I’m so pleased to be able to bring you today’s fresh film photographer interview with none other than Nat Meier. If you’ve spent any time at all on the Twitter film photography community over the past few months, you should be no stranger to Nat’s wonderful photography of San Francisco and beyond. For now, it’s […]
Tag: Agfa Vista Plus 200
Posted in5 Frames..., Articles
5 Frames… With Agfa Vista Plus 200 (EI 200 / 35mm format / Agfa Silette)
A while ago I went to a flea market here and there I saw this Agfa Silette camera. It was in decent condition. The man was asking for 50kn, I told him I’d buy it for 35 (about US$5) and we agreed. According to a serial number inside the camera it was produced in 1954. […]
Posted in5 Frames..., Articles
5 Frames… With Agfa Vista Plus 200 (EI 200 / 35mm format / Olympus PEN FT)
I’ve shot Agfa Vista Plus 200 for the longest time. It’s a film that’s neutral but with punchy colours and great midtones. To me, it always felt like a faster, slightly more neutral version of Kodak’s Ektar 100. The highlights always had a tendency of being blown out, but I always fixed that in post […]
Posted in5 Frames..., Articles
5 Frames… With Agfa Vista Plus 200 (EI 200 / 35mm format / Nikon F3HP)
I’ve been shooting film for a couple years now, ever since inheriting some cameras and expired film. Over the past year, though, my interest and desire to explore has really exploded. Getting out of my house to capture an adventure on film has become more enticing than sitting on my couch watching TV. My friend […]
Posted inFilm camera reviews, Minolta film camera reviews, Reviews
Camera review: Minolta AF-Tele Super
It was always going to come to this point. With compact cameras that sport prime lenses, even though the image quality is as it should be, the photographer is limited to a single set focal length.
Posted inBest Of
EMULSIVE’s most popular articles of 2018
It’s the final part of this amazing series of 2018 listcles. Thank you for bearing with these lazy posts and rest safe in the knowledge that while you’ve been reading these, I’ve been away on holiday.
Posted inFilm Photographer Interviews
EMULSIVE interview #184: I am Matt Parry and this is why I shoot film
It’s time for the latest EMULSIVE interview and today’s victim subject is no slouch.
Posted inADOX Film Stock Reviews, AGFA Film Stock Reviews, Arista Film Stock Reviews, Articles, Bergger Film Stock Reviews, CineStill Film Stock Reviews, Dubblefilm film Stock Reviews, FILM Ferrania Film Stock Reviews, Film List, Film stock reviews
Every single film stock still made today – Part 1: ADOX to Dubblefilm (v3)
Update 02: 2018-09-20
If you’re anything like me, you’ve probably wondered how many fresh film stocks are still in production and available for purchase today.
Posted inArticles
Why shoot film part 2: Seeking the Hasselblad XPan
It has been a couple of months since my first post, on Why I Shoot Film, and I thought that now would be a great time to provide an update.
Posted inFilm Photographer Interviews, Interviews
EMULSIVE interview #173: I am Rachel Brewster-Wright and this is why I shoot film
January 27th 2016. Let that date burn into your memory. The was the first time today’s interviewee and I first made email contact.
Posted inFilm Photographer Interviews, Interviews
EMULSIVE interview #172: I am Joy Celine Asto and this is why I shoot film
It’s a pleasure to be able to bring you all the work and words of Joy Celine Asto, whom some of you may remember from her article introducing Manila back at the top of 2017.
Posted in35mm format, Photography
Photography: Shrimping – Shot on Agfa Vista Plus 200 at EI 200 (35mm format)
Shrimping
Shot on Agfa Vista Plus 200 at EI 200
Color negative film in 35mm format
Read the Agfa Vista Plus 200 review
Posted inArticles, Best Of
EMULSIVE’s most popular articles of 2017
It’s the final part of this amazing series of listcles.
Posted inArticles, Best Of
EMULSIVE's most popular film stock reviews of 2017
Welcome to the fourth lazy-post of the end of year season here at EMULSIVE.
Posted inInterviews
EMULSIVE interview #159: I am Toby Van de Velde and this is why I shoot film
Hello and welcome to another fresh EMULSIVE interview, today with Toby Van de Velde, freelance photographer based in the south of England.
Posted inFilm Photographer Interviews, Interviews
EMULSIVE interview #148: I am Ashley B Williams and this is why I shoot film
There’s a sense of good will and camaraderie in the film photography community that’s hard to beat.
Posted inArticles
How to make and experiment with homemade redscale film
This article covers making and experimenting with redscale film at home.
Posted inFilm Photographer Interviews, Interviews
EMULSIVE interview #121: I am Rhianne Hart and this is why I shoot film
Anyone who’s been paying attention to the heart of the film photography community over on Twitter should have heard of today’s interviewee by now.
Posted inFilm Photographer Interviews, Interviews
EMULSIVE interview #120: I am Dustin Veitch and this is why I shoot film
Probably known as much for his Analog Monthly blog posts, as he is for his silly Twitter name (what is a faulty flip flap, anyway?), I’m pleased to be able to finish of 2016’s EMULSIVE interviews with the one and
Posted in35mm format, Photography
Photography: Thermoplastic – Agfa Vista Plus 200 (35mm)
Thermoplastic
Agfa Vista Plus 200 shot at EI 200
Color negative film in 35mm format
Read the Agfa Vista Plus 200 review
