Tag: Fujifilm
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5 Frames… Of Yosemite on Fuji Pro 400H on a Yashica Mat-124 G (120 Format / EI 400 / Yashinon 80mm f/3.5)
I had a conversation with my housemate about the five places every Californian needs to visit: Los Angeles, San Francisco, the Central Coast, Lake Tahoe, and Yosemite. All are very beautiful and unique, and if you’re able, I’d highly recommend making the pilgrimage to each. I’ve been lucky enough to hit every place on the…
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Photography: By a thread – Shot on ILFORD HP5 PLUS at EI 800 (120 format)
Shot on ILFORD HP5 PLUS at EI 800.Black and white negative film in 120 format shot as 6×9.Push processed one stop.Fuji GW690III + EBC Fujinon 90mm f/3.5. Development notesKodak HC-110: 1+31(B), 20°C/68°F, 07:30 (N+1)No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
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5 Frames… From Bulgaria: Colour snapshots on Fujicolor C200 and an Olympus XA
I’ve used my Olympus XA so slowly over the last few months that I only recently developed a roll with some of the images I made with it while in Sofia, Bulgaria over Christmas 2020 last year. I still use the XA for snapshot, point-and-shoot colour images, which in Bulgaria left me with quite muted…
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Photography: Lend a hand? – Shot on Fujifilm NEOPAN 400 CN at EI 400 (35mm Format)
Shot on Fujifilm NEOPAN 400 CN at EI 400Chromogenic black and white negative film in 35mm formatNikon F6 and Nikkor 85mm f/1.8 AF-D
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Photography: Yakult, Love, and Loss – Shot on Kodak Portra 160NC – unperforated (35mm Format) at EI 100
Shot on Kodak Portra 160NC (unperforated) at EI 100Color negative film in 35mm format Fuji GW 690III / EBC Fujinon 90mm F3.5 lens set up as a TEXPan
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5 Frames… Of my 22nd birthday at the Uetliberg on Fujifilm FUJICOLOR Industrial 100 film (35mm Format / EI 100 / Pentax MX + Asahi Pentax SMC 50mm f/1.7)
These 5 photographs were taken on my birthday this year on a Pentax MX with an Asahi Pentax SMC 50mm f/1.7 lens. I shot the photos on Fujifilm Industrial 100. I had been saving the last roll of this film that I had for a special occasion since this is one of my favourite film…
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Taking Stock: A shootout with 3 very different color films highlights creative possibilities – Kodak Portra, Fuji C200 and Fuji Velvia 100
I recently acquired a Rollei 35 after dreaming about shooting with this ultra-compact camera and its legendarily sharp Carl Zeiss lens for many years. I was able to score a great deal on a lightly used “Made in Germany” variant at my local camera shop by trading in an old Canon A1 and 50mm lens…
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Photography: Here’s a thought – Shot on Fujifilm NEOPAN 100 ACROS at EI 800 (35mm Format)
Fujifilm NEOPAN 100 ACROS shot at EI 800Black and white negative film in 35mm formatNikon F6 + Nikkor 85mm f/1.8 AF-D Development notesKodak HC-110: 1+31(B), 20°C/68°F, 14:00 (N+3)No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
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EMULSIVE Interview #226: I am Brian Dubois and this is why I shoot film
For those of you not familiar with him, I’d like to take a moment and introduce you all to Brian Dubois, better known as Twitter’s Film Dad. That’s film photography, not film movies, although thinking about it, the latter might be a nice niche to slide into, Brian. Over to you! Hi Brian, what’s this…
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Photography: Shortcut – Shot on Fujifilm NEOPAN 400 at EI 800 (35mm Format)
Shot on Fujifilm NEOPAN 400 at EI 800Black and white negative film in 35mm formatNikon F100 + Nikon Zoom-Nikkor 35-70mm f/2.8 AF-D Development notesKodak HC-110: 1+31(B), 20°C/68°F, 07:15 (N+1)No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
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5 Frames… At an abandoned asylum on Fujifilm NEOPAN 100 ACROS (EI 100 / 120 Format / Yashica D + Yashinon 80mm f/3.5)
About a year into my film photography journey, I decided that I wanted to look into medium format cameras. Being on a bit of a budget I found myself gravitating towards the cheaper TLRs, and basically due to nothing but synchronicity the camera I ended up buying was a later-model Yashica D (with the Yashinon…
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Photography: Magic happening – Shot on Fujifilm FUJICOLOR C200 at EI 200 (35mm Format)
Shot on Fujifilm FUJICOLOR C200 at EI 200Color negative film in 35mm formatNikon F100, Nikkor 85mm f/1.8 AF-D
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5 Frames… With a Nikon S2 and original Fujifilm NEOPAN 100 ACROS in Downtown Calgary
I think the main thing I need to state before anything else is I’m not a rangefinder man. I’ve shot them and had, for the most part, mixed feelings about them. Examples of rangefinders I’ve liked include the Argus C3, and the Kiev 4. So when I say I liked the Nikon S2, despite what…
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Photoset: A proper farewell to Johan on original Fujifilm NEOPAN 100 ACROS
My good friend Johan recently moved from Gothenburg, Sweden to Berlin, Germany. I wanted to give him a proper farewell and give myself the best chance to emotionally process the loss of him moving. So, according to the proper virus distancing rules we met up on a cold and windy March day in 2021, walked…
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Photography: Anamorphic Tests #02 – Shot on Fujifilm NEOPAN 100 ACROS at EI 200 (35mm Format)
Part of my ongoing 35mm anamorphic tests on film… Shot on Fujifilm NEOPAN 100 ACROS at EI 200Black and white negative film in 35mm formatPush processed a single-stopNikon F100, Nikkor 85mm f/1.8 AF-D + ISCO Ultra Star 2.1
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EMULSIVE Interview #225: I am Andrea Bianchi and this is why I shoot film
Say hello to Andrea Bianchi; Surfer, extreme sports photographer, photo editor and portraitist based in one of the most beautiful parts of the world. Andrea and I have been crossing paths for 18 months now and I’m glad to finally be able to bring his interview to you. Settle in, this is going to be…
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EMULSIVE Interview #224: I am David Imel and this is why I shoot film
Welcome to another fresh EMULSIVE interview, this week with New York based tech journalist David Imel. Regular readers might remember David’s flagrant disregard for the sanctity of 5 Frames… with his 9 Frames / 3 Triptychs from last November and I’m glad to say he’s back with more — frames, not triptychs that is. To…
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My first roll… Of 35mm film shooting Street (2012, Leica M3 and Fuji Superia 200)
The problem with these things is never knowing where to start. We are only ever where we are because of what came before.
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EMULSIVE Interview #223: I am Ellen Rogers and this is why I shoot film (Mildly NSFW)
Welcome to today’s fresh EMULSIVE interview. We have a bit of a treat this week in the form of polymath Ellen Rogers. Ellen is a photographer, colourist, lecturer, PhD student and fantasist — among other things. I’m so, so glad to be able to welcome her onto these pages! A couple of the photos are…
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Photography: One straight line – Shot on Kodak EKTACHROME E100 at EI 100 (120 Format)
One straight line Shot on Kodak EKTACHROME E100 at EI 100Color reversal (slide) film in 120 format shot as 6×9Fuji GW690III Professional Read the Kodak EKTACHROME E100 guide – shot at EI 100, 200, 400 and 800. If you’re reading this and remembering a time when I posted daily photographs from my archive and current…