I set out this Spring and Summer to do a comparative test of Kodak EKTACHROME E100 and Fujifilm Fujichrome Velvia 50 (RVP50). In my lifetime … Read more
My favourite thing about film photography is the different ‘personalities’ that exist in individual film stocks. I have shot lots of ILFORD black and white … Read more
OK folks, buckle up for a flight over the Grand Canyon, it’s time to interview Alan Brock.
I think there’s a pretty big misconception about shooting slide film. We’ve all heard the stories about how slide film is ridiculously hard to shoot, … Read more
Welcome to 2020 here on EMULSIVE! I hope you all had a peaceful ringing in of the new year. For my part, I was in … Read more
There are a few days left for 2019 but fingers crossed, it’s the first year for quite some time where we haven’t seen one or … Read more
My travel assignments require me to create strong imagery that can be quickly and seamlessly integrated into a digital workflow, which is why my primary … Read more
If you spend any time checking out landscape photographers online – especially if you’ve been eyeing up 6×17 format photography – you will no doubt have come across the work of today’s interviewee, Jeremy Calow.
To take you on this journey, I’m sharing with you my contact sheets and pulling out a few of the finished photographs from each.
To the analogue landscape photographer, choosing one’s film stock is one of the most crucial steps in the creative process.
Welcome to EMULSIVE interview #195 and film photographer David Jazay, Berlin-based urban and rural photographer.
It’s an interesting read ahead, so I’ll bow out and pass you over to David.
Hi David, what’s this picture, then?
Antique Shops and
Left
Shot on Fuji Velvia 50 (RVP 50) at EI 50
Color reversal (slide) film in 120 format shot as 6×4.5
Meeting place
Shot on Fuji Velvia 50 (RVP 50) at EI 50
Color reversal (slide) film in 120 format shot as 6×6
Bill is a project-driven photographer – even when he’s not aware of it.
Since discovering slide film recently, I simply can’t stop shooting it.
I have always had a love/hate relationship with color film.
EMULSIVE: a quick editor’s note. This isn’t Fuji Velvia 50 (RVP 50), it’s the original Velvia (RVP), which was discontinued in 2005, reformulated and released in 2007.
Pre-exposed
Shot on Fuji Velvia 50 (RVP 50) at EI 50
Color reversal (slide) film in 120 format shot as 6×6
XPRO
I’m a huge fan of today’s interviewee, he’s responsible for some of the most beautiful slide film landscape photography posted on EMULSIVE this year through his two guest post on working with slide film and eliminating the infamous Fuji Velvia
