Tag: 2018 – October
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Film notes: Kodak Professional T-MAX 400
Kodak T-MAX 400 is by far one of my favorite black and white films to shoot. It has a great balance of classic grain and also great latitude. Negatives are easily identified by edge markings stating “TMY-2”.
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Dear Benice 8: Cinestill, an Eastern-only delight?
Dear Benice, If I’m not in a big city in Asia shooting Cinestill film, am I really doing something right? Gudni ThorinorinssonSlushland Dear Gudni, Thank you for getting in touch with your concern, shared by many I’m sure.
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In Conversation With… Photoreal, Brooklyn, New York
I’m fairly new to film. Actually, I should say I’m fairly new to photography in general. Earlier this year, I happened upon one of my father-in-law’s SLR’s stashed in the closet.
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5 Frames… With Lomography LomoChrome Purple XR 100-400 (EI 100-400 / 35mm format / Nikon FE) – by Sherry Christensen
My first film camera was the Nikon FE, I bought it off Kijiji (the Canadian version of Craigslist) with two lenses, flash and a funky vintage bag for $75.
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Photography: Last breath – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)
Last breath Shot on Kodak VISION3 250D 5207 at EI 250 Color motion picture film in 35mm format Read the Kodak VISION3 250D review Bulk load your own 120 film
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5 Frames… With Kodak T-MAX 400 (EI 1600 / 35mm format / Olympus OM-2n)
A few months ago, I started with analog photography.
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Camera review: the Vermeer Anamorphic pinhole camera – no lens, lots of distortion
Sometimes, when visiting websites or just browsing pinhole pictures, I would stumble upon strange images that were created with a Vermeer anamorphic camera from Poland. Wow, what’s that? It sure produces beautiful crazy images.
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EMULSIVE interview #189: I am Keith Moss and this is why I shoot film
Today’s interviewee marks the completion of a conversation started in June 2015, back when I started researching people to include in my very first series, which started barely a month later. He’s someone you’ll probably be aware of, especially
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Book review: All about “All About Saul Leiter”
A while back, I made a bit of noise on EMULSIVE and via an email to the Sunny 16 Podcast about photographers talking more about photographs, and less about gear.
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5 Frames… With 1945 expired AGFA ISOCHROM (EI 3 / 120 format / Natasha Convertible Pinhole)
Pinhole photography has a unique charm expressing a kind of slow-down photography for me in this fast moving modern digital world.
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5 Frames… With Kodak Portra 800 (EI 800 /35mm format / Leica M6)
I know EMULSIVE is running a Portraparty, but me being a grumpy old-aged pensioner, I don’t have any social media accounts (although I do read some).
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Featured project: creating the SP-445 film processing system
Making a short story long. After all, that’s what I do… Several years ago, my oldest daughter expressed curiosity about old-fashioned film. I dug out my Olympus OM-1 and we shot a few rolls.