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Home » Fujifilm FUJICOLOR Pro 400H » Page 2

Tag: Fujifilm FUJICOLOR Pro 400H

Fujifilm Pro 400H, the best film I'll never shoot again - by Simon King
Posted inFilm stock reviews, Fujifilm Film Stock Reviews, Reviews

Fujifilm Pro 400H: The Best Film I’ll Never Shoot Again

by Simon KingAugust 23, 2019July 31, 2021

A lot of my early digital work was rooted in colour theory, and as a result (despite wanting to limit my film photography to black and white) I have shot through as many different colour films as I could find.

The Bronica ETR: 40 years old but not an old dog
Posted inBronica film camera reviews, Film camera reviews, Reviews

The Bronica ETR: 40 years old but not an old dog

by Nelson MercierAugust 9, 2019September 4, 2021

When I came back to film photography in early 2018, very soon I wanted to try medium format film. Not being sure if I would like it with its lesser number of photos per roll compared to a 35mm film…

Minolta SRT101 - Fujifilm Superia X-TRA 400 - Bristol
Posted inFilm Photographer Interviews

EMULSIVE Interview #201: I am Allysse Riordan and this is why I shoot film

by EMJune 26, 2019July 31, 2021

Welcome to a fresh instalment of my “…this is why I shoot film” series!

5 Frames With... Fujifilm Pro 400H (EI 400 : 120 : Zenza Bronica SQ-A) - by Chris Hunter
Posted in5 Frames..., Articles

5 Frames… With Fujifilm Pro 400H (EI 400 / 120 format / Zenza Bronica SQ-A)

by Chris HunterJune 21, 2019July 31, 2021

I’ve been looking for a 120 ISO 400 colour film for a pinhole based project that I have in mind and whilst there is a good range of black and white and 35mm, choices are fairly limited for 120

Amazing canned food pinhole selfies (featured project and how to)
Posted inFeatured projects

Amazing canned food pinhole selfies (featured project and how to)

by Chris HunterMay 28, 2019July 31, 2021

It all started with some idle musings between a few photographers. Some were expressing a bit of disdain for the “selfie generation”, which triggered a chain of thought that lead me to a fusion of pop-art and selfies.

5 Frames With... Fuji Pro 400H (35mm / EI 400 / Nikon F100) - by Mac MacDonald
Posted in5 Frames..., Articles

5 Frames… With Fujifilm Fujicolor Pro 400H (EI 400 / 35mm format / Nikon F100)

by Mac MacDonaldMay 27, 2019July 31, 2021

In July of 2018, I made the switch from 100% digital to 100% film. I started out shooting manual SLRs (Nikon F3 and Nikon FE2) and was pleased with those cameras.

5 Frames With... Fuji Pro 400H (EI 800 - 35mm - Cannon EOS 33) - by Geoff Roughton
Posted in5 Frames..., Articles

5 Frames… With Fujifilm Fujicolor Pro 400H (EI 800 / 35mm format / Canon EOS 33)

by Geoff RoughtonMarch 18, 2019July 31, 2021

By way of introduction my name is Geoff Roughton and to get it out of the way, 4 years ago I had a stroke…..well actually a series of mini-strokes followed by something more major.

Cover: Featured project - Shooting an album cover on film - Eyedress’ Sensitive G
Posted inFeatured projects

Shooting an album cover on film – Eyedress’ Sensitive G

by Edwin MonicoFebruary 13, 2019February 5, 2022

I had previously worked with Eyedress in Tokyo at Big Love Records. He’s a Philipines based artist who is currently on Lex Records based out of England.

Posted inNikon film camera reviews

Camera review: the Nikon FE 2

by Mac MacDonaldJanuary 17, 2019July 31, 2021

Over the past few months, I’ve been trying to settle on “the one.” The one 35mm film camera that will serve all my photography needs.

Revolog Kosmo (35mm) , Bronica ETRSi - Nils Karlson- Test Shots
Posted inArticles, Film stock reviews, Revolog Film Stock Reviews

Test shots: Revolog Kosmos (35mm) + Bronica ETRSi

by EMMay 3, 2018July 31, 2021

A few weeks ago, Nils suggested putting together an unorthodox camera/film review that he felt would be useful to readers of EMULSIVE. He wasn’t joking, it was anything but orthodox.

Leica M3 - Summicron 50 - Fuji Pro 400H - 張十七 / Shihchien Chang
Posted in5 Frames..., Articles

5 Frames… With Fujifilm Fujicolor Pro 400H (EI 400 / 35mm format / Leica M3)

by Shihchien Chang / 張十七March 30, 2018July 31, 2021

要中文版的朋友麻煩您向下滚动

At the end of 2017, I went to Kyoto with my wife and my three-year-old son.

Evening glow - Shot on Fuji Pro 400H at EI 400. Color negative film in 120 format shot as 6x6.
Posted inMedium format, Photography

Photography: Evening glow – Shot on Fuji Pro 400H at EI 400 (6×6)

by EMFebruary 9, 2018July 31, 2021

Evening glow

Shot on Fuji Pro 400H at EI 400
Color negative film in 120 format shot as 6×6

 

 

 

 

 

Stéphanie Johnson, HMUA Marah Pliego-Garcia, Cinestill 800T, Olympus OM1 w 135mm f/2.8
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #170: I am Rob Hawthorn and this is why I shoot film

by EMJanuary 17, 2018July 31, 2021

It’s a real pleasure to introduce you all to Rob Hawthorn, a photographer who many of you will remember from his stunning travelogue of Yucatan on Kodak AEROCHROME.
Well Rob’s back with something a little different.

Beauport II
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #169: I am Darren Kelland and this is why I shoot film

by EMJanuary 10, 2018July 31, 2021

Welcome to this week’s EMULSIVE interview.

Full spread - Shot on Fuji Pro 400H at EI 400. Color negative film in 35mm format.
Posted inMedium format, Photography

Photography: Full spread – Shot on Fuji Pro 400H (35mm)

by EMNovember 13, 2017October 16, 2020

Full spread
Shot on Fuji Pro 400H at EI 400
Color negative film in 35mm format
 

 
 

Cover - Long exposure film tests part three- Kodak Professional Ektar 100, Portra 160, Portra 400, Portra 800 and Fujifilm PRO 400H by Toni Skokovic
Posted inArticles, Experiments

Long exposure film tests part three: Kodak Professional Ektar 100, Portra 160, Portra 400, Portra 800 and Fujifilm PRO 400H

by Toni SkokovicOctober 6, 2017July 3, 2021

Welcome to the third instalment of my Long Exposure Test series. In this part, I am looking at 5 readily available colour negative films and how adjustment of longer exposure times effects the outcomes.

Self - Instax Wide AF500, taken by Lotte Dale.
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #154: I am Raymond van Mil and this is why I shoot film

by EMSeptember 20, 2017October 16, 2020

To my eye, there’s something special about portrait photographers. At the very least, photographers who take portraits. As readers will know, that particular photographic niche evades me with all its might.

Under George - Shot on Fuji Pro 400H at EI 200. Color negative film in 120 format shot as 6x4.5.
Posted inMedium format, Photography

Photography: Under George – Fuji Pro 400H (120)

by EMSeptember 20, 2017October 16, 2020

Under George
Shot on Fuji Pro 400H at EI 200
Color negative film in 120 format shot as 6×4.5
 

 
 

 
 

Hear me roar - Women's March, Los Angeles. Canon EOS-3, Fujifilm Acros 100
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #149: I am Rebecca Joyce and this is why I shoot film

by EMAugust 16, 2017October 16, 2020

Today’s interviewee is a real treat.

Where's my second coat? - Shot on Fuji Pro 400H at EI 400. Color negative film in 120 format shot as 6x12.
Posted inMedium format, Photography

Photography: Where’s my second coat? – Fuji Pro 400H (120)

by EMApril 12, 2017October 16, 2020

Where’s my second coat?
Shot on Fuji Pro 400H at EI 400
Color negative film in 120 format shot as 6×12

 

 

 

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EMULSIVE is (among other things) a space for film photographers of all backgrounds to spread knowledge, experience and thoughts about everything related to film photography.

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