Being at home for the last two months has only afforded me opportunities to be outside shooting pictures here and there. One night while I … Read more
It has nearly been 12 months since I got my hands on my Rolleiflex 2.8F, and whilst I’m not usually a reviewer of equipment, I’d like to … Read more
I recently got back into shooting film. I was more of a casual shooter until 2019 when I picked up my first medium format camera: … Read more
Today’s EMULSIVE interviewee should not be a stranger to regular readers. From his thoughts on the Contax S2 and RTS series to a quick delve … Read more
I bought this Hasselblad 500C/M a little over 2 years ago now. It was an eBay buy and back then I was a digital shooter. I always lusted after…
Hearing good things about FujiFilm Fujicolor Pro 400H, I thought I’d get involved. I’d be using the camera body of Canon EOS 1000FN, which was … Read more
I came back to shooting film three years ago in 2017. For the previous fifteen years I had been shooting digital with a range of … Read more
What follows is my 2019 in film photography, a 365 photography project that was absolutely not a 365 project. In this article, I share the … Read more
When I started my summer job, I knew that I would have to take any opportunity to take photos I could. But — just for … Read more
While studying art in college I found the sport of Muaythai, the National Sport of Thailand. I started practicing to get my self in shape … Read more
A lot of my early digital work was rooted in colour theory, and as a result (despite wanting to limit my film photography to black and white) I have shot through as many different colour films as I could find.
When I came back to film photography in early 2018, very soon I wanted to try medium format film. Not being sure if I would like it with its lesser number of photos per roll compared to a 35mm film…
Welcome to a fresh instalment of my “…this is why I shoot film” series!
I’ve been looking for a 120 ISO 400 colour film for a pinhole based project that I have in mind and whilst there is a good range of black and white and 35mm, choices are fairly limited for 120
It all started with some idle musings between a few photographers. Some were expressing a bit of disdain for the “selfie generation”, which triggered a chain of thought that lead me to a fusion of pop-art and selfies.
In July of 2018, I made the switch from 100% digital to 100% film. I started out shooting manual SLRs (Nikon F3 and Nikon FE2) and was pleased with those cameras.
By way of introduction my name is Geoff Roughton and to get it out of the way, 4 years ago I had a stroke…..well actually a series of mini-strokes followed by something more major.
I had previously worked with Eyedress in Tokyo at Big Love Records. He’s a Philipines based artist who is currently on Lex Records based out of England.
Over the past few months, I’ve been trying to settle on “the one.” The one 35mm film camera that will serve all my photography needs.
A few weeks ago, Nils suggested putting together an unorthodox camera/film review that he felt would be useful to readers of EMULSIVE. He wasn’t joking, it was anything but orthodox.
