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Tag: Fujifilm FUJICOLOR Pro 400H
What follows is my 2019 in film photography, a 365 photography project that was absolutely not a 365 project. In this article,...
When I started my summer job, I knew that I would have to take any opportunity to take photos I could. But...
A lot of my early digital work was rooted in colour theory, and as a result (despite wanting to limit my film photography to black and white) I have shot through as many different colour films as I could find.
When I came back to film photography in early 2018, very soon I wanted to try medium format film. Not being sure if I would like it with its lesser number of photos per roll compared to a 35mm film...
Welcome to a fresh instalment of my "...this is why I shoot film" series!
I’ve been looking for a 120 ISO 400 colour film for a pinhole based project that I have in mind and whilst there is a good range of black and white and 35mm, choices are fairly limited for 120
It all started with some idle musings between a few photographers. Some were expressing a bit of disdain for the "selfie generation", which triggered a chain of thought that lead me to a fusion of pop-art and selfies.
I had previously worked with Eyedress in Tokyo at Big Love Records. He's a Philipines based artist who is currently on Lex Records based out of England.
A few weeks ago, Nils suggested putting together an unorthodox camera/film review that he felt would be useful to readers of EMULSIVE. He wasn't joking, it was anything but orthodox.
Evening glow Shot on Fuji Pro 400H at EI 400 Color negative film in 120 format shot as 6x6
It's a real pleasure to introduce you all to Rob Hawthorn, a photographer who many of you will remember from his stunning travelogue of Yucatan on Kodak AEROCHROME. Well Rob's back with something a little different.
Welcome to this week’s EMULSIVE interview.
Full spread Shot on Fuji Pro 400H at EI 400 Color negative film in 35mm format
Welcome to the third instalment of my Long Exposure Test series. In this part, I am looking at 5 readily available colour negative films and how adjustment of longer exposure times effects the outcomes.
To my eye, there's something special about portrait photographers. At the very least, photographers who take portraits. As readers will know, that particular photographic niche evades me with all its might.