Tag: Fujifilm FUJICHROME Velvia 50 (RVP50)
EMULSIVE interview #210: I am Carlos Lopez Medrano and this is...
Welcome to 2020 here on EMULSIVE! I hope you all had a peaceful ringing in of the new year. For my part,...
EMULSIVE’s most popular film stock reviews of 2019
There are a few days left for 2019 but fingers crossed, it's the first year for quite some time where we haven't...
Packing light for the Congo: Two countries, one river, eight film...
My travel assignments require me to create strong imagery that can be quickly and seamlessly integrated into a digital workflow, which is...
EMULSIVE Interview #205: I am Jeremy Calow and this is why...
If you spend any time checking out landscape photographers online - especially if you've been eyeing up 6x17 format photography - you will no doubt have come across the work of today's interviewee, Jeremy Calow.
Travelogue: Walking through Europe captured on film Prague to Lugoj –...
To take you on this journey, I'm sharing with you my contact sheets and pulling out a few of the finished photographs from each.
Film stock review: Comparing Kodak Ektar 100 to Fujifilm Velvia 50...
To the analogue landscape photographer, choosing one’s film stock is one of the most crucial steps in the creative process.
EMULSIVE interview #195: I am David Jazay and this is why...
Welcome to EMULSIVE interview #195 and film photographer David Jazay, Berlin-based urban and rural photographer.
It's an interesting read ahead, so I'll bow out and pass you over to David.
Hi David, what's this picture, then?
Antique Shops and
Photography: Left – Shot on Fuji Velvia 50 RVP50 at EI...
Left
Shot on Fuji Velvia 50 (RVP 50) at EI 50
Color reversal (slide) film in 120 format shot as 6x4.5
Photography: Meeting place – Shot on Fuji Velvia 50 RVP50 at...
Meeting place
Shot on Fuji Velvia 50 (RVP 50) at EI 50
Color reversal (slide) film in 120 format shot as 6x6
Shooting a (personal) photographic project: thoughts and other musings – by...
Bill is a project-driven photographer - even when he's not aware of it.
5 Frames With… Fuji Velvia 50 RVP50 (EI 50 / 120...
Since discovering slide film recently, I simply can't stop shooting it.
My Fuji slide affair – by Denys Trofimchuk
I have always had a love/hate relationship with color film.
EMULSIVE's most popular articles of 2017
It's the final part of this amazing series of listcles.
5 Frames With… Fuji Velvia (EI 50 / 35mm / Pentax...
EMULSIVE: a quick editor's note. This isn't Fuji Velvia 50 (RVP 50), it's the original Velvia (RVP), which was discontinued in 2005, reformulated and released in 2007.
Photography: Pre-exposed – Fuji Velvia 50 RVP50 (120 format)
Pre-exposed
Shot on Fuji Velvia 50 (RVP 50) at EI 50
Color reversal (slide) film in 120 format shot as 6x6
XPRO
EMULSIVE interview #153: I am Yusuf Wiryonoputro and this is why...
I'm a huge fan of today's interviewee, he's responsible for some of the most beautiful slide film landscape photography posted on EMULSIVE this year through his two guest post on working with slide film and eliminating the infamous Fuji Velvia
EMULSIVE interview #147: I am Isabel Curdes and this is why...
I've been looking forward to this for a while and in fact...that's all I'm going to say about it.
How to eliminate the Fuji Velvia “Magenta Cast” – by Yusuf...
I love the colors of Fuji Velvia, but I don’t like the magenta color cast that can result during daylight shooting.
Photography: Halfway there – Shot on Fuji Velvia 50 RVP50 at...
Halfway there
Shot on Fuji Velvia 50 (RVP) at EI 50
Color reversal (slide) film in 120 format shot as 6x6
