Fujifilm FUJICHROME Velvia 50 (RVP50)
5 Frames… At an abandoned warehouse on Fujifilm Velvia 50 RVP (EI 50 / 120 format / Hasselblad 503CXi) – by Chris Dixon)
My favourite thing about film photography is the different ‘personalities’ that exist in individual film stocks. I have shot lots of ILFORD...
Add to queue: interviewing Alan Brock
OK folks, buckle up for a flight over the Grand Canyon, it's time to interview Alan Brock.
Film stock review: Fujifilm FUJICHROME Velvia 50 Professional (RVP 50)
I think there’s a pretty big misconception about shooting slide film. We’ve all heard the stories about how slide film is ridiculously...
EMULSIVE interview #210: I am Carlos Lopez Medrano and this is why I shoot film
Welcome to 2020 here on EMULSIVE! I hope you all had a peaceful ringing in of the new year. For my part,...
EMULSIVE’s most popular film stock reviews of 2019
There are a few days left for 2019 but fingers crossed, it's the first year for quite some time where we haven't...
Packing light for the Congo: Two countries, one river, eight film stocks
My travel assignments require me to create strong imagery that can be quickly and seamlessly integrated into a digital workflow, which is...
EMULSIVE Interview #205: I am Jeremy Calow and this is why I shoot film
If you spend any time checking out landscape photographers online - especially if you've been eyeing up 6x17 format photography - you will no doubt have come across the work of today's interviewee, Jeremy Calow.
Travelogue: Walking through Europe captured on film Prague to Lugoj – by Tom Pinnegar
To take you on this journey, I'm sharing with you my contact sheets and pulling out a few of the finished photographs from each.
Film stock review: Comparing Kodak Ektar 100 to Fujifilm Velvia 50 – by Gregor Sinclair
To the analogue landscape photographer, choosing one’s film stock is one of the most crucial steps in the creative process.
EMULSIVE interview #195: I am David Jazay and this is why I shoot film
Welcome to EMULSIVE interview #195 and film photographer David Jazay, Berlin-based urban and rural photographer.
It's an interesting read ahead, so I'll bow out and pass you over to David.
Hi David, what's this picture, then?
Antique Shops and
Photography: Left – Shot on Fuji Velvia 50 RVP50 at EI 50 (120 format)
Left
Shot on Fuji Velvia 50 (RVP 50) at EI 50
Color reversal (slide) film in 120 format shot as 6x4.5
Photography: Meeting place – Shot on Fuji Velvia 50 RVP50 at EI 50 (120 format)
Meeting place
Shot on Fuji Velvia 50 (RVP 50) at EI 50
Color reversal (slide) film in 120 format shot as 6x6
Shooting a (personal) photographic project: thoughts and other musings – by William Brown
Bill is a project-driven photographer - even when he's not aware of it.
5 Frames… With Fujifilm Fujichrome Velvia 50 RVP50 (EI 50 / 120 format / Hasselblad 500CM) – by Rick Davy
Since discovering slide film recently, I simply can't stop shooting it.
My Fuji slide affair – by Denys Trofimchuk
I have always had a love/hate relationship with color film.
5 Frames… With Fujifilm Fujichrome Velvia (EI 50 / 35mm format / Pentax MV-1) – by Sam Naylor
EMULSIVE: a quick editor's note. This isn't Fuji Velvia 50 (RVP 50), it's the original Velvia (RVP), which was discontinued in 2005, reformulated and released in 2007.
Photography: Pre-exposed – Fuji Velvia 50 RVP50 (120 format)
Pre-exposed
Shot on Fuji Velvia 50 (RVP 50) at EI 50
Color reversal (slide) film in 120 format shot as 6x6
XPRO
EMULSIVE interview #153: I am Yusuf Wiryonoputro and this is why I shoot film
I'm a huge fan of today's interviewee, he's responsible for some of the most beautiful slide film landscape photography posted on EMULSIVE this year through his two guest post on working with slide film and eliminating the infamous Fuji Velvia
EMULSIVE interview #147: I am Isabel Curdes and this is why I shoot film
I've been looking forward to this for a while and in fact...that's all I'm going to say about it.
