Cinestill
5 Frames… Showing a different side to Birmingham on CineStill 800 Tungsten (EI 400 / 120 format / Rolleiflex 2.8F) – by Kris Askey
Around mid-2018, after seven years of shooting digital, I decided to put the digital camera down for a little while as I...
5 Frames… Wandering through Bangkok with CineStill 800 Tungsten (EI 1250 / 35mm format / Yashica FX-3 Super 2000) – by Francesco Carloni
I’ve always wanted to try CineStill 800T since it came out a few years ago. I've been delighted by all the pictures...
Camera review: 14 years with the “invisible” Nikon FM3a
In January 2006, after 5 or so years of film photography with a combination of cheaper cameras (e.g., a Minolta SRT-101, a...
Four years and counting: Un Giro D’Italia – touring Italy or, a never-ending project
Like all good projects, this one began without me even realising it. I didn’t intend for this to become such a long...
EMULSIVE Secret Santa 2019 updates: Sponsors! Gifting! Shopping!
UPDATE: Registration for EMULSIVE Santa 2019 has closed.
There is a little over one week to go before registration for EMULSIVE Secret Santa...
Cinestill C-41 Quart Kit: extended development, push and pull processing times
I’ve been developing film at home for a while now, and I’ve done everything that I can to get my money's worth...
Buffalo Soldier: Examining the history and lives of black American soldiers – by Sheldon J Walker
Over the past two years, I’ve been pouring everything I had emotionally, physically, and financially into a staged photography series I call “Buffalo Soldier”. My project is...
5 Frames… With CineStill 50D (EI 50 / 35mm format / Nikon F2) – by James Harris
Whenever I go out shooting with film, which seems to be a lot these days, I take my trusty Nikon F2 and the 50mm F/1.4 AI-S. Can I just say that this camera is a bit of a beast?
The EMULSIVE x CineStill Community Interview: results time
In mid-December 2018, I released a call for questions for the latest EMULSIVE Community Interview, this time with the folks at CineStill in Los Angeles. You obliged and here are the results.
Blind film review #02: CineStill 800T vs Kodak Portra 400 in 120 format
This article pits Kodak's medium format Portra 400 against CineStill's 800T in a head-to-head.
5 Frames… With CineStill 800T (EI 800 / 120 format / Yashica D TLR) – By Ed Worthington
A while ago I was involved in a Twitter conversation about what scene from a movie you wish you could have shot yourself, or wish you could replicate.
5 Frames… With CineStill 800T at night (EI 800 / 120 format / Hasselblad 500 CM) – Matias Takala
I had a roll of CineStill 800T in my fridge waiting for a special occasion. I was going home from work one day and I could see a promise of fog in the air.
New in: CineStill “just add water” powdered developers and new improved film
There's some very exciting news coming out of CineStill today in the form of an announcement of new powdered film developing chemistry and manufacturing updates for all new film.
As I've noted on social media and this website before
5 Frames… With Cinestill 50D (EI 50 / 120 format / Zenza Bronica ETRSi) – by Giacomo Lanzi
I first bought this film to try Cinestill out as a brand. I was really curious about the company because of the concept of using movie stock film to create still photographs.
Call for questions: the EMULSIVE x CineStill Film Community Interview
It’s time to introduce the latest in this series of EMULSIVE Community Interviews, this time we're going one-on-one (one-on-two?) with the Brothers Wright, the brains and brawn behind CineStill Film - Cinema film for Still cameras.
5 Frames… With Cinestill 800T (EI 500 / 120 format / Minolta Autocord TLR) – by Anthony Cronin
So I decided it was time to experiment with Cinestill 800. I got myself some rolls of 35mm and 120. My weapon of choice was my ever trustworthy Minolta Autocord with its 75mm Rokkor lens.
Dear Benice 8: Cinestill, an Eastern-only delight?
Dear Benice,
If I'm not in a big city in Asia shooting Cinestill film, am I really doing something right?
Gudni ThorinorinssonSlushland
Dear Gudni,
Thank you for getting in touch with your concern, shared by many I’m sure.
Review: Comparing FF No.1 and Cinestill Df96 monobath developers
Monobath film developers feel like the in thing for 2018.
Not a sous vide cooker: Cinestill’s ºCs “Temperature Control System” TCS-1000 is a useful tool for simple film development at home
Available on backorder today starting at $99.95 and shipping from 10th October 2018, Cinestill's ºCs TCS-1000 is a compact home film development device created to enable anyone to very accurately control their water/chemistry temperature when developing film.
It might
