasselblad 2000 + Kodak Aero Ektar 178.

Photography: Transition 05 – Shot on Rollei Superpan 200 at EI 200 (120 format)

Transition 05

Shot on Rollei Superpan 200 at EI 200
Black and white negative film shot as 6×6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5

Read the Rollei Superpan review and experimentation guide

 

 

 

Transition 04 - Shot on Rollei Superpan 200 at EI 200. Black and white negative film shot as 6x6. Hasselblad 2000 + Kodak Aero Ektar 178.

Photography: Transition 04 – Shot on Rollei Superpan 200 at EI 200 (120 format)

Transition 04

Shot on Rollei Superpan 200 at EI 200
Black and white negative film shot as 6×6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5

Read the Rollei Superpan review and experimentation guide

 

 

 

Transition 03 - Shot on Rollei Superpan 200 at EI 200. Black and white negative film shot as 6x6. Hasselblad 2000 + Kodak Aero Ektar 178.

Photography: Transition 03 – Shot on Rollei Superpan 200 at EI 200 (120 format)

Transition 03

Shot on Rollei Superpan 200 at EI 200
Black and white negative film shot as 6×6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5

Read the Rollei Superpan review and experimentation guide

 

 

 

Transition 02 - Shot on Rollei Superpan 200 at EI 200. Black and white negative film shot as 6x6. Hasselblad 2000 + Kodak Aero Ektar 178.

Photography: Transition 02 – Shot on Rollei Superpan 200 at EI 200 (120 format)

Transition 02

Shot on Rollei Superpan 200 at EI 200
Black and white negative film shot as 6×6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5

Read the Rollei Superpan review and experimentation guide

 

 

 

Transition 01 - Shot on Rollei Superpan 200 at EI 200. Black and white negative film shot as 6x6. Hasselblad 2000 + Kodak Aero Ektar 178.

Photography: Transition 01 – Shot on Rollei Superpan 200 at EI 200 (120 format)

Transition 01
Shot on Rollei Superpan 200 at EI 200
Black and white negative film shot as 6×6
Hasselblad 2000FCW + Kodak Aero Ektar 178mm f/2.5

Read the Rollei Superpan review and experimentation guide

 

 

View no more - Shot on ILFORD HP5 PLUS at EI 1000. Black and white negative film in 120 format shot as 6x45. Push processed three stops.

Photography: View no more – Shot on ILFORD HP5 PLUS at EI 1000 (120 format)

View no more

Shot on ILFORD HP5 PLUS at EI 1000
Black and white negative film in 120 format shot as 6×45
Push processed three stops

Read the full ILFORD HP5 PLUS review here.

 

 

 

Full bloom - Shot on Kodak AEROCHROME III 1443 at EI 400. Color infrared aerial surveillance film in 120 format shot as 6×6. Shot with #21 orange filter.

Photography: Full bloom – Shot on Kodak AEROCHROME III 1443 at EI 400 (120 format)

Full bloom
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Shot with #21 orange filter

Read the Kodak AEROCHROME review