Author: EM
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Competition time – #PrintItForward
Sometimes things just time themselves perfectly. I don’t think we share enough of our printed photos. There are too many pixels flying about, which unfortunately don’t come close to the depth of a print.
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EMULSIVE interview #57: I am Shawn Mozmode and this is why I shoot film
We all like to dress up now and again but I personally draw the line at stripes, especially if they’re red.
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Photography: Black lightning – Shot on Rollei Infrared 400 at EI 6 (120 format)
Black lightning Rollei Infrared 400 shot at EI 6 Black and white negative in 120 format shot as 6×6 R72 infrared filter
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Photography: Flotsam mooring – Kodak T400CN
Flotsam mooring Kodak T400CN shot at EI 200 Black and white negative in 120 format shot as 6×6 Overexposed one stop
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EMULSIVE interview #56: I am Andrew Sanderson and this is why I shoot film
We’re honoured to have been able to grab some time with Andrew Sanderson, author and Ilford Master Printer. Andrew’s prolific to say the least and in my opinion, a perfect example of all this is good with the photography community.
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Photography: Feeling pumped – Shot on ILFORD HP5 PLUS at EI 3200 (120 format)
Feeling pumped ILFORD HP5 PLUS shot at EI 3200Black and white negative in 120 format shot as 6x6Push processed 3 stops Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8 Development notesKodak HC-110 1+47 (E): 20°C/68°F, 12:45 (N+3
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Photography: Burnt – Lomography Color Tiger
Burnt Lomography Color Tiger film shot at EI 200 Color negative in 110 format
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Photography: Alley 35 – Ilford Delta 400 Professional
Alley 35 Ilford Delta 400 Professional shot at EI 12800 Black and white negative film in 120 format shot at 6×6 Push processed 5-stops
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EMULSIVE interview #55: I am Paul Berry and this is why I shoot film
Grab a coffee and a pack of your favorite biscuits, this is going to be a long and interesting read.
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Photography: Thinking it over – Shot on ILFORD HP5 PLUS at EI 12800 (120 format)
Thinking it over Shot on ILFORD HP5 PLUS at EI 12800 Black and white negative film in 120 format shot as 6×6 Push processed 5-stops
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Black and white film high EI shootout part 1: Kodak Tri-X 400, T-MAX 400 and ILFORD HP5 PLUS, Delta 400 at EI 12800
A few months ago I wrote a post about experimenting with pushing Kodak Tri-X from ISO 800 to 12800.
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Photography: BT – Shot on ILFORD SFX 200 at EI 25 (35mm format)
BT ILFORD SFX 200 shot at EI 25 Black and white infrared film in 35mm format R72 filter plus two-stop push process
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EMULSIVE interview #54: I am Marcus Carlsson and this is why I shoot film
Today we’re sitting down with Marcus Carlsson, Swedish large format aficionado, sometime digital shooter, obsessive DIY-ist and more recently, app developer. We’ll be telling you more about his Analogue App a little later.
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Photography: Wax apple wasp – Efke KB25 (35mm)
Wax apple wasp Efke KB25 shot at ISO25 Black and white negative film in 35mm format
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Introducing the first Half-Baked Half-Frame Tour
Some months ago, I tweeted asking you to send in suggestions for the editorial content on EMULSIVE in 2016. There were lots of suggestions, some good and some very good.
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Photography: What can I help you with? – Ilford HP5+ (120)
What can I help you with? Shot on ILFORD HP5 PLUS at EI 3200 Black and white negative film in 120 format shot as 6×6 Push processed 3-stops
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EMULSIVE interview #53: I am Thom Axon and this is why I shoot film
There’s salt in the air and it must have something to with today’s interviewee, Thom Axon. Thom’s a busy man.
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Photography: Lunch – Lomochrome Purple XR 100-400 (35mm)
Lunch Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 Color negative film in 35mm format
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Photography: Lush – Shot on Kodak AEROCHROME III 1443 at EI 400 (120 format)
Lush Shot on Kodak AEROCHROME III Infrared Film 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×6 Overexposed one stop with #21 orange filter Read the Kodak AEROCHROME III 1443 review here.