Tag: Cinestill
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Review: CineStill Df96 Monobath developer – by Stephen Schaub
Anyone who knows me knows that I am a fierce advocate for film. Working for the last three decades...
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The left of right – Shot on Rollei Infrared 400 at EI 400 (4×5 format)
The left of right Shot on Rollei Infrared 400 at EI 400 Black and white negative film in 4×5...
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5 Frames With… Cinestill BwXX (35mm / EI 250 / Pentax Spotmatic SP II) – by Donna Macauley
When Cinestill reintroduced their BwXX 250 film stock, I was intrigued and bought a roll...
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5 Frames With… CineStill Tungsten 800 (35mm / EI 800 / Minolta X-700) – by Mila Galinova
The tungsten aesthetic really is my thing. I love seeing it used for night outdoors shots; I’m...
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5 Frames With… CineStill 800T (EI 800 / 120 / Fuji GS645) – by Michael Duke
I’m a latecomer to film photography, but have been working hard to catch up. After reading a...
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Announcing: CineStill Df96 “DEVELOPER&FIX” Monobath
Hot off the press: there’s a new black and white monobath developer from the Brothers Wright...
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Film review: Thoughts on using CineStill 50D in the Arctic Circle – by James Silvester
Having read a selection of blog posts and reviews about the CineStill range of 120 and 135 films I...
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EMULSIVE interview #179: I am Daphne Schnitzer and this is why I shoot film
A huge welcome to Daphne Schnitzer, past 5 Frames With contributor here on EMULSIVE and pinhole...
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Test shots: Revolog Kosmos (35mm) + Bronica ETRSi – by Nils Karlson
A few weeks ago, Nils suggested putting together an unorthodox camera/film review that he felt...
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Every single film stock still made today – Part 1: ADOX to Dubblefilm (v3)
Update 02: 2018-09-20 If you’re anything like me, you’ve probably wondered how many...
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EMULSIVE interview #172: I am Joy Celine Asto and this is why I shoot film
It’s a pleasure to be able to bring you all the work and words of Joy Celine Asto, whom some...
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EMULSIVE interview #171: I am John Michael Caldwell and this is why I shoot film
It’s wonderful to be able to introduce you today to the wonderful work of film photographer...
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Urgent business – Shot on Cinestill 800T (35mm)
Urgent business Shot on Cinestill 800T at EI 800 Color motion picture negative in 35mm format ...
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Down the canal – Shot on Cinestill 800T (35mm)
Down the canal Shot on Cinestill 800T at EI 800 Color motion picture negative in 35mm format ...
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Just a small one – Shot on Cinestill 800T at EI 800 (35mm format)
Just a small one Shot on Cinestill 800T at EI 800 Color motion picture negative in 35mm format ...
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EMULSIVE’s most popular film photography posts of 2017
In the time honoured tradition of lazy posting at the end of each year, here’s the first in...
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EMULSIVE interview #162: I am Sheena She and this is why I shoot film
Hey everyone and welcome to the latest EMULSIVE interview. Today, I’m happy to bring you the...
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A word on: Cinestill 800T (35mm) – by Phil Harrison
I thought CineStillFilm 800T would be a fun film to try and used my Leica M2 and Summarit-M 50mm...
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CineStill 50D is available right NOW in 120 format
It seems that a few sneaky types have recently been spreading rumours about a new film from...
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Waiting for the count – Shot on Cinestill 800T at EI 800 (120 format)
Waiting for the count Shot on Cinestill 800T at EI 800 Color negative film in 120 format shot as...
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All Categories
- Articles (581)
- 52 Rolls (9)
- A Brief History Of (1)
- AEROgraphic (6)
- Challenges (1)
- Community Critique (1)
- Dear Benice (7)
- Film Culture (20)
- Film Love (7)
- Film Parties (38)
- Delta Def Jam (7)
- FP4 Party (15)
- NEOPANTASTIC (3)
- Portra Party (1)
- Summer Film Party (7)
- TMAXParty (5)
- Finding Film (15)
- Horoscope (6)
- My inspiration (2)
- My Return to Film (8)
- News (11)
- Photoset (4)
- Photostory (11)
- Projects (28)
- Secret Santa (16)
- Thoughts (14)
- Travelogue (20)
- What Is (1)
- Why Shoot Film (5)
- Darkroom (28)
- Developing Film (13)
- Development Times (2)
- My Darkroom (1)
- Printing (3)
- Wet Plate (1)
- Experiments (43)
- Long Exposure (3)
- Reversal Development (1)
- Interviews (201)
- Community Interviews (11)
- Photography (1,088)
- 110 format (4)
- 35mm format (476)
- 5 Frames With (107)
- 65mm format (3)
- Large format (13)
- Medium format (483)
- Reviews (270)
- Camera Reviews (66)
- A&K Cameras (1)
- AGFA Cameras (1)
- Bronica Cameras (6)
- Canon Cameras (2)
- Chamonix Cameras (1)
- Exakta Cameras (1)
- Fuji Cameras (4)
- Gould Cameras (1)
- Hasselblad Cameras (7)
- Holga Cameras (3)
- Impossible Cameras (1)
- Intrepid Cameras (1)
- Kodak Cameras (2)
- Leica Cameras (1)
- Lomography Cameras (3)
- Mamiya Cameras (6)
- Minolta Cameras (1)
- Nagaoka Cameras (1)
- Olympus Cameras (3)
- Pentax Cameras (4)
- Ricoh Cameras (1)
- Rollei Cameras (3)
- Steky Camera Reviews (1)
- Voigtlander Cameras (1)
- Yashica Cameras (3)
- Zeiss Cameras (1)
- Zeiss Ikon Cameras (2)
- Zorki Cameras (1)
- Film Reviews (193)
- ADOX Films (2)
- AGFA Films (4)
- Arista Films (1)
- Bergger Films (11)
- CineStill Films (6)
- Dubblefilm films (1)
- Efke Films (1)
- FILM Ferrania Films (10)
- Film List (7)
- Foma Films (4)
- Fuji Films (39)
- ILFORD Films (37)
- JCH Films (4)
- Kodak Films (55)
- Lomography Films (10)
- Luckyfilm Films (4)
- Notes (7)
- Revolog Films (2)
- Rollei Films (13)
- Shanghai Films (1)
- Silberra Films (3)
- Street Candy Films (1)
- Tasma Films (1)
- Ultrafine Films (1)
- Washi Films (3)
- Yodica Films (1)
- Gear Reviews (11)
- Bag Reviews (3)
- Darkroom Equipment (1)
- Lens Reviews (4)
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- Strap Reviews (2)
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