Fujifilm Superia X-TRA 400

Fujifilm TX-1 Far

9 Frames… Or 3 triptychs from a Fujifilm TX-1 in New York, California and Japan – by David Imei

At this point in my film career, I own my fair share of cameras. I’ve bought a Mamiya RB67 and some lenses. I splurged on …

Read more9 Frames… Or 3 triptychs from a Fujifilm TX-1 in New York, California and Japan – by David Imei

5 Frames... Of portraits on Fujifilm Superia X-TRA 400 (35mm Format / EI 400 / Canon EOS 50E + Canon EF 50mm f/1.4) - by Crina Prida

5 Frames… Of portraits on Fujifilm Superia X-TRA 400 (35mm Format / EI 400 / Canon EOS 50E + Canon EF 50mm f/1.4) – by Crina Prida

First things first, I have to confess that I am 80% a digital shooter. It’s more convenient because I work mostly with models, and therefore, …

Read more5 Frames… Of portraits on Fujifilm Superia X-TRA 400 (35mm Format / EI 400 / Canon EOS 50E + Canon EF 50mm f/1.4) – by Crina Prida

Ansco Rediflex - Colin Devroe

5 Frames… Of 35mm Fujicolor Superia X-TRA 400 in a 620 format TLR (EI 400 / Ansco Rediflex) – by Colin Devroe

Being under quarantine has me doing all sorts of film-related experiments. In addition to following EMULSIVE’s 65 projects on what photographers can do when stuck …

Read more5 Frames… Of 35mm Fujicolor Superia X-TRA 400 in a 620 format TLR (EI 400 / Ansco Rediflex) – by Colin Devroe

Film stock review: LomoChrome Metropolis XR 100-400 in 35mm and 120 format - A new color negative favorite

Film stock review: LomoChrome Metropolis XR 100-400 in 35mm and 120 format – A new color negative favorite

In 2019 Lomography announced the launch of a Kickstarter campaign to fund a brand new film emulsion: LomoChrome Metropolis XR100-400.

My year on film: A 2019 retrospective or, my not-a-365-project

My year on film in 115 photos: A 2019 retrospective or, my not-a-365-project

What follows is my 2019 in film photography, a 365 photography project that was absolutely not a 365 project. In this article, I share the …

Read moreMy year on film in 115 photos: A 2019 retrospective or, my not-a-365-project

Packing light for the Congo: Two countries, one river, eight film stocks

Packing light for the Congo: Two countries, one river, eight film stocks

My travel assignments require me to create strong imagery that can be quickly and seamlessly integrated into a digital workflow, which is why my primary …

Read morePacking light for the Congo: Two countries, one river, eight film stocks

Polaroid Land 420, Fuji FP-3000B

EMULSIVE interview #198: I am Angela Solis and this is why I shoot film

I’ve known today’s interviewee online for a few years now, and even had the pleasure of meeting her back in 2018*.

Downtime - Shot on Fuji Superia X-TRA 400 at EI 400. Color negative film in 35mm format film. Fuji GW690III + EBC Fujinon 90mm f/3.5 (COVER)

Photography: Downtime – Shot on Fuji Superia X-TRA 400 at EI 400 (35mm format)

Downtime
Shot on Fuji Superia X-TRA 400 at EI 400.
Color negative film in 35mm format film.
Fuji GW690III + EBC Fujinon 90mm f/3.5.

Window shopping - Shot on Fuji Superia X-TRA 400 at EI 800. Color negtive film in wide 35mm format (TEXPan). Push processed 1-stop. Fuji GW690III + EBC Fujinon 90mm f/3.5.

Photography: Window shopping – Shot on Fuji Superia X-TRA 400 at EI 800 (35mm format)

Window shopping
Shot on Fuji Superia X-TRA 400 at EI 800.
Color negtive film in wide 35mm format (TEXPan).
Push processed 1-stop.
Fuji GW690III + EBC Fujinon 90mm f/3.5.

 

 

 

Fuji Superia X-TRA 400 - Plastic Fantastic Sunset

Photography: My keystone – Shot on Fuji Superia X-TRA 400 (35mm format)

My keystone

Shot on Fuji Superia X-TRA 400 at EI 400
Color negative film in 35mm format

 

I don’t often ever add commentary to my daily photo posts but this one is a little special.

It’s my photographic keystone.

Leica M4-2, ILFORD HP5+, Albuquerque, NM

EMULSIVE interview #155: I am Dan Dao and this is why I shoot film

Today’s interviewee has been posting video reviews product, guides, manuals for film cameras, information on film stocks and all things analogue on Youtube since 2011 and shows no signs of slowing down any time soon.