Article tags EI 1600

Tag: EI 1600

35mm format

Photography: Muckcatcher – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)

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Muckcatcher Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 Black and white negative film in 35mm format Push processed 22/3 stops   Development notes Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3) 1 minute presoak, 30 seconds initial agitation, 1 inversions
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35mm format

Photography: Under cover – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)

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Under cover Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 Black and white negative film in 35mm format Push processed 22/3 stops   Development notes Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3) 1 minute presoak, 30 seconds initial agitation, 1
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35mm format

Photography: Keep your head down – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)

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Keep your head down Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 Black and white negative film in 35mm format Push processed 22/3 stops   Development notes Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3) 1 minute presoak, 30 seconds initial
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35mm format

Photography: Area secured – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)

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Area secured Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600Black and white negative film in 35mm formatPush processed 22/3 stops Development notesRodinal 1+25: 21°C/70°F, 14:30 (N+22/3)1 minute presoak, 30 seconds initial agitation, 1 inversions / 30
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35mm format

Photography: Load bearing – Shot on Lomography Earl Grey BW 400 at EI 1600 (35mm format)

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Load bearing Shot on Lomography Lady Grey BW 400 at EI 1600. Black and white negative film in 35mm format. Push processed two stops.   Development notes: Kodak HC-110: 1+47(E), 21°C/70°F, 06:00 (N+2) No presoak, 1-minute initial agitation
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35mm format

Photography: Beat – Shot on Fuji NEOPAN 1600 at EI 1600 (35mm format)

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Beat Shot on Fuji NEOPAN 1600 at EI 1600. Black and white negative film in 35mm format.    
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35mm format

Photography: Just a lick – Shot on Kodak ULTRA MAX at EI 1600 (35mm Format)

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Just a lick Shot on Kodak ULTRA MAX at EI 1600. Color negative film in 35mm format. Push processed two stops.    
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35mm format

Photography: That’s my ride – Shot on Kodak Tri-X 400 at EI 1600 (35mm format)

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That's my ride Shot on Kodak Tri-X 400 at EI 1600 Black and white negative film in 35mm format          
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Medium format

Photography: Light shower – Shot on Fuji Provia 400X RXP at EI 1600 (120 format)

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Light shower Shot on Fuji Provia 400X RXP at EI 1600 Color reversal (slide) film in 120 format shot as 6x6 Push processed 2 stops          
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Medium format

Photography: Nailed it – Shot on Fuji Provia 400X RXP at EI 1600 (120 format)

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Nailed it Shot on Fuji Provia 400X RXP at EI 1600 Color reversal (slide) film in 120 format shot as 6x6 Push processed 2 stops          
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35mm format

Photography: Sweetspot – Shot on Fuji Superia 400 Premium at EI 1600 (35mm format)

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Sweetspot Shot on Fuji Superia 400 Premium at EI 1600 Color negative film in 35mm format Push processed two stops          
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35mm format

Photography: Recyc – Shot on Fuji Natura 1600 at EI 1600 (35mm)

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Recyc Shot on Fuji Natura 1600 at EI 1600 Color negative film in 35mm format          
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35mm format

Photography: Famous express – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm)

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Famous express Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600Black and white negative film in 35mm formatPush processed 2 and 2/3 stops Famous expressShot on Kodak Eastman Double-X 5222 at EI 1600.Black and white motion picture film in
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35mm format

Photography: STOP – Shot on ILFORD Pan 100 at EI 1600 (35mm format)

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STOP Shot on ILFORD Pan 100 at EI 1600 Black and white negative film in 35mm format Push processed 4 stops          
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Medium format

Photography: Lightbulb moment – Shot on Lomography Color Negative 800 (120)

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Lightbulb moment Shot on Lomography Color Negative 800 at EI 1600. Colour negative film in 120 format shot as 6x6. Push processed one stop.          
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Bergger Film Stock Reviews

Film stock review: Bergger Pancro 400 Part 3 – 35mm EI 1600 (bracketed +/- 1 stop)

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Welcome to part three of my Bergger Pancro 400 review series, which this time takes the film to EI 1600, while maintaining the +/-1 stop brackets that you've come to know and love. In case you're new to the
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Medium format

Photography: Focal point – Fuji Provia 400X – RXP (120)

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Focal point Shot on Fuji Provia 400X (RXP) at EI 1600 Color reversal (slide) film in 120 format shot as 6x6 Push processed two stops          
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35mm format

Photography: To the beat of the same drum – Fuji Superia 1600 (35mm)

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To the beat of the same drum Shot on Fuji Superia 1600 at EI 1600 Color negative film in 35mm format Developed in Rodinal (1+100 / 20c / 60:00)          
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35mm format

Photography: Pediment – Kodak ULTRA MAX 400 (35mm)

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Pediment Kodak ULTRA MAX 400 shot at EI 1600 Color negative film in 35mm format Push processed two stops.    
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35mm format

Photography: Pinned blessings – Shanghai GP3 100 (120)

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Pinned blessings Shanghai GP3 100 shot at EI 1600 Black and white negative film in 120 format shot as 6×6 Push processed four stops      
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