EI 1600

Muckcatcher - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600. Black and white negative film in 35mm format. Push processed 2+2/3 stops

Photography: Muckcatcher – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)

Muckcatcher

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600
Black and white negative film in 35mm format
Push processed 22/3 stops

 

Development notes
Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3)
1 minute presoak, 30 seconds initial agitation, 1 inversions

Under cover - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600. Black and white negative film in 35mm format. Push processed 2+2/3 stops.

Photography: Under cover – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)

Under cover

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600
Black and white negative film in 35mm format
Push processed 22/3 stops

 

Development notes
Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3)
1 minute presoak, 30 seconds initial agitation, 1

Keep your head down - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600. Black and white negative film in 35mm format. Push processed 2+2/3 stops.

Photography: Keep your head down – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)

Keep your head down

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600
Black and white negative film in 35mm format
Push processed 22/3 stops

 

Development notes
Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3)
1 minute presoak, 30 seconds initial

Area secured - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600. Black and white negative film in 35mm format. Push processed 2+2/3 stops.

Photography: Area secured – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)

Area secured

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600Black and white negative film in 35mm formatPush processed 22/3 stops

Development notesRodinal 1+25: 21°C/70°F, 14:30 (N+22/3)1 minute presoak, 30 seconds initial agitation, 1 inversions / 30

Load bearing - Shot on Lomography Earl Grey BW 400 at EI 1600. Black and white negative film in 35mm format. Push processed two stops.

Photography: Load bearing – Shot on Lomography Earl Grey BW 400 at EI 1600 (35mm format)

Load bearing

Shot on Lomography Lady Grey BW 400 at EI 1600.
Black and white negative film in 35mm format.
Push processed two stops.

 

Development notes:
Kodak HC-110: 1+47(E), 21°C/70°F, 06:00 (N+2)
No presoak, 1-minute initial agitation

EMULSIVE 52 Rolls - Week 08 - Kodak Tri-X 400 (35mm) - EI1600

Photography: That’s my ride – Shot on Kodak Tri-X 400 at EI 1600 (35mm format)

That’s my ride

Shot on Kodak Tri-X 400 at EI 1600
Black and white negative film in 35mm format

 

 

 

 

 

Light shower - Shot on Fuji Provia 400X RXP at EI 1600. Color reversal (slide) film in 120 format shot as 6x6.

Photography: Light shower – Shot on Fuji Provia 400X RXP at EI 1600 (120 format)

Light shower

Shot on Fuji Provia 400X RXP at EI 1600
Color reversal (slide) film in 120 format shot as 6×6
Push processed 2 stops

 

 

 

 

 

Nailed it - Shot on Fuji Provia 400X RXP at EI 1600. Color reversal (slide) film in 120 format shot as 6x6. Push processed 2 stops.

Photography: Nailed it – Shot on Fuji Provia 400X RXP at EI 1600 (120 format)

Nailed it

Shot on Fuji Provia 400X RXP at EI 1600
Color reversal (slide) film in 120 format shot as 6×6
Push processed 2 stops

 

 

 

 

 

Famous express - Shot on Kodak Eastman Double-X 5222 at EI 1600. Black and white motion picture film in 35mm format. Push processed 2 and 2/3 stops.

Photography: Famous express – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm)

Famous express

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600Black and white negative film in 35mm formatPush processed 2 and 2/3 stops

Famous expressShot on Kodak Eastman Double-X 5222 at EI 1600.Black and white motion picture film in

Lightbulb moment - Shot on Lomography Color Negative 800 at EI 1600. Colour negative film in 120 format shot as 6x6. Push processed one stop.

Photography: Lightbulb moment – Shot on Lomography Color Negative 800 (120)

Lightbulb moment
Shot on Lomography Color Negative 800 at EI 1600.
Colour negative film in 120 format shot as 6×6.
Push processed one stop.
 

 
 

 
 

Bergger Pancro 400 - EI 1600 - underexposed one stop

Film stock review: Bergger Pancro 400 Part 3 – 35mm EI 1600 (bracketed +/- 1 stop)

Welcome to part three of my Bergger Pancro 400 review series, which this time takes the film to EI 1600, while maintaining the +/-1 stop brackets that you’ve come to know and love.

In case you’re new to the