Posted inLomography Film Stock Reviews

Purple nights on Lomochrome Purple with the Pixels and Grain Collective

Lomochrome Purple XR 100-400 is an interesting film, with unclear origins, that shifts colours towards the purple spectrum, like a fantasy/dream.  Greens become purple, blues aqua/green, and skin tones orangey, in a psychedelic way. Iso 100? 200? 400? Take your pick!   While there are many articles out there about the colour shifting properties of this film, […]

Posted inKodak Film Stock Reviews

Blood-red Witchery: Portraits on Kodak AEROCHROME III color infrared slide film

I spent a year preparing to shoot a roll of portraits on Kodak AEROCHROME III Infrared 1443, the false-color infrared-sensitive film manufactured by Kodak for aerial reconnaissance and scientific purposes in one shape or form between the early 1940s and 2010. There are some informative articles on the web about the film and how to […]

Posted inFilm stock reviews

ILFORD HP5 PLUS vs Kodak Tri-X 400 at EI 1600 in the Moscow Metro with the Mamiya 7II

I highly recommend the Moscow Subway Metro. As someone who loves spending time exploring underground, this was perhaps an unexpected highlight of my 2019 trip to Russia. If you are going for a photo trip (after the obvious COVID restrictions are lifted), I highly suggest Sunday mornings between 8-10am. Weekdays will be hell as you’re […]

Posted inFilm stock reviews

My 2020 lockdown journey: a comparative test of Kodak EKTACHROME E100 and Fujifilm Velvia 50 (bonus Portra/Lomography included)

I set out this Spring and Summer to do a comparative test of Kodak EKTACHROME E100 and Fujifilm Fujichrome Velvia 50 (RVP50). In my lifetime experience with film (going back to childhood), I’ve mostly shot slide film, and we had those traditional slide shows with Family and Friends because my mother used the original EKTACHROME from […]

Posted inFilm Notes

Film Notes: Current high-speed films, ILFORD Delta 3200 Professional and Kodak T-MAX P3200 – by Simon King and Andrew Blowers

I’ve often described how I think that people looking for a different “look” from film would be better suited exposing and developing in a different way before they’d see any benefit from switching emulsions. Unless someone is searching for a specific “effect” in terms of grain structure, or halation, then most films will produce fairly […]

Posted inKodak Film Stock Reviews

Film stock review: Kodak EASTMAN DOUBLE-X (5222) – 35mm format – by Alexander Laurent

Any cinephiles reading this have seen Kodak’s DOUBLE-X 5222 shine its magic even if they didn’t know it. It’s the stock that Manhattan, Schindler’s List and Raging Bull were shot on, as well as parts of Casino Royale, Kill Bill, and Momento. When shot properly, it yields fantastic results. Those familiar with Cinestill’s films may […]

Posted inFilm stock reviews

CatLABS X-Film 80 with the ONDU 612 MULTIFORMAT pinhole camera or… how to screw up a roll and learn to love the mistakes

An article about learning to love photographic mistakes may not be completely interesting to all of you reading this. Stay with me for a minute. My promise to you is that at the very least, I will end with my feelings on Catlabs X-film 80 as they specifically relate to my experience with the ONDU […]

Posted inLomography Film Stock Reviews

What I’ve learned from my LomoChrome Purple XR 100-400 experiences: A user’s guide

Lomography’s LomoChrome Purple XR 100-400 is definitely an interesting film. Until shooting it in late 2019, I had never tried a ‘special effects’ film before and surprisingly, I liked it. But there are some caveats that never seem to be mentioned in Lomography’s posts and promotions. This is not so much intended as a film […]