Fujifilm FUJICOLOR Pro 400H
My return to film: Zisis Kardianos
I came back to shooting film three years ago in 2017. For the previous fifteen years I had been shooting digital with...
My year on film in 115 photos: A 2019 retrospective or, my not-a-365-project
What follows is my 2019 in film photography, a 365 photography project that was absolutely not a 365 project. In this article,...
5 Frames… With Fujifilm Fujicolor Pro 400H (EI 400 / 120 format / Zeiss Super Ikonta 532/16) – by Randy H Saint-Louis
When I started my summer job, I knew that I would have to take any opportunity to take photos I could. But...
Rajadamnern: documenting Muaythai boxing on film
While studying art in college I found the sport of Muaythai, the National Sport of Thailand. I started practicing to get my...
Fujifilm Pro 400H: The Best Film I’ll Never Shoot Again – by Simon King
A lot of my early digital work was rooted in colour theory, and as a result (despite wanting to limit my film photography to black and white) I have shot through as many different colour films as I could find.
The Bronica ETR: 40 years old but not an old dog – by Nelson Mercier
When I came back to film photography in early 2018, very soon I wanted to try medium format film. Not being sure if I would like it with its lesser number of photos per roll compared to a 35mm film...
EMULSIVE Interview #201: I am Allysse Riordan and this is why I shoot film
Welcome to a fresh instalment of my "...this is why I shoot film" series!
5 Frames… With Fujifilm Pro 400H (EI 400 / 120 format / Zenza Bronica SQ-A) – by Chris Hunter
I’ve been looking for a 120 ISO 400 colour film for a pinhole based project that I have in mind and whilst there is a good range of black and white and 35mm, choices are fairly limited for 120
Amazing canned food pinhole selfies (featured project and how to)
It all started with some idle musings between a few photographers. Some were expressing a bit of disdain for the "selfie generation", which triggered a chain of thought that lead me to a fusion of pop-art and selfies.
5 Frames… With Fujifilm Fujicolor Pro 400H (EI 400 / 35mm format / Nikon F100) – by Mac MacDonald
In July of 2018, I made the switch from 100% digital to 100% film. I started out shooting manual SLRs (Nikon F3 and Nikon FE2) and was pleased with those cameras.
5 Frames… With Fujifilm Fujicolor Pro 400H (EI 800 / 35mm format / Canon EOS 33) – by Geoff Roughton
By way of introduction my name is Geoff Roughton and to get it out of the way, 4 years ago I had a stroke…..well actually a series of mini-strokes followed by something more major.
Shooting an album cover on film – Eyedress’ Sensitive G
I had previously worked with Eyedress in Tokyo at Big Love Records. He's a Philipines based artist who is currently on Lex Records based out of England.
Camera review: the Nikon FE 2 – by Mac MacDonald
Over the past few months, I’ve been trying to settle on “the one.” The one 35mm film camera that will serve all my photography needs.
Test shots: Revolog Kosmos (35mm) + Bronica ETRSi – by Nils Karlson
A few weeks ago, Nils suggested putting together an unorthodox camera/film review that he felt would be useful to readers of EMULSIVE. He wasn't joking, it was anything but orthodox.
5 Frames… With Fujifilm Fujicolor Pro 400H (EI 400 / 35mm format / Leica M3) – by Shihchien Chang (張十七)
要中文版的朋友麻煩您向下滚动
At the end of 2017, I went to Kyoto with my wife and my three-year-old son.
Photography: Evening glow – Shot on Fuji Pro 400H at EI 400 (6×6)
Evening glow
Shot on Fuji Pro 400H at EI 400
Color negative film in 120 format shot as 6x6
EMULSIVE interview #170: I am Rob Hawthorn and this is why I shoot film
It's a real pleasure to introduce you all to Rob Hawthorn, a photographer who many of you will remember from his stunning travelogue of Yucatan on Kodak AEROCHROME.
Well Rob's back with something a little different.
EMULSIVE interview #169: I am Darren Kelland and this is why I shoot film
Welcome to this week’s EMULSIVE interview.
Photography: Full spread – Shot on Fuji Pro 400H (35mm)
Full spread
Shot on Fuji Pro 400H at EI 400
Color negative film in 35mm format
Long exposure film tests part three: Kodak Professional Ektar 100, Portra 160, Portra 400, Portra 800 and Fujifilm PRO 400H – by Toni Skokovic
Welcome to the third instalment of my Long Exposure Test series. In this part, I am looking at 5 readily available colour negative films and how adjustment of longer exposure times effects the outcomes.
