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Tag: Agfa Vista Plus 200

5 Frames With… Agfa Vista Plus 200 (35mm / EI 200...

I've shot Agfa Vista Plus 200 for the longest time. It's a film that's neutral but with punchy colours and great midtones....

5 Frames With… Agfa Vista Plus 200 (35mm / EI 200...

I've been shooting film for a couple years now, ever since inheriting some cameras and expired film. Over the past year, though,...

Camera review: Minolta AF-Tele Super – by Tom Perry

It was always going to come to this point. With compact cameras that sport prime lenses, even though the image quality is as it should be, the photographer is limited to a single set focal length.

EMULSIVE’s most popular articles of 2018

It's the final part of this amazing series of 2018 listcles. Thank you for bearing with these lazy posts and rest safe in the knowledge that while you've been reading these, I've been away on holiday.

Every single film stock still made today – Part 1: ADOX...

Update 02: 2018-09-20 If you're anything like me, you've probably wondered how many fresh film stocks are still in production and available for purchase today.

Why shoot film part 2: seeking the Hasselblad XPan – by...

It has been a couple of months since my first post, on Why I Shoot Film, and I thought that now would be a great time to provide an update.

EMULSIVE interview #173: I am Rachel Brewster-Wright and this is why...

January 27th 2016. Let that date burn into your memory. The was the first time today's interviewee and I first made email contact.

EMULSIVE interview #172: I am Joy Celine Asto and this is...

It's a pleasure to be able to bring you all the work and words of Joy Celine Asto, whom some of you may remember from her article introducing Manila back at the top of 2017.

Photography: Shrimping – Shot on Agfa Vista Plus 200 at EI 200...

Shrimping Shot on Agfa Vista Plus 200 at EI 200 Color negative film in 35mm format Read the Agfa Vista Plus 200 review          

EMULSIVE's most popular articles of 2017

It's the final part of this amazing series of listcles.

EMULSIVE's most popular film stock reviews of 2017

Welcome to the fourth lazy-post of the end of year season here at EMULSIVE.

EMULSIVE interview #159: I am Toby Van de Velde and this...

Hello and welcome to another fresh EMULSIVE interview, today with Toby Van de Velde, freelance photographer based in the south of England.

EMULSIVE interview #148: I am Ashley B Williams and this is...

There's a sense of good will and camaraderie in the film photography community that's hard to beat.

EMULSIVE interview #121: I am Rhianne Hart and this is why...

Anyone who's been paying attention to the heart of the film photography community over on Twitter should have heard of today's interviewee by now.

EMULSIVE interview #120: I am Dustin Veitch and this is why...

Probably known as much for his Analog Monthly blog posts, as he is for his silly Twitter name (what is a faulty flip flap, anyway?), I'm pleased to be able to finish of 2016's EMULSIVE interviews with the one and

Photography: Thermoplastic – Agfa Vista Plus 200 (35mm)

Thermoplastic Agfa Vista Plus 200 shot at EI 200 Color negative film in 35mm format Read the Agfa Vista Plus 200 review          

Photography: Eastern skies – Agfa Vista Plus 200 (35mm)

Eastern skies Agfa Vista Plus 200 shot at EI 200 Color negative film in 35mm format Read the Agfa Vista Plus 200 review          

EMULSIVE interview #77: I am Lucy Wainwright and this is why...

Today we're sitting down with She Shoots Film founding member and Film Shooters Collective contributor, Lucy Wainright. Lucy has a wonderful mix of styles that sit somewhere between playful, abstract and experimental.

EMULSIVE interview #63: I am Chuck Miller and this is why...

Today we've dragged Chuck Miller away from his day job to tell us a bit about himself and his often seen "splitfilm" photography. In case you're not familiar with it, I won't spoil it here.

EMULSIVE interview #61: I am Chris Wood and this is why...

Welcome to this week’s EMULSIVE interview, featuring the thoughts and photography of Chris Wood, recent convert (is that the right phrase?), to film photography. Over to you, Chris     What’s this picture, then? Jellyfish It’s one of my happiest