Author: EM
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Photography: Going nowhere – ILFORD SFX 200 at EI 6 (35mm format)
Shot on ILFORD SFX 200 at EI 6 Black and white infrared sensitive film in 35mm format R72 IR filter
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EMULSIVE interview #47: I am Thomas Skrlj and this is why I shoot film
Today I’m sitting down with Thomas Skrlj (pronounced “Skurl”).
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Photography: Reach down – Fuji Pro 160NPC (120)
Reach down Shot on Fuji Pro 160NPC at EI 100 Color negative film in 120 format shot as 6×6
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Photography: Hyggelig – Shot on Kodak AEROCHROME III 1443 (120)
Hyggelig Shot on Kodak AEROCHROME III Infrared Film 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×6 Overexposed one stop with #21 orange filter Read the Kodak AEROCHROME III 1443 review here.  
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EMULSIVE interview #46: I am Mike Pouliot and this is why I shoot film
We’re sitting down today with Mike Pouliot, a man whose photography oozes serenity, calm and stillness. Put down the coffee, spit out that mouthful of Red Bull and get settled in.
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Photography: That Monday feeling – Shot on ILFORD SFX 200 (35mm)
That Monday feeling Shot on ILFORD SFX 200 at EI 200Black and white negative in 35mm format That Monday feelingShot on ILFORD SFX 200 at EI 200.Black and white negative in 35mm format.
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Photoset #01: Kodak Ektar 100 – +1-stop push with +1 over development
As regular readers will know, I’ve been doing #FILMSWAPs for close to six months now and things are going great guns. Since it all started back in July, I’ve been lucky enough to swap over 150 rolls (and reels) of
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EMULSIVE interview #45: I am Hans ter Horst and this is why I shoot film
“No more chimping” – Hans ter Horst isn’t the first person to have said that and her certainly won’t be the last.
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Photography: Retirement life – Shot on Lomography Redscale XR 50-200 (120)
Retirement life Shot on Lomography Redscale XR 50-200 at EI 200 Color redscale negative in 120 format shot as 6×4.5
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EMULSIVE interview #44: I am Gary W Smith and this is why I shoot film
We’re sitting down today with with Liverpudlian turned Londoner, Gary W Smith. You might recognise some of the images below from his Zones 1-4 and London Street projects.
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Photography: Untitled – Shot on Kodak Vericolor III VPS 6006 at EI 100 (120 format)
Untitled Shot on Kodak Vericolor III (VPS 6006) at EI 100Color negative film in 120 format shot as 6×6
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Photography: Small gods – Shot on Fuji Pro 400H at EI 400 (35mm format)
Small gods Fuji Pro 400H shot at EI 400 Color negative film in 35mm format Bleach bypass C41 processing
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Photography: Slick – Shot on Fuji Pro 400H at EI 400 (120 format)
Slick Fuji Pro 400H shot at ISO200 Color negative film in 120 format shot as 6×4.5 Over exposed 1-stop
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EMULSIVE interview #42: I am Kilian Idsinga and this is why I shoot film
Well this is a spot of luck. We’re sitting down today with Kilian Idsinga, a relative newcomer to the world of film photography and someone that you may well have heard a little about over these past few months.