Author: EM
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Photography: The Indian – Shot on Fuji Pro 400H at EI 400 (35mm format)
The Indian Fuji Pro 400H shot at ISO200 Color negative film in 35mm format
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EMULSIVE interview #60: I am Oliver Liria and this is why I shoot film
Welcome to today’s EMULSIVE interview.
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Photography: Misty mountains – Shot on Kodak Portra 160NC at EI 100 (35mm format)
Misty mountains Shot on Kodak Portra 160NC at EI 100Color negative film in 35mm format Misty MountainsShot on Kodak Portra 160NC at EI 100.Color negative film in 35mm format.
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Photography: I never liked you… – Fuji Natura 1600
Fuji Natura 1600 shot as ISO800 Color negative film in 35mm format
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Photography: Feeling drained – Shot on Kodak Tri-X 400 at EI 1600 (35mm)
Feeling drained Shot on Kodak Tri-X 400 at EI 1600 Black and white negative film in 35mm format Push processed two stops Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push processing guide!  
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Photography: Nuts to it all – Rollei RPX400
Rollei RPX400 shot at ISO800 Black and white negative film in 120 format shot as 6×6 Push processed one stop
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EMULSIVE interview #59: I am Duncan Waldron and this is why I shoot film
Today I’m sitting down with Duncan Waldron, life-long photographer both at work and play.
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Photography: Osaka infrared – Kodak AEROCHROME III 1443 (120)
Osaka infrared Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×6 Shot with #21 orange filter Read the Kodak AEROCHROME review
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Black and white film high EI shootout part 2: Kodak Tri-X 400, T-MAX 400 and ILFORD HP5 PLUS, Delta 400 at EI 25600
The high EI shootout is back for part two: the pushening. Poorly executed references to the terrible sequel that was Highlander 2 aside, I’m hoping that you’ll find this extension of part one just as informative as the first and
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Photography: Tranquility – Shot on Kodak AEROCHROME III 1443 (35mm)
Tranquility Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 35mm format Shot with #21 orange filter Read the Kodak AEROCHROME review
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Write for EMULSIVE
The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. I do what I can through this website and @EMULSIVEfilm Twitter account, Facebook page and Instagram but need more.
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Photography: Wax apple light study #02 – Ilford Pan F Plus
Wax apple light study #02 Ilford Pan F Plus shot at EI 50 Black and white negative film in 120 format shot as 6×6 32E extension tube
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Photography: Wax apple light study #02 – Ilford Pan F Plus
Wax apple light study #02 Ilford Pan F Plus shot at EI 50 Black and white negative film in 120 format shot as 6×6 32E extension tube
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EMULSIVE interview #58: I am David Lingham and this is why I shoot film
We grabbed some time to have a chat with David Lingham, Wales-based darkroom purist and ex-litho industry stripper (not THAT kind). David’s got some beautiful images to share, as well as some insight into his photographic journey and why
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Photography: Wax apple light study #01 – Ilford Pan F Plus
Wax apple light study #01 Ilford Pan F Plus shot at EI 50 Black and white negative film in 120 format shot as 6×6 32E extension tube
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Photography: Isolation – Kodak Portra 100T (120)
Isolation Kodak Portra 100T shot at EI 100 Color negative film in 120 format shot as 6×6
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EMULSIVE 52 Rolls 2016 – Week 01-05 update
Hello one and all! It’s been some time coming but I’m ready to share my 52 Rolls work to date for 2016.
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Photography: Two-tone – Shot on Fuji NEOPAN 400 at EI 200 (35mm format)
Two-tone Shot on Fuji Neopan 400 at EI 200Black and white negative in 35mm formatOver expose one stop and push processed two stops. Two-toneFuji Neopan 400 shot at EI 200. Black and white negative in 35mm format.