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Tag: Fujifilm FUJICHROME Velvia 50 (RVP50)
My travel assignments require me to create strong imagery that can be quickly and seamlessly integrated into a digital workflow, which is...
If you spend any time checking out landscape photographers online - especially if you've been eyeing up 6x17 format photography - you will no doubt have come across the work of today's interviewee, Jeremy Calow.
To take you on this journey, I'm sharing with you my contact sheets and pulling out a few of the finished photographs from each.
To the analogue landscape photographer, choosing one’s film stock is one of the most crucial steps in the creative process.
Welcome to EMULSIVE interview #195 and film photographer David Jazay, Berlin-based urban and rural photographer. It's an interesting read ahead, so I'll bow out and pass you over to David. Hi David, what's this picture, then? Antique Shops and
Left Shot on Fuji Velvia 50 (RVP 50) at EI 50 Color reversal (slide) film in 120 format shot as 6x4.5
Meeting place Shot on Fuji Velvia 50 (RVP 50) at EI 50 Color reversal (slide) film in 120 format shot as 6x6
Bill is a project-driven photographer - even when he's not aware of it.
Since discovering slide film recently, I simply can't stop shooting it.
EMULSIVE: a quick editor's note. This isn't Fuji Velvia 50 (RVP 50), it's the original Velvia (RVP), which was discontinued in 2005, reformulated and released in 2007.
Pre-exposed Shot on Fuji Velvia 50 (RVP 50) at EI 50 Color reversal (slide) film in 120 format shot as 6x6 XPRO
I'm a huge fan of today's interviewee, he's responsible for some of the most beautiful slide film landscape photography posted on EMULSIVE this year through his two guest post on working with slide film and eliminating the infamous Fuji Velvia
I've been looking forward to this for a while and in fact...that's all I'm going to say about it.
I love the colors of Fuji Velvia, but I don’t like the magenta color cast that can result during daylight shooting.
Halfway there Shot on Fuji Velvia 50 (RVP) at EI 50 Color reversal (slide) film in 120 format shot as 6x6
Low tide Shot on Fuji Velvia 50 (RVP) at EI 50 Color reversal (slide) film in 120 format shot as 6x6
This has been a tough interview to put together. Tough because, as you'll see below, it's been an absolute nightmare picking which one of Roger Harrison's beautiful Fuji Velvia 50 photographs to feature as the cover for this article.