Tag: EI 1600
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Load bearing – Shot on Lomography Earl Grey BW 400 at EI 1600 (35mm format)
Load bearing Shot on Lomography Lady Grey BW 400 at EI 1600. Black and white negative film in 35mm...
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Beat – Shot on Fuji NEOPAN 1600 at EI 1600 (35mm format)
Beat Shot on Fuji NEOPAN 1600 at EI 1600. Black and white negative film in 35mm format. Write...
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Just a lick – Shot on Kodak ULTRA MAX at EI 1600 (35mm Format)
Just a lick Shot on Kodak ULTRA MAX at EI 1600. Color negative film in 35mm format. Push processed...
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That’s my ride – Shot on Kodak Tri-X 400 at EI 1600 (35mm format)
That’s my ride Shot on Kodak Tri-X 400 at EI 1600 Black and white negative film in 35mm...
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Light shower – Shot on Fuji Provia 400X RXP at EI 1600 (120 format)
Light shower Shot on Fuji Provia 400X RXP at EI 1600 Color reversal (slide) film in 120 format...
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Nailed it – Shot on Fuji Provia 400X RXP at EI 1600 (120 format)
Nailed it Shot on Fuji Provia 400X RXP at EI 1600 Color reversal (slide) film in 120 format shot...
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Sweetspot – Shot on Fuji Superia 400 Premium at EI 1600 (35mm format)
Sweetspot Shot on Fuji Superia 400 Premium at EI 1600 Color negative film in 35mm format Push...
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Recyc – Shot on Fuji Natura 1600 at EI 1600 (35mm)
Recyc Shot on Fuji Natura 1600 at EI 1600 Color negative film in 35mm format Write for...
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Famous express – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm)
Famous express Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 Black and white negative film in...
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STOP – Shot on ILFORD Pan 100 at EI 1600 (35mm format)
STOP Shot on ILFORD Pan 100 at EI 1600 Black and white negative film in 35mm format Push processed...
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Lightbulb moment – Shot on Lomography Color Negative 800 (120)
Lightbulb moment Shot on Lomography Color Negative 800 at EI 1600. Colour negative film in 120...
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Film review: Bergger Pancro 400 Part 3 – 35mm EI 1600 (bracketed +/- 1 stop)
Welcome to part three of my Bergger Pancro 400 review series, which this time takes the film to EI...
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Focal point – Fuji Provia 400X – RXP (120)
Focal point Shot on Fuji Provia 400X (RXP) at EI 1600 Color reversal (slide) film in 120 format...
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To the beat of the same drum – Fuji Superia 1600 (35mm)
To the beat of the same drum Shot on Fuji Superia 1600 at EI 1600 Color negative film in 35mm...
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Pediment – Kodak ULTRA MAX 400 (35mm)
Pediment Kodak ULTRA MAX 400 shot at EI 1600 Color negative film in 35mm format Push processed two...
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Pinned blessings – Shanghai GP3 100 (120)
Pinned blessings Shanghai GP3 100 shot at EI 1600 Black and white negative film in 120 format shot...
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Torsion – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm)
Torsion Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 Black and white negative film in 35mm...
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Reference: Ilford FP4+ development times from EI 100 to EI 6400
Over the years I’ve built up a large bank of development times and schemes for many black...
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Bound – Shot on EASTMAN DOUBLE-X 5222 at EI 1600 (35mm)
Bound Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 Black and white negative film in 35mm format...
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Leverage – Kodak Hawkeye Traffic Surveillance Black and White Film 2485 (35mm)
Leverage Shot on Kodak Hawkeye Traffic Surveillance Black and White Film 2485 at EI 800 Black and...
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- A Brief History Of (1)
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- Challenges (1)
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- What Is (1)
- Why Shoot Film (5)
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- Development Times (2)
- My Darkroom (1)
- Printing (3)
- Wet Plate (1)
- Experiments (43)
- Long Exposure (3)
- Reversal Development (1)
- Interviews (201)
- Community Interviews (11)
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- 110 format (4)
- 35mm format (476)
- 5 Frames With (106)
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- Reviews (270)
- Camera Reviews (66)
- A&K Cameras (1)
- AGFA Cameras (1)
- Bronica Cameras (6)
- Canon Cameras (2)
- Chamonix Cameras (1)
- Exakta Cameras (1)
- Fuji Cameras (4)
- Gould Cameras (1)
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- Zorki Cameras (1)
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