Author: EM
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A treatise on dealing with your film archive
UPDATE: This article is in sever need of an update.
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EMULSIVE interview #52: I am Joan Ollé and this is why I shoot film
Without giving too much away, today’s interviewee first started shooting film after getting a DSLR. Yes, you read that right, a DLSR got him into film.
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Photography: Waiting zone – Shot on Rollei Superpan 200 at EI 3 (120 format)
Waiting zone Rollei Superpan 200 shot at ISO3 Black and white negative film in 120 format shot as 6×4.5 R72 720mn infrared filter Read the full Rollei Superpan 200 review here…and don’t forget the experimentation guide!
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Photography: Take a minute – Shot on Kodak Portra 400 at EI 400 (120 format)
Take a minute Shot on Kodak Portra 400 shot at EI 400 Color negative film in 120 format shot as 6×6
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Photography: Infra-shroom – Shot on Rollei Superpan 200 at EI 3 (120 format)
Infra-shroom Rollei Superpan 200 shot at EI 3 Black and white negative film in 120 format shot as 6×4.5 R72 720mn infrared filter Read the full Rollei Superpan 200 review here…and don’t forget the experimentation guide!
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EMULSIVE interview #51: I am Sorin Nita and this is why I shoot film
Today I’m sitting down with Sorin Nita, AKA Twitter’s @FilmHasGrain.
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Photography: Slipway – Shot on ILFORD FP4 PLUS at EI 800 (120)
Slipway ILFORD FP4 PLUS shot at EI 800 Black and white negative film in 120 format as 6×6 Push processed 2+2/3 stops Read the ILFORD FP4 PLUS review here.
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Photography: Some occasional use – Kodak Portra 400 (120)
Kodak Portra 400 shot at ISO400 Color negative film in 120 format shot as 6×6
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EMULSIVE interview #50: I am Bellamy Hunt and this is why I shoot film
Welcome to the first EMULSIVE interview of 2016, glad you stopped by! We’ve got some cracking interviewees lined up this year and we’re hoping to start off with a bit of a bang, thanks to the one and only Bellamy
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Photography: Up lit, lit up – Fuji Acros 100
Fuji Acros 100 shot at ISO100 Black and white negative film in 120 format shot as 6×6
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Photography: Any day now… – Fuji Pro 400H (120)
Fuji Pro 400H shot at ISO400 Color negative film in 120 format shot as 6×4.5
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Photography: Tuck in! – Kodak Ektar 100 (120)
Kodak Ektar 100 shot at ISO100 Color negative film in 120 format shot as 6×6
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EMULSIVE interview #49: I am Aimee Lower and this is why I shoot film
We’re finishing off this year’s interviews with the wonderful Aimee Lower. Aside from being one of the very first people we engaged with on Twitter, Aimee also knows Nils Karlson, this week’s other interviewee.
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Photography: Brooks – Shot on Kodak Ektar 100 at EI 100 (120 format)
Brooks Kodak Ektar 100 shot at EI 100 Color negative film in 120 format shot as 6×6
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Film stock review: Kodak Professional Portra 400BW
Well here’s something you don’t see every day or every week for that matter.
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Photography: Untitled – Shot on Kodak Ektar 100 at EI 100 (120 format)
Untitled Shot on Kodak Ektar 100 at EI 100 Color negative film in 120 format shot as 6×6
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EMULSIVE interview #48: I am Nils Karlson and this is why I shoot film
Hailing from “rainy” Germany, todays interviewee is a man of strength, compassion and talent.
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Photography: Mercantile modernism – Fuji Pro 400H (120)
Fuji Pro 400H shot at ISO400 Color negative film in 120 format shot as 6×6 Bleach bypass C41 processing
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Photography: Steppppps – Lomography Orca 110 (110)
Lomography Orca 110 shot at ISO80 Black and white film in 110 format