Tag: EI 1600
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Photography: Torsion – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm)
Torsion Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 Black and white negative film in 35mm format Push processed 2+2/3 stops
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Cheatsheet: ILFORD FP4 PLUS development times – EI 100 to EI 6400
Over the years I’ve built up a large bank of development times and schemes for many black and white films, old and new;
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Photography: Bound – Shot on EASTMAN DOUBLE-X 5222 at EI 1600 (35mm)
Bound Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600Black and white negative film in 35mm formatPush processed 2+2/3 stops
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Photography: Leverage – Kodak Hawkeye Traffic Surveillance Black and White Film 2485 (35mm)
Leverage Shot on Kodak Hawkeye Traffic Surveillance Black and White Film 2485 at EI 800 Black and white negative film in 35mm format Push processed one-stop
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Photography: Maintenance required – Kodak ULTRAMAX 400 (35mm)
Maintenance required Shot on Kodak ULTRAMAX 400 at EI 1600 Color negative film in 35mm format Push processed two stops
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Campinas: o berço da fotografia mundial
Campinas é o berço da fotografia mundial. Sei que provavelmente você não conhece a cidade, e muito menos porque eu disse que ela é o berço da fotografia.
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Campinas: The cradle of world photography
Campinas is the cradle of world photography. I know you probably do not know the city, regardless of my statement about it being the cradle of photography, so here’s a little background why I believe it to be true. For
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Photography: 小吃 – Kodak Tri-X 400 (35mm)
2016-05-27 – 小吃 Kodak Tri-X 400 shot at EI 1600 Black and white film in 35mm format
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Photography: Containment breach – Shot on Kodak Tri-X 400 at EI 1600 (35mm)
Containment breach Shot on Kodak Tri-X 400 at EI 1600 Black and white negative film in 35mm format Push processed three stops Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push processing guide!  
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EMULSIVE interview #68: I am Ryan Neilan and this is why I shoot film
We’ve got a bit of a treat for you today; the photography and thoughts of Ryan Neilan.
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Photography: Cheap Trik – Shot on Kodak Tri-X 400 at EI 1600 (35mm)
Cheap Trik Shot on Kodak Tri-X 400 at EI 1600 Black and white negative film in 35mm format Push processed two stops Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push processing guide!  
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EMULSIVE 52 Rolls 2016 – Week 06-09 update
Time for a look at the latest frames from week 06-09 2016 of my 52 Rolls project (not 06-10, as I incorrectly tweeted). The over/under exposure and push/pull/XPRO theme covered in my first update of 2016 continues unabated
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Photography: Reach down – Fuji Pro 160NPC (120)
Reach down Shot on Fuji Pro 160NPC at EI 100 Color negative film in 120 format shot as 6×6
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Photography: Exposed – Shot on Kodak Portra 400 at EI 400 (120 format)
Exposed Shot on Kodak Portra 400 at EI 1600 Color negative film in 120 format shot as 6×6
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Photography: Potted – Shot on Kodak Portra 400 at EI 1600 (120 format)
Potted Shot on Kodak Portra 400 at EI 1600 Color negative film in 120 format shot as 6×6 Push processed two stops
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Photography: Flip flopped – Shot on Shanghai GP3 100 at EI 1600 (120 format)
Flip flopped Shot on Shanghai GP3 100 at EI 1600 Black and white negative film in 120 format shot as 6×6 Push processed four stops
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Shooting Kodak Tri-X 400 from EI 800 to EI 12800 (+ development times)
Covering the results of experimenting with Kodak Tri-X 400, this article picks up from my original Kodak Tri-X 400 review and will show you single-stop pushes from EI 400 all the way up to EI 12800.
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Film stock review: Kodak TRI-X 400 black and white negative film in 35mm and 120 formats
Kodak TRI-X 400 is the film you want if you’re looking for a consistently flexible film that’s reliable in all kinds of conditions and to be fair, if you’re reading this, you’re probably already shooting it.
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Photography: Pushed to the MAX – Shot on Kodak ULTRA MAX 400 at EI 1600 (35mm format)
Pushed to the MAX Shot on Kodak ULTRA MAX 400 at EI 1600.Color negative film in 35mm format
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