Tag: Fujifilm FUJICHROME Velvia 50 (RVP50)
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My Fuji slide film affair
I have always had a love/hate relationship with color film.
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EMULSIVE’s most popular articles of 2017
It’s the final part of this amazing series of listcles.
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5 Frames… With Fujifilm Fujichrome Velvia (EI 50 / 35mm format / Pentax MV-1)
EMULSIVE: a quick editor’s note. This isn’t Fuji Velvia 50 (RVP 50), it’s the original Velvia (RVP), which was discontinued in 2005, reformulated and released in 2007.
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Photography: Pre-exposed – Fuji Velvia 50 RVP50 (120 format)
Pre-exposed Shot on Fuji Velvia 50 (RVP 50) at EI 50 Color reversal (slide) film in 120 format shot as 6×6 XPRO
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EMULSIVE interview #153: I am Yusuf Wiryonoputro and this is why I shoot film
I’m a huge fan of today’s interviewee, he’s responsible for some of the most beautiful slide film landscape photography posted on EMULSIVE this year through his two guest post on working with slide film and eliminating the infamous Fuji Velvia
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EMULSIVE interview #147: I am Isabel Curdes and this is why I shoot film
I’ve been looking forward to this for a while and in fact…that’s all I’m going to say about it.
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How to eliminate the Fuji Velvia “Magenta Cast”
I love the colors of Fuji Velvia, but I don’t like the magenta color cast that can result during daylight shooting.
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EMULSIVE interview #140: I am Roger Harrison and this is why I shoot film
This has been a tough interview to put together. Tough because, as you’ll see below, it’s been an absolute nightmare picking which one of Roger Harrison’s beautiful Fuji Velvia 50 photographs to feature as the cover for this article.
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Effectively shooting Fuji Velvia 50 and other slide films
Fuji Velvia 50 is my favourite colour film. The colours, saturation and contrast are unique. It’s especially good for golden hour colours around dawn and sunset.
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Camera review: the Hasselblad 500C/M
In high school, I bought myself a Minolta Maxxum 3000i with some off-brand lenses. It worked great as a point and shoot on drugstore Fuji film.
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Featured project: Dee Elegia’s Nightcall
I’ve lived in Manchester now for roughly two and half years, having relocated from Scotland to work on my photography full-time.
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EMULSIVE interview #86: I am Jamelle Bouie and this is why I shoot film
Today we’re sitting down with film photographer Jamelle Bouie.
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Photography: Turquoise and red – Shot on Fuji Velvia 50 – RVP50 (120)
Turquoise and red Fuji Velvia 50 (RVP) shot at EI 40 Color reversal (slide) film in 120 format shot as 6×6 Expired and cross processed