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Muckcatcher - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600. Black and white negative film in 35mm format. Push processed 2+2/3 stops
35mm format

Photography: Muckcatcher – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm...

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Muckcatcher Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 Black and white negative film in 35mm format Push processed 22/3 stops   Development notes Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3) 1 minute presoak, 30 seconds initial agitation, 1 inversions
Under cover - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600. Black and white negative film in 35mm format. Push processed 2+2/3 stops.
35mm format

Photography: Under cover – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600...

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Under cover Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 Black and white negative film in 35mm format Push processed 22/3 stops   Development notes Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3) 1 minute presoak, 30 seconds initial agitation, 1
Keep your head down - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600. Black and white negative film in 35mm format. Push processed 2+2/3 stops.
35mm format

Photography: Keep your head down – Shot on Kodak EASTMAN DOUBLE-X 5222 at...

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Keep your head down Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 Black and white negative film in 35mm format Push processed 22/3 stops   Development notes Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3) 1 minute presoak, 30 seconds initial
Area secured - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600. Black and white negative film in 35mm format. Push processed 2+2/3 stops.
35mm format

Photography: Area secured – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600...

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Area secured Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600Black and white negative film in 35mm formatPush processed 22/3 stops Development notesRodinal 1+25: 21°C/70°F, 14:30 (N+22/3)1 minute presoak, 30 seconds initial agitation, 1 inversions / 30
Load bearing - Shot on Lomography Earl Grey BW 400 at EI 1600. Black and white negative film in 35mm format. Push processed two stops.
35mm format

Photography: Load bearing – Shot on Lomography Earl Grey BW 400...

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Load bearing Shot on Lomography Lady Grey BW 400 at EI 1600. Black and white negative film in 35mm format. Push processed two stops.   Development notes: Kodak HC-110: 1+47(E), 21°C/70°F, 06:00 (N+2) No presoak, 1-minute initial agitation
Beat - Shot on Fuji NEOPAN 1600 at EI 1600. Black and white negative film in 35mm format.
35mm format

Photography: Beat – Shot on Fuji NEOPAN 1600 at EI 1600...

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Beat Shot on Fuji NEOPAN 1600 at EI 1600. Black and white negative film in 35mm format.    
Just a lick - Shot on Kodak ULTRA MAX at EI 1600. Color negative film in 35mm format. Push processed two stops.
35mm format

Photography: Just a lick – Shot on Kodak ULTRA MAX at...

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Just a lick Shot on Kodak ULTRA MAX at EI 1600. Color negative film in 35mm format. Push processed two stops.    
EMULSIVE 52 Rolls - Week 08 - Kodak Tri-X 400 (35mm) - EI1600
35mm format

Photography: That’s my ride – Shot on Kodak Tri-X 400 at...

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That's my ride Shot on Kodak Tri-X 400 at EI 1600 Black and white negative film in 35mm format          
Light shower - Shot on Fuji Provia 400X RXP at EI 1600. Color reversal (slide) film in 120 format shot as 6x6.
Medium format

Photography: Light shower – Shot on Fuji Provia 400X RXP at...

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Light shower Shot on Fuji Provia 400X RXP at EI 1600 Color reversal (slide) film in 120 format shot as 6x6 Push processed 2 stops          
Nailed it - Shot on Fuji Provia 400X RXP at EI 1600. Color reversal (slide) film in 120 format shot as 6x6. Push processed 2 stops.
Medium format

Photography: Nailed it – Shot on Fuji Provia 400X RXP at...

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Nailed it Shot on Fuji Provia 400X RXP at EI 1600 Color reversal (slide) film in 120 format shot as 6x6 Push processed 2 stops          
Sweetspot - Shot on Fuji Superia Premium 400 at EI 1600. Color negative film in 35mm format. Push processed two stops.
35mm format

Photography: Sweetspot – Shot on Fuji Superia 400 Premium at EI...

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Sweetspot Shot on Fuji Superia 400 Premium at EI 1600 Color negative film in 35mm format Push processed two stops          
Recyc - Shot on Fuji Natura 1600 at EI 1600. Color negative film in 35mm format.
35mm format

Photography: Recyc – Shot on Fuji Natura 1600 at EI 1600...

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Recyc Shot on Fuji Natura 1600 at EI 1600 Color negative film in 35mm format          
Famous express - Shot on Kodak Eastman Double-X 5222 at EI 1600. Black and white motion picture film in 35mm format. Push processed 2 and 2/3 stops.
35mm format

Photography: Famous express – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI...

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Famous express Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600Black and white negative film in 35mm formatPush processed 2 and 2/3 stops Famous expressShot on Kodak Eastman Double-X 5222 at EI 1600.Black and white motion picture film in
STOP - Shot on ILFORD Pan 100 at EI 1600. Black and white negative film in 35mm format. Push processed 4 stops.
35mm format

Photography: STOP – Shot on ILFORD Pan 100 at EI 1600...

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STOP Shot on ILFORD Pan 100 at EI 1600 Black and white negative film in 35mm format Push processed 4 stops          
Lightbulb moment - Shot on Lomography Color Negative 800 at EI 1600. Colour negative film in 120 format shot as 6x6. Push processed one stop.
Medium format

Photography: Lightbulb moment – Shot on Lomography Color Negative 800 (120)

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Lightbulb moment Shot on Lomography Color Negative 800 at EI 1600. Colour negative film in 120 format shot as 6x6. Push processed one stop.          
Bergger Pancro 400 - EI 1600 - underexposed one stop
Bergger Film Stock Reviews

Film stock review: Bergger Pancro 400 Part 3 – 35mm EI...

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Welcome to part three of my Bergger Pancro 400 review series, which this time takes the film to EI 1600, while maintaining the +/-1 stop brackets that you've come to know and love. In case you're new to the
Focal point - Shot on Fuji Provia 400 at EI 1600. Color reversal (slide) film in 120 format shot as 6x6. Push processed two stops.
Medium format

Photography: Focal point – Fuji Provia 400X – RXP (120)

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Focal point Shot on Fuji Provia 400X (RXP) at EI 1600 Color reversal (slide) film in 120 format shot as 6x6 Push processed two stops          
To the beat of the same drum - Fuji Superia 1600 Shot at EI 1600. Color negative film in 35mm format. Developed in Rodinal (1+100 / 20c / 60:00).
35mm format

Photography: To the beat of the same drum – Fuji Superia...

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To the beat of the same drum Shot on Fuji Superia 1600 at EI 1600 Color negative film in 35mm format Developed in Rodinal (1+100 / 20c / 60:00)          
Pediment - Kodak ULTRA MAX 400 shot at EI 1600. Color negative film in 35mm format. Push processed two stops.
35mm format

Photography: Pediment – Kodak ULTRA MAX 400 (35mm)

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Pediment Kodak ULTRA MAX 400 shot at EI 1600 Color negative film in 35mm format Push processed two stops.    
Pinned blessings - Shanghai GP3 100 shot at EI 1600. Black and white negative film in 120 format shot as 6×6. Push processed four stops.
35mm format

Photography: Pinned blessings – Shanghai GP3 100 (120)

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Pinned blessings Shanghai GP3 100 shot at EI 1600 Black and white negative film in 120 format shot as 6×6 Push processed four stops      
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