Being under quarantine has me doing all sorts of film-related experiments. In addition to following EMULSIVE’s 65 projects on what photographers can do when stuck … Read more
Not too long ago EM posted an article about his first roll of film. I was going through my old scans at the time and … Read more
There are many cameras out there that take standard 35mm film and expose alternative formats for creative effect. The Noblex’s literally sweeping panoramas, the Nishika … Read more
In 2019 Lomography announced the launch of a Kickstarter campaign to fund a brand new film emulsion: LomoChrome Metropolis XR100-400.
What follows is my 2019 in film photography, a 365 photography project that was absolutely not a 365 project. In this article, I share the … Read more
My travel assignments require me to create strong imagery that can be quickly and seamlessly integrated into a digital workflow, which is why my primary … Read more
I’ve known today’s interviewee online for a few years now, and even had the pleasure of meeting her back in 2018*.
Downtime
Shot on Fuji Superia X-TRA 400 at EI 400.
Color negative film in 35mm format film.
Fuji GW690III + EBC Fujinon 90mm f/3.5.
Window shopping
Shot on Fuji Superia X-TRA 400 at EI 800.
Color negtive film in wide 35mm format (TEXPan).
Push processed 1-stop.
Fuji GW690III + EBC Fujinon 90mm f/3.5.
I purchased this camera through Gumtree because it came with some great accessories (Minolta Auto 320X Flash, the Hanimex lens used here, a Makinon MC f/4.5 80-200mm zoom, Minolta auto winder and various filters!) and, it was an excellent
This week’s interviewee has been shooting film for a little over a year at the time of writing.
My keystone
Shot on Fuji Superia X-TRA 400 at EI 400
Color negative film in 35mm format
I don’t often ever add commentary to my daily photo posts but this one is a little special.
It’s my photographic keystone.
At first, I didn’t get the hype but I really respect Dan Ko’s opinion when he said he would buy any Konica Waiwai at the silliest price he could find.
It has been a couple of months since my first post, on Why I Shoot Film, and I thought that now would be a great time to provide an update.
I am a huge fan of EMULSIVE.org. I spend a lot of time reading and sifting through it. It’s one of my favorite websites for film photography. I travel a lot and I even download pages when I am traveling
When I returned to film a couple of years ago I shot black and white films and had them professionally processed.
Hey everyone and welcome to the latest EMULSIVE interview.
Today’s interviewee has been posting video reviews product, guides, manuals for film cameras, information on film stocks and all things analogue on Youtube since 2011 and shows no signs of slowing down any time soon.
I’m pleased to be able to bring you the work and words of Jack Allan. There’s little to explain here up top, as Jack does a fantastic job of it below.
Today’s interviewee sold all of his digital camera gear in 2015.
