Let’s say there’s this wild bear in your neighborhood. He terrorizes the children and snaps his teeth at the elderly. He breaks into people’s homes, stomps on their plants, destroys their lawn furniture, and eats their food. Although the bear is being his bear-self, people are frustrated and they have concerns. The wild bear in […]
Tag: CineStill
Posted inPhotosets and stories
Everything changes: An homage to East London’s Brick Lane
Selling goods this way — on rickety wooden tables or simply strewn on the floor — won’t be around forever. It’s too old-fashioned. A short walk away shows an inkling of what will happen; Old Spitalfields market has modernized. Restaurants, coffee stalls, and even the odd designer clothing shop line its edges and if you’re […]
Posted inNews
Seeing red: CineStill REDRUM, a new limited-run medium format redscale film made using 800T
No more neon glows and gas station signs for you, not if you plan on shooting this new limited edition redscale film from the folks over at Cinestill Film in the US. Made from their signature Cinestill 800T film (Kodak VISION3 500T motion picture film with the remjet pre-removed), Cinestill’s new medium format REDRUM 120 […]
Posted inOpinion
Film makes me lazy. And smart. And harder working.
Why do we photograph with film? On the one level, it is a silly question. Why do some people like cookies and cream, and others like choc fudge? Because it exists, it is an option, and we just do. For those of us where film photography is an equal option to digital photography, there is no need to necessarily […]
Posted inCineStill Film Stock Reviews
Film review: Cinestill 50D on Zurich’s smaller streets – Pentax MX and SMC Pentax-M 50mm f/1.7
I recently shot a roll of Cinestill 50D on a sunny, Saturday walk in Zurich. I chose to shoot Cinestill 50D because I had recently watched a review of it on the Analogue Wonderland Youtube channel. Having shot it before and not finding it particularly good, I wanted to shoot it again because the photos […]
Posted inNews
My dream come true: Kodak Eastman Double-X film now in 120 format. Available from CineStill to photographers for the first time in medium format…!
Four years ago, I began wondering if a new film stock at the time, Bergger Pancro 400 had done the impossible; given me a BW film that looked like my beloved Kodak Eastman Double-X 5222 in 120 medium format. It got close but now, in 2021, how about we try the real thing? Available for […]
Posted inFilm Photographer Interviews
EMULSIVE Interview #222: I am Kris Askey and this is why I shoot film
After an 8-month hiatus, I’d like to welcome you all back to the EMULSIVE interview. Yes, yes, 2020 be damned, etc. Last year was a challenging one for me and I took a bit more of a hit than I expected but, as I kept telling myself, there are two things to remember: 1) things […]
Posted inReviews
Film stock review: Cinestill BWXX
I started writing this article in 2019 and left it as a draft for EM here for quite a while. The reason for this is that while I enjoy writing, I don’t often think that my “reviews” are especially the most I have to offer. I wrote a disparaging follow up to a piece I’d […]
Posted in5 Frames..., Articles
5 Frames… Along downtown Toronto’s Bathurst Street on CineStill 800T (EI 800 / 35mm Format / Canon EOS 10)
Every Torontonian or Scott Pilgrim vs. The World fan should have some familiarity with the colourful Bathurst Street. As someone who lives alongside northern Bathurst, I had always wondered how I could channel my inner Edgar Wright and explore the area with my camera. The opportunity arose in Winter 2020, when I had to finish […]
Posted inBest Of
EMULSIVE’S most popular darkroom related articles of 2020
Here’s listicle #2 for this year, and it’s 100% focused on darkroom alchemy. From bringing back Kodachrome (development, that is!), to RA-4 color printing, to monobath developers, lith printing and…the list goes on. Darkroom and darkroom-related work continues to increase through our community as more and more photographers find them selves coming back to traditional […]
Posted inArticles
A deeper dive into CineStill Simplified Cs2 chemistry: ECN-2 + CINESTILL = ?
We are the Brothers Wright, the photographers and creators behind CineStill. Ever since the beta tests of CineStill 800T processed in C-41 chemistry, and especially once we began designing simplified chemical processes, we have been asked many technical questions about motion picture processing and still photography. Over the years, we have done our best to […]
Posted inNews
News: Introducing CineStill Simplified Cs2 chemistry kits
Following several years of research and development, CineStill have launched one of their most long-awaited products — no, not another film stock — a simplified ECN-2 kit for developing motion picture film in its native chemistry…with a CineStill twist. Say hello to the CineStill Cs2 “Cine Simplified” ECN 2-Bath Kit: In the same vein as […]
Posted in5 Frames..., Articles
5 Frames… With A Kaleidoscope Filter and Cinestill 50D (35mm Format / EI 50 / Canon AE-1 + Canon FD 50mm f/1.8)
When I started shooting analog, I mostly shot on Polaroid film and basically still do so today. Compared to 35mm film, shooting Polaroids is very straightforward, as the cameras only offer less than basic adjustment options – there is a lighten/darken wheel and a manual focus and that’s it. But lately, I felt the urge […]
Posted in5 Frames..., Articles
5 Frames… Of the Downtown Summerlin on Cinestill 800T (120 Format / EI 800 / Certo Six + Tessar 80mm f/2.8)
Ever since getting back into analogue photography, the Cinestill range of films has intrigued me. Living in Las Vegas, the City of Lights, I’ve been wanting to try Cinestill 800T for a while, but working a late shift, and the main interest of my wife and I being getting away from Las Vegas on my […]
Posted in5 Frames..., Articles, Featured
5 Frames… Of fun at the fair on CineStill 800T (EI 800 / 35mm format / Leica M3)
I have had the will to try out CineStill 800T for a long time but never had the chance to do so until recently. Indeed I moved to Vienna, and in Vienna is an old amusement park called Prater. Its entry is free and it’s a great place to get those neon lights that work […]
Posted inArticles
Embracing accidents: An unexpected double exposure collaboration
Since my return to film photography, I made the decision that I wanted to document what life uncovered for me in terms of experiences, memories and moments and store them on a medium that lasts forever. In Summer 2019 I met Lynn, a junior colorist for one of my projects who turned out to be […]
Posted in5 Frames..., Articles
5 Frames… In Copenhagen with CineStill BwXX (35mm format / EI 250 / Nikon F100)
Scrolling through my Instagram feed introduced me to the wonderful world of CineStill. I had been having an extensive internal debate over which CineStill stock to buy and where to shoot it, but a pre-Christmas 2019 trip to Copenhagen ended up forcing my hand. After the usual trawls through the local camera shops (the best […]
Posted inArticles
New slide film development kit from CineStill: CineStill Cs6 “Creative Slide” 3-Bath Process
Following a short tease on social media over the past few days, Los Angeles based CineStill have just announced a completely unique family of slide film development kits with options that provide either 9+ stops of useable dynamic range or “colour grading” that optimise for daylight or tungsten-balanced lighting. Dubbed “Creative Slide”, these new 3-bath […]
Posted in5 Frames..., Articles
5 Frames… Of Cinestill 800T at night (EI 1250 / 35mm format / Contax 159 MM)
My father was a hobby photographer and had a beautiful collection of Contax equipment. As I progressed in my work, he started generously handing down his collection to me for my desired needs. The first item he passed down to me was this Contax 159 MM, a camera that has a reputation for failure some […]
Posted in5 Frames..., Articles
5 Frames… Showing a different side to Birmingham on CineStill 800 Tungsten (EI 400 / 120 format / Rolleiflex 2.8F)
Around mid-2018, after seven years of shooting digital, I decided to put the digital camera down for a little while as I experimented with learning and shooting film for my personal work. I have been photographing the streets of Birmingham UK for several years, but had never shot film before, so this seemed like a […]
