Fujifilm
An early swansong? Reviewing the CONTAX AX: autofocusing manual lenses
When it comes to autofocusing manual lenses on film cameras there is really only one option: the unique and relatively short-lived CONTAX AX. Chunky sibling of the CONTAX RX and...
5 Frames… With Fujifilm Natura 1600 at night (EI 1600 / 35mm format / Nikon EM) – by Huy Le
I've always wanted to try out Fujifilm Natura 1600 film since over ten years ago when I first saw a photographer using it on their Flickr page.
Saxonvale: two years documenting a brownfield industrial site – by Tim Gander
This is the story of a photo project which started on a whim and grew into something far bigger than I’d imagined. Fingers crossed it’s not finished yet, but more on that later.
EMULSIVE Interview #201: I am Allysse Riordan and this is why I shoot film
Welcome to a fresh instalment of my "...this is why I shoot film" series!
5 Frames… With Fujifilm Pro 400H (EI 400 / 120 format / Zenza Bronica SQ-A) – by Chris Hunter
I’ve been looking for a 120 ISO 400 colour film for a pinhole based project that I have in mind and whilst there is a good range of black and white and 35mm, choices are fairly limited for 120
Brand new film from Fujifilm: NEOPAN 100 ACROS II announced, begins shipping Autumn 2019
Updated with additional details, speculation and sample images.
Picked up just a few moments ago is the heart-stopping news that Fujifilm is officially bringing black and white films back to the market in Autumn 2019 with the all-new NEOPAN
Photography: Side entrance #02 – Shot on Fuji NEOPAN 100 ACROS at EI 200 (120 format)
Side entrance #02
Shot on Fujifilm NEOPAN 100 ACROS at EI 200Black and white negative film in 120 format shot as 6x61-stop push process
Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8
Development notesKodak HC-110 1+47 (E
Amazing canned food pinhole selfies (featured project and how to)
It all started with some idle musings between a few photographers. Some were expressing a bit of disdain for the "selfie generation", which triggered a chain of thought that lead me to a fusion of pop-art and selfies.
5 Frames… With Fujifilm Fujicolor Pro 400H (EI 400 / 35mm format / Nikon F100) – by Mac MacDonald
In July of 2018, I made the switch from 100% digital to 100% film. I started out shooting manual SLRs (Nikon F3 and Nikon FE2) and was pleased with those cameras.
5 Frames… With Fujifilm Natura 1600 (EI 1600 / 35mm format / Leica M7) – by Jose Luis Gea Arques
I used Fuji Natura 1600 for the first time in early December of 2018 during a three-day trip to Liverpool and its metropolitan area.
EMULSIVE interview #198: I am Angela Solis and this is why I shoot film
I've known today's interviewee online for a few years now, and even had the pleasure of meeting her back in 2018*.
How to: Shoot Fuji Instax instant print film in a classic large format camera
Some of my classic cameras remind me of the fascinating history of photography. Recently I wanted to see if I could make instant prints with my Speed Graphic press camera.
Photography: Office space – Shot on Fuji Acros 100 at EI 400 (35mm format)
Office space
Shot on Fuji NEOPAN 100 ACROS at EI 400
Black and white negative film in 35mm format
Push processed 2 stops
Nikon F100 + Nikkor 85mm f/1.4 AF-D + ISCO Cinemascope Ultra Star Plus 2.1
Development notes
Film stock review: Comparing Kodak Ektar 100 to Fujifilm Velvia 50 – by Gregor Sinclair
To the analogue landscape photographer, choosing one’s film stock is one of the most crucial steps in the creative process.
5 Frames… With Fujifilm Fujicolor Pro 400H (EI 800 / 35mm format / Canon EOS 33) – by Geoff Roughton
By way of introduction my name is Geoff Roughton and to get it out of the way, 4 years ago I had a stroke…..well actually a series of mini-strokes followed by something more major.
No joke: 30%+ price increase on Fujifilm photographic film and paper from April 1st 2019
Update: Within hours of this announcement several online retailers and eBay sellers have increased their prices by up to 40% in anticipation of the April 1st change. Price gouging continues to thrive in 2019.
Photography: Pads – Shot on Kodak AEROCHROME III 1443 (Large format)
Pads
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6x9
Shot with #21 orange filter
Read the Kodak AEROCHROME review
Photography: Cup holder as standard – Shot on ILFORD HP5 PLUS at EI 400 (120 format)
Cup holder as standard
Shot on ILFORD HP5 PLUS at EI 400.
Black and white negative film in 120 format shot as 6x9.
Fuji GW690III + EBC Fujinon 90mm f/3.5.
Development notes
Kodak HC-110: 1+31(B), 20°C/68°F, 05:00
Shooting an album cover on film – Eyedress’ Sensitive G
I had previously worked with Eyedress in Tokyo at Big Love Records. He's a Philipines based artist who is currently on Lex Records based out of England.
Photography: Put your feet up – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)
Put your feet up
Shot on ILFORD FP4 PLUS at EI 800.
Black and white negative film in wide 35mm format (TEXPan).
Push processed 2⅔-stops.
Fuji GW690III + EBC Fujinon 90mm f/3.5.
Development notes
Kodak HC-110: 1+31(B
