film.photography
Eastern skies
Agfa Vista Plus 200 shot at EI 200
Color negative film in 35mm format
Read the Agfa Vista Plus 200 review
Today we’re sitting down with She Shoots Film founding member and Film Shooters Collective contributor, Lucy Wainright.
Lucy has a wonderful mix of styles that sit somewhere between playful, abstract and experimental.
Today we’ve dragged Chuck Miller away from his day job to tell us a bit about himself and his often seen “splitfilm” photography. In case you’re not familiar with it, I won’t spoil it here.
Welcome to this week’s EMULSIVE interview, featuring the thoughts and photography of Chris Wood, recent convert (is that the right phrase?), to film photography.
Over to you, Chris
What’s this picture, then?
Jellyfish
It’s one of my happiest
Today we’re sitting down with Kwasi Boyd-Bouldin, one half of the co-founding team of LA-based Snapshot Galleria.
Kwasi has been documenting the (changing) urban landscape of Los Angeles for more than decade;
N O ~ ~ O K I N ~
Shot on Agfa Vista Plus 200 at EI 200
Color negative film in 35mm format
Read the Agfa Vista Plus 200 review
AgfaPhoto Vista Plus 200 is one of two films previously sold under the AgfaPhoto brand (the other being the higher speed Vista 400).
Lamina leaf
Agfa Vista Plus 200 shot at EI 200
Color negative film in 35mm format
Read the Agfa Vista Plus 200 review
Crabby bunch
Agfa Vista Plus 200 shot at EI 200
Color negative film in 35mm format
Read the Agfa Vista Plus 200 review
