Tag: Cinestill
Popular right now
Our 20 most recent articles
Dear Benice 8: Cinestill, an Eastern-only delight?
Dear Benice, If I’m not in a big city in Asia shooting Cinestill film, am I really doing...
Read More
Review: Comparing FF No.1 and Cinestill Df96 monobath developers
Monobath film developers feel like the in thing for 2018. Whether you’re just thinking about...
Read More
Not a sous vide cooker: Cinestill’s ºCs “Temperature Control System” TCS-1000 is a useful tool for simple film development at home
Available on backorder today starting at $99.95 and shipping from 10th October 2018,...
Read More
Review: CineStill Df96 Monobath developer – by Stephen Schaub
Anyone who knows me knows that I am a fierce advocate for film. Working for the last three decades...
Read More
The left of right – Shot on Rollei Infrared 400 at EI 400 (4×5 format)
The left of right Shot on Rollei Infrared 400 at EI 400 Black and white negative film in 4×5...
Read More
5 Frames With… Cinestill BwXX (35mm / EI 250 / Pentax Spotmatic SP II) – by Donna Macauley
When Cinestill reintroduced their BwXX 250 film stock, I was intrigued and bought a roll...
Read More
5 Frames With… CineStill Tungsten 800 (35mm / EI 800 / Minolta X-700) – by Mila Galinova
The tungsten aesthetic really is my thing. I love seeing it used for night outdoors shots; I’m...
Read More
5 Frames With… CineStill 800T (EI 800 / 120 / Fuji GS645) – by Michael Duke
I’m a latecomer to film photography, but have been working hard to catch up. After reading a...
Read More
Announcing: CineStill Df96 “DEVELOPER&FIX” Monobath
Hot off the press: there’s a new black and white monobath developer from the Brothers Wright...
Read More
Film review: Thoughts on using CineStill 50D in the Arctic Circle – by James Silvester
Having read a selection of blog posts and reviews about the CineStill range of 120 and 135 films I...
Read More
EMULSIVE interview #179: I am Daphne Schnitzer and this is why I shoot film
A huge welcome to Daphne Schnitzer, past 5 Frames With contributor here on EMULSIVE and pinhole...
Read More
Test shots: Revolog Kosmos (35mm) + Bronica ETRSi – by Nils Karlson
A few weeks ago, Nils suggested putting together an unorthodox camera/film review that he felt...
Read More
Every single film stock still made today – Part 1: ADOX to Dubblefilm (v3)
Update 02: 2018-09-20 If you’re anything like me, you’ve probably wondered how many...
Read More
EMULSIVE interview #172: I am Joy Celine Asto and this is why I shoot film
It’s a pleasure to be able to bring you all the work and words of Joy Celine Asto, whom some...
Read More
EMULSIVE interview #171: I am John Michael Caldwell and this is why I shoot film
It’s wonderful to be able to introduce you today to the wonderful work of film photographer...
Read More
Urgent business – Shot on Cinestill 800T (35mm)
Urgent business Shot on Cinestill 800T at EI 800 Color motion picture negative in 35mm format ...
Read More
Down the canal – Shot on Cinestill 800T (35mm)
Down the canal Shot on Cinestill 800T at EI 800 Color motion picture negative in 35mm format ...
Read More
Just a small one – Shot on Cinestill 800T at EI 800 (35mm format)
Just a small one Shot on Cinestill 800T at EI 800 Color motion picture negative in 35mm format ...
Read More
EMULSIVE’s most popular film photography posts of 2017
In the time honoured tradition of lazy posting at the end of each year, here’s the first in...
Read More
EMULSIVE interview #162: I am Sheena She and this is why I shoot film
Hey everyone and welcome to the latest EMULSIVE interview. Today, I’m happy to bring you the...
Read More
