CineStill
5 Frames… Of fun at the fair on CineStill 800T (EI 800 / 35mm format / Leica M3) – by Maxime Evangelista
I have had the will to try out CineStill 800T for a long time but never had the chance to do so...
Embracing accidents: An unexpected double exposure collaboration
Since my return to film photography, I made the decision that I wanted to document what life uncovered for me in terms...
5 Frames… In Copenhagen with CineStill BwXX (35mm format / EI 250 / Nikon F100) – by Brian Ferguson
Scrolling through my Instagram feed introduced me to the wonderful world of CineStill. I had been having an extensive internal debate over...
New slide film development kit from CineStill: CineStill Cs6 “Creative Slide” 3-Bath Process
Following a short tease on social media over the past few days, Los Angeles based CineStill have just announced a completely unique...
5 Frames… Of Cinestill 800T at night (EI 1250 / 35mm format / Contax 159 MM) – by Dusty Traill-Forbyth
My father was a hobby photographer and had a beautiful collection of Contax equipment. As I progressed in my work, he started...
5 Frames… Showing a different side to Birmingham on CineStill 800 Tungsten (EI 400 / 120 format / Rolleiflex 2.8F) – by Kris Askey
Around mid-2018, after seven years of shooting digital, I decided to put the digital camera down for a little while as I...
5 Frames… Wandering through Bangkok with CineStill 800 Tungsten (EI 1250 / 35mm format / Yashica FX-3 Super 2000) – by Francesco Carloni
I’ve always wanted to try CineStill 800T since it came out a few years ago. I've been delighted by all the pictures...
Camera review: 14 years with the “invisible” Nikon FM3a
In January 2006, after 5 or so years of film photography with a combination of cheaper cameras (e.g., a Minolta SRT-101, a...
Four years and counting: Un Giro D’Italia – touring Italy or, a never-ending project
Like all good projects, this one began without me even realising it. I didn’t intend for this to become such a long...
EMULSIVE Secret Santa 2019 updates: Sponsors! Gifting! Shopping!
UPDATE: Registration for EMULSIVE Santa 2019 has closed.
There is a little over one week to go before registration for EMULSIVE Secret Santa...
Cinestill C-41 Quart Kit: extended development, push and pull processing times
I’ve been developing film at home for a while now, and I’ve done everything that I can to get my money's worth...
Buffalo Soldier: Examining the history and lives of black American soldiers – by Sheldon J Walker
Over the past two years, I’ve been pouring everything I had emotionally, physically, and financially into a staged photography series I call “Buffalo Soldier”. My project is...
5 Frames… With CineStill 50D (EI 50 / 35mm format / Nikon F2) – by James Harris
Whenever I go out shooting with film, which seems to be a lot these days, I take my trusty Nikon F2 and the 50mm F/1.4 AI-S. Can I just say that this camera is a bit of a beast?
The EMULSIVE x CineStill Community Interview: results time
In mid-December 2018, I released a call for questions for the latest EMULSIVE Community Interview, this time with the folks at CineStill in Los Angeles. You obliged and here are the results.
Blind film review #02: CineStill 800T vs Kodak Portra 400 in 120 format
This article pits Kodak's medium format Portra 400 against CineStill's 800T in a head-to-head.
5 Frames… With CineStill 800T (EI 800 / 120 format / Yashica D TLR) – By Ed Worthington
A while ago I was involved in a Twitter conversation about what scene from a movie you wish you could have shot yourself, or wish you could replicate.
5 Frames… With CineStill 800T at night (EI 800 / 120 format / Hasselblad 500 CM) – Matias Takala
I had a roll of CineStill 800T in my fridge waiting for a special occasion. I was going home from work one day and I could see a promise of fog in the air.
New in: CineStill “just add water” powdered developers and new improved film
There's some very exciting news coming out of CineStill today in the form of an announcement of new powdered film developing chemistry and manufacturing updates for all new film.
As I've noted on social media and this website before
5 Frames… With Cinestill 50D (EI 50 / 120 format / Zenza Bronica ETRSi) – by Giacomo Lanzi
I first bought this film to try Cinestill out as a brand. I was really curious about the company because of the concept of using movie stock film to create still photographs.
