A lot of my early digital work was rooted in colour theory, and as a result (despite wanting to limit my film photography to black and white) I have shot through as many different colour films as I could find.
Tag: Fujifilm FUJICOLOR Pro 400H
The Bronica ETR: 40 years old but not an old dog
When I came back to film photography in early 2018, very soon I wanted to try medium format film. Not being sure if I would like it with its lesser number of photos per roll compared to a 35mm film…
EMULSIVE Interview #201: I am Allysse Riordan and this is why I shoot film
Welcome to a fresh instalment of my “…this is why I shoot film” series!
5 Frames… With Fujifilm Pro 400H (EI 400 / 120 format / Zenza Bronica SQ-A)
I’ve been looking for a 120 ISO 400 colour film for a pinhole based project that I have in mind and whilst there is a good range of black and white and 35mm, choices are fairly limited for 120
Amazing canned food pinhole selfies (featured project and how to)
It all started with some idle musings between a few photographers. Some were expressing a bit of disdain for the “selfie generation”, which triggered a chain of thought that lead me to a fusion of pop-art and selfies.
5 Frames… With Fujifilm Fujicolor Pro 400H (EI 400 / 35mm format / Nikon F100)
In July of 2018, I made the switch from 100% digital to 100% film. I started out shooting manual SLRs (Nikon F3 and Nikon FE2) and was pleased with those cameras.
5 Frames… With Fujifilm Fujicolor Pro 400H (EI 800 / 35mm format / Canon EOS 33)
By way of introduction my name is Geoff Roughton and to get it out of the way, 4 years ago I had a stroke…..well actually a series of mini-strokes followed by something more major.
Shooting an album cover on film – Eyedress’ Sensitive G
I had previously worked with Eyedress in Tokyo at Big Love Records. He’s a Philipines based artist who is currently on Lex Records based out of England.
Camera review: the Nikon FE 2
Over the past few months, I’ve been trying to settle on “the one.” The one 35mm film camera that will serve all my photography needs.
Test shots: Revolog Kosmos (35mm) + Bronica ETRSi
A few weeks ago, Nils suggested putting together an unorthodox camera/film review that he felt would be useful to readers of EMULSIVE. He wasn’t joking, it was anything but orthodox.
5 Frames… With Fujifilm Fujicolor Pro 400H (EI 400 / 35mm format / Leica M3)
要中文版的朋友麻煩您向下滚动
At the end of 2017, I went to Kyoto with my wife and my three-year-old son.
Photography: Evening glow – Shot on Fuji Pro 400H at EI 400 (6×6)
Evening glow
Shot on Fuji Pro 400H at EI 400
Color negative film in 120 format shot as 6×6
EMULSIVE interview #170: I am Rob Hawthorn and this is why I shoot film
It’s a real pleasure to introduce you all to Rob Hawthorn, a photographer who many of you will remember from his stunning travelogue of Yucatan on Kodak AEROCHROME.
Well Rob’s back with something a little different.
EMULSIVE interview #169: I am Darren Kelland and this is why I shoot film
Welcome to this week’s EMULSIVE interview.
Photography: Full spread – Shot on Fuji Pro 400H (35mm)
Full spread
Shot on Fuji Pro 400H at EI 400
Color negative film in 35mm format
Long exposure film tests part three: Kodak Professional Ektar 100, Portra 160, Portra 400, Portra 800 and Fujifilm PRO 400H
Welcome to the third instalment of my Long Exposure Test series. In this part, I am looking at 5 readily available colour negative films and how adjustment of longer exposure times effects the outcomes.
EMULSIVE interview #154: I am Raymond van Mil and this is why I shoot film
To my eye, there’s something special about portrait photographers. At the very least, photographers who take portraits. As readers will know, that particular photographic niche evades me with all its might.
Photography: Under George – Fuji Pro 400H (120)
Under George
Shot on Fuji Pro 400H at EI 200
Color negative film in 120 format shot as 6×4.5
EMULSIVE interview #149: I am Rebecca Joyce and this is why I shoot film
Today’s interviewee is a real treat.
Photography: Where’s my second coat? – Fuji Pro 400H (120)
Where’s my second coat?
Shot on Fuji Pro 400H at EI 400
Color negative film in 120 format shot as 6×12