EMULSIVE Interview #224: I am David Imel and this is why I shoot film
Welcome to another fresh EMULSIVE interview, this week with New York based tech journalist David Imel. Regular readers might remember David’s flagrant disregard for the …
5 Frames… Of MASSIVE engineering on a tiny camera (Fujicolor Superia X-Tra 400 / 35mm / Minox 35 GT) – by ≈
Last December I went on a trip to the area where my mother was born and where parts of my family still live. It’s an …
9 Frames… Or 3 triptychs from a Fujifilm TX-1 in New York, California and Japan – by David Imei
At this point in my film career, I own my fair share of cameras. I’ve bought a Mamiya RB67 and some lenses. I splurged on …
5 Frames… Of portraits on Fujifilm Superia X-TRA 400 (35mm Format / EI 400 / Canon EOS 50E + Canon EF 50mm f/1.4) – by Crina Prida
First things first, I have to confess that I am 80% a digital shooter. It’s more convenient because I work mostly with models, and therefore, …
5 Frames… Of 35mm Fujicolor Superia X-TRA 400 in a 620 format TLR (EI 400 / Ansco Rediflex) – by Colin Devroe
Being under quarantine has me doing all sorts of film-related experiments. In addition to following EMULSIVE’s 65 projects on what photographers can do when stuck …
My first roll… Of 35mm film: Kyiv on Fujifilm Superia X-TRA 400 in a Zenit E – by Garrison Way
Not too long ago EM posted an article about his first roll of film. I was going through my old scans at the time and …
Canon Demi EE17: The everyday diptych machine
There are many cameras out there that take standard 35mm film and expose alternative formats for creative effect. The Noblex’s literally sweeping panoramas, the Nishika …
Film stock review: LomoChrome Metropolis XR 100-400 in 35mm and 120 format – A new color negative favorite
In 2019 Lomography announced the launch of a Kickstarter campaign to fund a brand new film emulsion: LomoChrome Metropolis XR100-400.
My year on film in 115 photos: A 2019 retrospective or, my not-a-365-project
What follows is my 2019 in film photography, a 365 photography project that was absolutely not a 365 project. In this article, I share the …
Packing light for the Congo: Two countries, one river, eight film stocks
My travel assignments require me to create strong imagery that can be quickly and seamlessly integrated into a digital workflow, which is why my primary …
EMULSIVE interview #198: I am Angela Solis and this is why I shoot film
I’ve known today’s interviewee online for a few years now, and even had the pleasure of meeting her back in 2018*.
Photography: Downtime – Shot on Fuji Superia X-TRA 400 at EI 400 (35mm format)
Downtime
Shot on Fuji Superia X-TRA 400 at EI 400.
Color negative film in 35mm format film.
Fuji GW690III + EBC Fujinon 90mm f/3.5.
Photography: Window shopping – Shot on Fuji Superia X-TRA 400 at EI 800 (35mm format)
Window shopping
Shot on Fuji Superia X-TRA 400 at EI 800.
Color negtive film in wide 35mm format (TEXPan).
Push processed 1-stop.
Fuji GW690III + EBC Fujinon 90mm f/3.5.
5 Frames… With Fujifilm Superia X-TRA 400 (EI 200 / 35mm format / Minolta XD-7) – by Pete Jordan
I purchased this camera through Gumtree because it came with some great accessories (Minolta Auto 320X Flash, the Hanimex lens used here, a Makinon MC f/4.5 80-200mm zoom, Minolta auto winder and various filters!) and, it was an excellent
EMULSIVE interview #192: I am Maxime Evangelista and this is why I shoot film
This week’s interviewee has been shooting film for a little over a year at the time of writing.
Photography: My keystone – Shot on Fuji Superia X-TRA 400 (35mm format)
My keystone
Shot on Fuji Superia X-TRA 400 at EI 400
Color negative film in 35mm format
I don’t often ever add commentary to my daily photo posts but this one is a little special.
It’s my photographic keystone.
5 Frames… With Fuji Superia 400 (EI / 35mm format / Konica Waiwai) – by Aislinn Chuahiock
At first, I didn’t get the hype but I really respect Dan Ko’s opinion when he said he would buy any Konica Waiwai at the silliest price he could find.
Why shoot film part 2: seeking the Hasselblad XPan – by Simon King
It has been a couple of months since my first post, on Why I Shoot Film, and I thought that now would be a great time to provide an update.
Travelogue: Hong Kong by Edwin Monico
I am a huge fan of EMULSIVE.org. I spend a lot of time reading and sifting through it. It’s one of my favorite websites for film photography. I travel a lot and I even download pages when I am traveling
5 Frames… With Fuji Superia X-TRA 400 (EI 400 / 35mm format / Nikon F100) – by Graeme Tregay
When I returned to film a couple of years ago I shot black and white films and had them professionally processed.
