Fujifilm FUJICHROME Velvia 50 (RVP50)


5 Frames... Of macro photography on Fuji Velvia 50 (35mm / EI 50 / Nikon FM2 + Nikon 105mm f/2.8 AI-s Micro-Nikkor + Nikon Pk-3 extension tube) - by Joshua Wright

5 Frames… Of macro photography on Fuji Velvia 50 (35mm / EI 50 / Nikon FM2 + Nikon 105mm f/2.8 AI-s Micro-Nikkor + Nikon Pk-3 extension tube) – by Joshua Wright

With winter bearing down upon us, my family and I visited the Roger Williams Park Botanical Center in Providence, RI USA for a little weather …

Read more5 Frames… Of macro photography on Fuji Velvia 50 (35mm / EI 50 / Nikon FM2 + Nikon 105mm f/2.8 AI-s Micro-Nikkor + Nikon Pk-3 extension tube) – by Joshua Wright

My Rolleiflex 2.8GX, Aivaras Sidla

5 frames… of people with FujiFilm Velvia 50 and Rolleiflex 2.8GX – by Aivaras Sidla

I’m getting back to my “summer experiment” -– testing medium format slide film. This time I’d like to share results from FujiFilm Velvia 50. Why …

Read more5 frames… of people with FujiFilm Velvia 50 and Rolleiflex 2.8GX – by Aivaras Sidla

My 2020 lockdown journey - a comparative test of Kodak EKTACHROME E100 and Fujifilm Velvia 50 (bonus Portra/Lomography included) - by Kathleen Johnson

My 2020 lockdown journey: a comparative test of Kodak EKTACHROME E100 and Fujifilm Velvia 50 (bonus Portra/Lomography included)

I set out this Spring and Summer to do a comparative test of Kodak EKTACHROME E100 and Fujifilm Fujichrome Velvia 50 (RVP50). In my lifetime …

Read moreMy 2020 lockdown journey: a comparative test of Kodak EKTACHROME E100 and Fujifilm Velvia 50 (bonus Portra/Lomography included)

5 Frames... At an abandoned warehouse on Fujifilm Velvia 50 RVP (EI 50 / 120 format / Hasselblad 503CXi) - by Chris Dixon)

5 Frames… At an abandoned warehouse on Fujifilm Velvia 50 RVP (EI 50 / 120 format / Hasselblad 503CXi) – by Chris Dixon)

My favourite thing about film photography is the different ‘personalities’ that exist in individual film stocks. I have shot lots of ILFORD black and white …

Read more5 Frames… At an abandoned warehouse on Fujifilm Velvia 50 RVP (EI 50 / 120 format / Hasselblad 503CXi) – by Chris Dixon)

Film stock review: Fujifilm FUJICHROME Velvia 50 Professional (RVP 50)

Film stock review: Fujifilm FUJICHROME Velvia 50 Professional (RVP 50)

I think there’s a pretty big misconception about shooting slide film. We’ve all heard the stories about how slide film is ridiculously hard to shoot, …

Read moreFilm stock review: Fujifilm FUJICHROME Velvia 50 Professional (RVP 50)

Carlos Lopez Medrano - Self, Hasselblad 2003FCW, ILFORD FP4 PLUS

EMULSIVE interview #210: I am Carlos Lopez Medrano and this is why I shoot film

Welcome to 2020 here on EMULSIVE! I hope you all had a peaceful ringing in of the new year. For my part, I was in …

Read moreEMULSIVE interview #210: I am Carlos Lopez Medrano and this is why I shoot film

EMULSIVE's most popular film stock reviews of 2019

EMULSIVE’s most popular film stock reviews of 2019

There are a few days left for 2019 but fingers crossed, it’s the first year for quite some time where we haven’t seen one or …

Read moreEMULSIVE’s most popular film stock reviews of 2019

Packing light for the Congo: Two countries, one river, eight film stocks

Packing light for the Congo: Two countries, one river, eight film stocks

My travel assignments require me to create strong imagery that can be quickly and seamlessly integrated into a digital workflow, which is why my primary …

Read morePacking light for the Congo: Two countries, one river, eight film stocks

Static Age - Ektar 100

EMULSIVE Interview #205: I am Jeremy Calow and this is why I shoot film

If you spend any time checking out landscape photographers online – especially if you’ve been eyeing up 6×17 format photography – you will no doubt have come across the work of today’s interviewee, Jeremy Calow.

Cover - Film review- Comparing Kodak Ektar 100 to Fujifilm Velvia 50

Film stock review: Comparing Kodak Ektar 100 to Fujifilm Velvia 50 – by Gregor Sinclair

To the analogue landscape photographer, choosing one’s film stock is one of the most crucial steps in the creative process.

Dakhla, Western Sahara - Rolleiflex T, Kodak Ektar 100

EMULSIVE interview #195: I am David Jazay and this is why I shoot film

Welcome to EMULSIVE interview #195 and film photographer David Jazay, Berlin-based urban and rural photographer.

It’s an interesting read ahead, so I’ll bow out and pass you over to David.

Hi David, what’s this picture, then?

Antique Shops and