Tag: Cinestill

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Every new film photography stock announced in 2017...

Posted by EMULSIVE | Feb 28, 2017 | Articles

Every single film stock still made today – P...

Posted by EMULSIVE | Apr 4, 2018 | AGFA Films, Articles, Bergger Films, CineStill Films, FILM Ferrania Films, Film Reviews

Film review: Cinestill 800T vs Fuji 800 (35mm) ins...

Posted by Lorraine Healy | Jun 2, 2017 | Articles, CineStill Films, Film Reviews, Reviews

I am Lilly Schwartz and this is why I shoot film

Posted by EMULSIVE | Feb 8, 2017 | Interviews

I am Aimee Lower and this is why I shoot film

Posted by EMULSIVE | Dec 31, 2015 | Interviews

I am Daphne Schnitzer and this is why I shoot film

Posted by EMULSIVE | May 9, 2018 | Interviews

Our 20 most recent articles

5 Frames With… CineStill 800T (EI 800 / 120 / Fuji GS645) – by Michael Duke

by Michael C. Duke | Jul 6, 2018 | 5 Frames With, Articles

I’m a latecomer to film photography, but have been working hard to catch up. After reading a...

Announcing: CineStill Df96 “DEVELOPER&FIX” Monobath

by EMULSIVE | Jun 19, 2018 | Articles, News

Hot off the press: there’s a new black and white monobath developer from the Brothers Wright...

Film review: Thoughts on using CineStill 50D in the Arctic Circle – by James Silvester

by James Silvester | May 21, 2018 | Articles, CineStill Films, Film Reviews, Reviews

Having read a selection of blog posts and reviews about the CineStill range of 120 and 135 films I...

I am Daphne Schnitzer and this is why I shoot film

by EMULSIVE | May 9, 2018 | Interviews

A huge welcome to Daphne Schnitzer, past 5 Frames With contributor here on EMULSIVE and pinhole...

Test shots: Revolog Kosmo (35mm) + Bronica ETRSi – by Nils Karlson

by EMULSIVE | May 3, 2018 | Articles, Film Reviews, Revolog Films

A few weeks ago, Nils suggested putting together an unorthodox camera/film review that he felt...

Every single film stock still made today – Part 1: ADOX to Dubblefilm

by EMULSIVE | Apr 4, 2018 | AGFA Films, Articles, Bergger Films, CineStill Films, FILM Ferrania Films, Film Reviews

If you’re anything like me, you’ve probably wondered how many fresh film stocks are...

I am Joy Celine Asto and this is why I shoot film

by EMULSIVE | Jan 31, 2018 | Interviews

It’s a pleasure to be able to bring you all the work and words of Joy Celine Asto, whom some...

I am John Michael Caldwell and this is why I shoot film

by EMULSIVE | Jan 24, 2018 | Interviews

It’s wonderful to be able to introduce you today to the wonderful work of film photographer...

Urgent business – Shot on Cinestill 800T (35mm)

by EMULSIVE | Jan 11, 2018 | 35mm format, Photography

Urgent business Shot on Cinestill 800T at EI 800 Color motion picture negative in 35mm format ...

Down the canal – Shot on Cinestill 800T (35mm)

by EMULSIVE | Jan 9, 2018 | 35mm format, Photography

Down the canal Shot on Cinestill 800T at EI 800 Color motion picture negative in 35mm format ...

Just a small one – Shot on Cinestill 800T at EI 800 (35mm format)

by EMULSIVE | Dec 28, 2017 | 35mm format, Photography

Just a small one Shot on Cinestill 800T at EI 800 Color motion picture negative in 35mm format ...

EMULSIVE’s most popular film photography posts of 2017

by EMULSIVE | Dec 25, 2017 | Articles

In the time honoured tradition of lazy posting at the end of each year, here’s the first in...

EMULSIVE interview #164: I am Sheena She and this is why I shoot film

by EMULSIVE | Nov 15, 2017 | Interviews

Hey everyone and welcome to the latest EMULSIVE interview. Today, I’m happy to bring you the...

A word on: Cinestill 800T (35mm) – by Phil Harrison

by Philip Harrison | Aug 18, 2017 | Articles, CineStill Films, Film Reviews, Reviews

I thought CineStillFilm 800T would be a fun film to try and used my Leica M2 and Summarit-M 50mm...

CineStill 50D is available right NOW in 120 format

by EMULSIVE | Jun 28, 2017 | News

It seems that a few sneaky types have recently been spreading rumours about a new film from...

Waiting for the count – Shot on Cinestill 800T at EI 800 (120 format)

by EMULSIVE | Jun 6, 2017 | Medium format, Photography

Waiting for the count Shot on Cinestill 800T at EI 800 Color negative film in 120 format shot as...

Film review: Cinestill 800T vs Fuji 800 (35mm) inside the Buenos Aires underground aka Subterranean Explorations by Lorraine Healy

by Lorraine Healy | Jun 2, 2017 | Articles, CineStill Films, Film Reviews, Reviews

Regular contributor Lorraine Healy is back, this time with a comparison of CineStill’s 800T...

Inside the lion’s mind – Cinestill 800T (120)

by EMULSIVE | May 18, 2017 | Medium format, Photography

Inside the lion’s mind Shot on Cinestill 800T at EI 800 Color negative film in 120 format...

Browsing – Shot on CineStill 800T at EI 800 (120 format)

by EMULSIVE | Apr 21, 2017 | Medium format, Photography

Browsing Shot on CineStill 800T at EI 800 Color negative motion picture film in 120 format shot as...

I choose you – CineStill 800T (120)

by EMULSIVE | Apr 20, 2017 | Medium format, Photography

I choose you Shot on CineStill 800T at EI 800 Color negative motion picture film in 120 format...

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on 5 Frames With… Kodak Ektar 100 (EI 100 / 120 format / Mamiya 7) – by Jacob Firsel
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