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Home » 2018 - October

Tag: 2018 – October

Cover - Film review - Kodak EKTACHROME E100 - EI 100, 200, 400, 800 first impressions
Posted inFeatured, Film stock reviews, Kodak Film Stock Reviews, Reviews

Film stock review: Kodak EKTACHROME E100 – shot at EI 100, 200, 400 + 800 first impressions

by EMOctober 31, 2018July 31, 2021

Here’s a quick look at a recent shoot of new Kodak EKTACHROME E100 shot at box speed, then up to EI 200, 400 and 800 – one, two and three-stops of push processing. *1

The images below form part

Starin' at the world - Shot on Fuji NEOPAN 400 at EI 400. Black and white negative film in 35mm format.
Posted in35mm format, Photography

Photography: Starin’ at the world – Shot on Fuji NEOPAN 400 at EI 400 (35mm format)

by EMOctober 31, 2018July 31, 2021

Starin’ at the world…

Shot on Fuji NEOPAN 400 at EI 400
Black and white negative film in 35mm format

 

Development notes
Kodak HC-110: 1+31(B), 21°C/70°F, 06:30 (N+1)
No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse

Cover - The AgiPinFold Conversion part 2 - beta testing
Posted inArticles, Featured projects, Guides & How-Tos

The AgiPinFold Pinhole Conversion Part 2: Beta testing

by Toby Van de VeldeOctober 30, 2018July 31, 2021

Back in July, I walked you through the initial build for my Agipinfold, an Agifold 6×6 camera converted to pinhole. It’s time for part two.

The pinhole is still held on with blue tack…..

The moon and the mountains - Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100. Color reversal (slide) film in 35mm format. Leica M6 TTL + Voigtlander 21mm f/4.
Posted in35mm format, Photography

Photography: The moon and the mountains – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)

by EMOctober 30, 2018July 31, 2021

The moon and the mountains

Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 35mm format
Leica M6 TTL + Voigtlander 21mm f/4

Read the EKTACHROME 100VS review
Read the EKTACHROME 100VS experimentation guide

&nbsp

Lomography Color Negative 100 (EI 80) - TerraPin OSKAR 6x9 - Lorraine Healy
Posted in5 Frames..., Articles

5 Frames… With Lomography Color Negative 100 (EI 80 / 120 format / TerraPin OSKAR 6×9 f/165)

by Lorraine HealyOctober 29, 2018July 31, 2021

I have been shooting Todd Schlemmer’s wonderful TerraPin OSKAR 6×9 pinhole camera since January.

Under cover - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600. Black and white negative film in 35mm format. Push processed 2+2/3 stops.
Posted in35mm format, Photography

Photography: Under cover – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)

by EMOctober 29, 2018July 31, 2021

Under cover

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600
Black and white negative film in 35mm format
Push processed 22/3 stops

 

Development notes
Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3)
1 minute presoak, 30 seconds initial agitation, 1

Cover - Featured project - Obscura Darkroom
Posted inArticles, Featured projects

The Obscura Darkroom project

by Jen ZehnerOctober 28, 2018July 31, 2021

In January 2019, I’ll be opening a public darkroom, Obscura Darkroom, in Newark, NJ. Located in the University Heights neighborhood, Obscura will provide open darkroom hours, memberships for unlimited facilities use, and classes for both adults and teens.

ILFORD HP5 PLUS - EI 800, 35mm, Olympus OM-PC - Jim Tollefson
Posted in5 Frames..., Articles

5 Frames… With ILFORD HP5 PLUS (EI 800 / 35mm format / Olympus OM-PC)

by James TollefsonOctober 26, 2018July 31, 2021

About a month and a half ago I dove in head-first into the world of film photography with a rocket strapped to my back.

Keep your head down - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600. Black and white negative film in 35mm format. Push processed 2+2/3 stops.
Posted in35mm format, Photography

Photography: Keep your head down – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)

by EMOctober 26, 2018July 31, 2021

Keep your head down

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600
Black and white negative film in 35mm format
Push processed 22/3 stops

 

Development notes
Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3)
1 minute presoak, 30 seconds initial

How-to: Shoot a wedding on film... the dos, donts and the beauty of film
Posted inArticles

How-to: Shoot a wedding on film… dos, don’ts and the beauty of film

by Ted Smith PhotographyOctober 25, 2018July 31, 2021

First things first, I am not a full time professional (or really even a part-time) wedding photographer.

Cronut - Shot on new Kodak EKTACHROME 100 (E100) at EI 100. Color reversal (slide) film in 35mm format.
Posted in35mm format, Photography

Photography: Cronut – Shot on Kodak EKTACHROME 100 (E100) at EI 100 (35mm format)

by EMOctober 25, 2018July 31, 2021

Cronut
Shot on new Kodak EKTACHROME 100 (E100) at EI 100.
Color reversal (slide) film in 35mm format.

 

 

 

Lead the Way
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #190: I am Simon Riddell and this is why I shoot film

by EMOctober 24, 2018July 31, 2021

Based in the Scottish Highlands, today’s interviewee gets about a bit, and I don’t just mean island hopping in the Scottish seas.

On edge - Shot on new Kodak EKTACHROME 100 (E100) at EI 100. Color reversal (slide) film in 35mm format. Push processed one stop.
Posted in35mm format, Photography

Photography: On edge – Shot on Kodak EKTACHROME 100 (E100) at EI 100 (35mm format)

by EMOctober 24, 2018July 31, 2021

On edge

Shot on new Kodak EKTACHROME 100 (E100) at EI 100.
Color reversal (slide) film in 35mm format.

 

 

 

Cover - A brief history of Kodak EKTACHROME
Posted inArticles

A brief history of… Kodak EKTACHROME film

by Cheyenne MorrisonOctober 23, 2018July 31, 2021

Just as they managed to resurrect dinosaurs with DNA in Jurassic Park, Eastman Kodak and Kodak Alaris have pulled off the magical feat of resurrecting Kodak EKTACHROME film;

Morning light - Shot on new Kodak EKTACHROME 100 (E100) at EI 200. Color reversal (slide) film in 35mm format. Push processed one stop.
Posted in35mm format, Photography

Photography: Morning light – Shot on Kodak EKTACHROME 100 (E100) at EI 200 (35mm format)

by EMOctober 23, 2018July 31, 2021

Morning light

Shot on Kodak EKTACHROME 100 (E100) at EI 200
Color reversal (slide) film in 35mm format
Push processed one stop

 

 

 

Bergger Pancro 400 - EI 400, 120, Brooks-Plaubel Veriwide 100
Posted in5 Frames..., Articles

5 Frames… With Bergger Pancro 400 (EI 400 / 120 format / Brooks-Plaubel Veriwide 100)

by Dierk ToppOctober 22, 2018July 31, 2021

In 1956 I took my first photographs with an Agfa Box 6×9 camera from my mother and started to like and love taking photographs and making pictures.

Area secured - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600. Black and white negative film in 35mm format. Push processed 2+2/3 stops.
Posted in35mm format, Photography

Photography: Area secured – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)

by EMOctober 22, 2018July 31, 2021

Area secured

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600Black and white negative film in 35mm formatPush processed 22/3 stops

Development notesRodinal 1+25: 21°C/70°F, 14:30 (N+22/3)1 minute presoak, 30 seconds initial agitation, 1 inversions / 30

Lomography Lomochrome Purple XR 100-400 - EI 400, 35mm, Pentax Spotmatic F
Posted in5 Frames..., Articles

5 Frames… With Lomography Lomochrome Purple XR 100-400 (EI 200 / 35mm format / Pentax Spotmatic F)

by Oliver ClarkeOctober 19, 2018July 31, 2021

I have been eager to use Lomochrome Purple for some time now. I love the work of Richard Mosse using infrared colour film, and as the psychedelic portraits taken by Elliott Landy.

Pure Colombian - Shot on Konica Pan 100 at EI 100 - Black and white negative film in 120 format shot as 6x6
Posted inMedium format, Photography

Photography: Pure Colombian – Shot on Konica Pan 100 at EI 100 (120 format)

by EMOctober 19, 2018July 31, 2021

Pure Colombian

Shot on Konica Pan 100 at EI 100Black and white negative film in 120 format shot as 6×6

Pure ColombianShot on Konica Pan 100 at EI 100.Black and white negative film in 120 format shot as 6×6.

Cover - My Black Dog -- Depression and my photography by Rob Davie
Posted inArticles, Opinion

My black dog: depression and my photography

by Robert J DavieOctober 18, 2018July 31, 2021

Please be aware that some subjects and depictions in this story may be uncomfortable reading. I make no apology for that, but please go into this with your eyes open.

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EMULSIVE is (among other things) a space for film photographers of all backgrounds to spread knowledge, experience and thoughts about everything related to film photography.

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