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Photography: On the job – Shot on ILFORD Delta 400 Professional...

On the job Shot on ILFORD Delta 400 Professional at EI 25600Black and white negative film in 120 format...

Photography: Tread carefully – Shot on ILFORD HP5 PLUS at EI...

Tread carefully Shot on ILFORD HP5 PLUS at EI 3200 Black and white negative in 120 format shot as 6x6 Push processed 3 stops Hasselblad 2000FCW / Carl Zeiss Planar...

Photography: Side entrance #02 – Shot on Fuji NEOPAN 100 ACROS...

Side entrance #02 Shot on Fujifilm NEOPAN 100 ACROS at EI 200Black and white negative film in 120 format...

Photography: 5 o’clock shadow – Shot on ILFORD HP5 PLUS at...

5 o'clock shadow Shot on ILFORD HP5 PLUS at EI 400.Black and white negative film in 120 format shot...

Photography: Dead center – Shot on Kodak AEROCHROME III 1443 at EI...

Dead center Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×6 Shot with #21 orange filter Hasselblad 2000FCW...

Photography: Rested – Shot on Kodak AEROCHROME III 1443 at EI 400...

Rested Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×6 Shot with #21 orange filter Hasselblad 2000FCW /...

Blind film review #02: CineStill 800T vs Kodak Portra 400 in...

This article pits Kodak's medium format Portra 400 against CineStill's 800T in a head-to-head. Both films utilise Kodak's VISION3 motion picture emulsion technology and have a vastly different look if social media is to be believed.

Photography: Pure Colombian – Shot on Konica Pan 100 at EI...

Photography: Pure Colombian - Shot on Konica Pan 100 at EI 100. Black and white negative film in 120 format shot as 6x6. EMULSIVE.org