9 Frames… Or 3 triptychs from a Fujifilm TX-1 in New York, California and Japan – by David Imei
At this point in my film career, I own my fair share of cameras. I’ve bought a Mamiya RB67 and some lenses. I splurged on …
5 Frames… Of portraits on Fujifilm Superia X-TRA 400 (35mm Format / EI 400 / Canon EOS 50E + Canon EF 50mm f/1.4) – by Crina Prida
First things first, I have to confess that I am 80% a digital shooter. It’s more convenient because I work mostly with models, and therefore, …
5 Frames… Of 35mm Fujicolor Superia X-TRA 400 in a 620 format TLR (EI 400 / Ansco Rediflex) – by Colin Devroe
Being under quarantine has me doing all sorts of film-related experiments. In addition to following EMULSIVE’s 65 projects on what photographers can do when stuck …
My first roll… Of 35mm film: Kyiv on Fujifilm Superia X-TRA 400 in a Zenit E – by Garrison Way
Not too long ago EM posted an article about his first roll of film. I was going through my old scans at the time and …
Canon Demi EE17: The everyday diptych machine
There are many cameras out there that take standard 35mm film and expose alternative formats for creative effect. The Noblex’s literally sweeping panoramas, the Nishika …
Film stock review: LomoChrome Metropolis XR 100-400 in 35mm and 120 format – A new color negative favorite
In 2019 Lomography announced the launch of a Kickstarter campaign to fund a brand new film emulsion: LomoChrome Metropolis XR100-400.
My year on film in 115 photos: A 2019 retrospective or, my not-a-365-project
What follows is my 2019 in film photography, a 365 photography project that was absolutely not a 365 project. In this article, I share the …
Read moreMy year on film in 115 photos: A 2019 retrospective or, my not-a-365-project
Packing light for the Congo: Two countries, one river, eight film stocks
My travel assignments require me to create strong imagery that can be quickly and seamlessly integrated into a digital workflow, which is why my primary …
Read morePacking light for the Congo: Two countries, one river, eight film stocks
EMULSIVE interview #198: I am Angela Solis and this is why I shoot film
I’ve known today’s interviewee online for a few years now, and even had the pleasure of meeting her back in 2018*.
Photography: Downtime – Shot on Fuji Superia X-TRA 400 at EI 400 (35mm format)
Downtime
Shot on Fuji Superia X-TRA 400 at EI 400.
Color negative film in 35mm format film.
Fuji GW690III + EBC Fujinon 90mm f/3.5.
Photography: Window shopping – Shot on Fuji Superia X-TRA 400 at EI 800 (35mm format)
Window shopping
Shot on Fuji Superia X-TRA 400 at EI 800.
Color negtive film in wide 35mm format (TEXPan).
Push processed 1-stop.
Fuji GW690III + EBC Fujinon 90mm f/3.5.
5 Frames… With Fujifilm Superia X-TRA 400 (EI 200 / 35mm format / Minolta XD-7) – by Pete Jordan
I purchased this camera through Gumtree because it came with some great accessories (Minolta Auto 320X Flash, the Hanimex lens used here, a Makinon MC f/4.5 80-200mm zoom, Minolta auto winder and various filters!) and, it was an excellent
EMULSIVE interview #192: I am Maxime Evangelista and this is why I shoot film
This week’s interviewee has been shooting film for a little over a year at the time of writing.
Photography: My keystone – Shot on Fuji Superia X-TRA 400 (35mm format)
My keystone
Shot on Fuji Superia X-TRA 400 at EI 400
Color negative film in 35mm format
I don’t often ever add commentary to my daily photo posts but this one is a little special.
It’s my photographic keystone.
5 Frames… With Fuji Superia 400 (EI / 35mm format / Konica Waiwai) – by Aislinn Chuahiock
At first, I didn’t get the hype but I really respect Dan Ko’s opinion when he said he would buy any Konica Waiwai at the silliest price he could find.
Why shoot film part 2: seeking the Hasselblad XPan – by Simon King
It has been a couple of months since my first post, on Why I Shoot Film, and I thought that now would be a great time to provide an update.
Travelogue: Hong Kong by Edwin Monico
I am a huge fan of EMULSIVE.org. I spend a lot of time reading and sifting through it. It’s one of my favorite websites for film photography. I travel a lot and I even download pages when I am traveling
5 Frames… With Fuji Superia X-TRA 400 (EI 400 / 35mm format / Nikon F100) – by Graeme Tregay
When I returned to film a couple of years ago I shot black and white films and had them professionally processed.
EMULSIVE interview #162: I am Sheena She and this is why I shoot film
Hey everyone and welcome to the latest EMULSIVE interview.
EMULSIVE interview #155: I am Dan Dao and this is why I shoot film
Today’s interviewee has been posting video reviews product, guides, manuals for film cameras, information on film stocks and all things analogue on Youtube since 2011 and shows no signs of slowing down any time soon.
