Here’s a quick look at a recent shoot of new Kodak EKTACHROME E100 shot at box speed, then up to EI 200, 400 and 800 – one, two and three-stops of push processing. *1
The images below form part
Here’s a quick look at a recent shoot of new Kodak EKTACHROME E100 shot at box speed, then up to EI 200, 400 and 800 – one, two and three-stops of push processing. *1
The images below form part
Starin’ at the world…
Shot on Fuji NEOPAN 400 at EI 400
Black and white negative film in 35mm format
Development notes
Kodak HC-110: 1+31(B), 21°C/70°F, 06:30 (N+1)
No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
Back in July, I walked you through the initial build for my Agipinfold, an Agifold 6×6 camera converted to pinhole. It’s time for part two.
The pinhole is still held on with blue tack…..
The moon and the mountains
Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 35mm format
Leica M6 TTL + Voigtlander 21mm f/4
Read the EKTACHROME 100VS review
Read the EKTACHROME 100VS experimentation guide
 
I have been shooting Todd Schlemmer’s wonderful TerraPin OSKAR 6×9 pinhole camera since January.
Under cover
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600
Black and white negative film in 35mm format
Push processed 22/3 stops
Development notes
Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3)
1 minute presoak, 30 seconds initial agitation, 1
In January 2019, I’ll be opening a public darkroom, Obscura Darkroom, in Newark, NJ. Located in the University Heights neighborhood, Obscura will provide open darkroom hours, memberships for unlimited facilities use, and classes for both adults and teens.
About a month and a half ago I dove in head-first into the world of film photography with a rocket strapped to my back.
Keep your head down
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600
Black and white negative film in 35mm format
Push processed 22/3 stops
Development notes
Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3)
1 minute presoak, 30 seconds initial
First things first, I am not a full time professional (or really even a part-time) wedding photographer.
Cronut
Shot on new Kodak EKTACHROME 100 (E100) at EI 100.
Color reversal (slide) film in 35mm format.
Based in the Scottish Highlands, today’s interviewee gets about a bit, and I don’t just mean island hopping in the Scottish seas.
On edge
Shot on new Kodak EKTACHROME 100 (E100) at EI 100.
Color reversal (slide) film in 35mm format.
Just as they managed to resurrect dinosaurs with DNA in Jurassic Park, Eastman Kodak and Kodak Alaris have pulled off the magical feat of resurrecting Kodak EKTACHROME film;
Morning light
Shot on Kodak EKTACHROME 100 (E100) at EI 200
Color reversal (slide) film in 35mm format
Push processed one stop
In 1956 I took my first photographs with an Agfa Box 6×9 camera from my mother and started to like and love taking photographs and making pictures.
Area secured
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600Black and white negative film in 35mm formatPush processed 22/3 stops
Development notesRodinal 1+25: 21°C/70°F, 14:30 (N+22/3)1 minute presoak, 30 seconds initial agitation, 1 inversions / 30
I have been eager to use Lomochrome Purple for some time now. I love the work of Richard Mosse using infrared colour film, and as the psychedelic portraits taken by Elliott Landy.
Pure Colombian
Shot on Konica Pan 100 at EI 100Black and white negative film in 120 format shot as 6×6
Pure ColombianShot on Konica Pan 100 at EI 100.Black and white negative film in 120 format shot as 6×6.
Please be aware that some subjects and depictions in this story may be uncomfortable reading. I make no apology for that, but please go into this with your eyes open.