Muckcatcher
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600
Black and white negative film in 35mm format
Push processed 22/3 stops
Development notes
Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3)
1 minute presoak, 30 seconds initial agitation, 1 inversions
Under cover
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600
Black and white negative film in 35mm format
Push processed 22/3 stops
Development notes
Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3)
1 minute presoak, 30 seconds initial agitation, 1
Keep your head down
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600
Black and white negative film in 35mm format
Push processed 22/3 stops
Development notes
Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3)
1 minute presoak, 30 seconds initial
Area secured
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600Black and white negative film in 35mm formatPush processed 22/3 stops
Development notesRodinal 1+25: 21°C/70°F, 14:30 (N+22/3)1 minute presoak, 30 seconds initial agitation, 1 inversions / 30
Load bearing
Shot on Lomography Lady Grey BW 400 at EI 1600.
Black and white negative film in 35mm format.
Push processed two stops.
Development notes:
Kodak HC-110: 1+47(E), 21°C/70°F, 06:00 (N+2)
No presoak, 1-minute initial agitation
Beat
Shot on Fuji NEOPAN 1600 at EI 1600.
Black and white negative film in 35mm format.
Just a lick
Shot on Kodak ULTRA MAX at EI 1600.
Color negative film in 35mm format.
Push processed two stops.
That’s my ride
Shot on Kodak Tri-X 400 at EI 1600
Black and white negative film in 35mm format
Light shower
Shot on Fuji Provia 400X RXP at EI 1600
Color reversal (slide) film in 120 format shot as 6×6
Push processed 2 stops
Nailed it
Shot on Fuji Provia 400X RXP at EI 1600
Color reversal (slide) film in 120 format shot as 6×6
Push processed 2 stops
Sweetspot
Shot on Fuji Superia 400 Premium at EI 1600
Color negative film in 35mm format
Push processed two stops
Recyc
Shot on Fuji Natura 1600 at EI 1600
Color negative film in 35mm format
Famous express
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600Black and white negative film in 35mm formatPush processed 2 and 2/3 stops
Famous expressShot on Kodak Eastman Double-X 5222 at EI 1600.Black and white motion picture film in
STOP
Shot on ILFORD Pan 100 at EI 1600
Black and white negative film in 35mm format
Push processed 4 stops
Lightbulb moment
Shot on Lomography Color Negative 800 at EI 1600.
Colour negative film in 120 format shot as 6×6.
Push processed one stop.
Welcome to part three of my Bergger Pancro 400 review series, which this time takes the film to EI 1600, while maintaining the +/-1 stop brackets that you’ve come to know and love.
In case you’re new to the
Focal point
Shot on Fuji Provia 400X (RXP) at EI 1600
Color reversal (slide) film in 120 format shot as 6×6
Push processed two stops
To the beat of the same drum
Shot on Fuji Superia 1600 at EI 1600
Color negative film in 35mm format
Developed in Rodinal (1+100 / 20c / 60:00)
Pediment
Kodak ULTRA MAX 400 shot at EI 1600
Color negative film in 35mm format
Push processed two stops.
Pinned blessings
Shanghai GP3 100 shot at EI 1600
Black and white negative film in 120 format shot as 6×6
Push processed four stops
