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MUMBAI--The smell hits you first. From the first moment India surrounds you, absorbs you into its atmosphere, its rush and flow. You have spent hour upon hour in the grey, nowhere interzone of the jet-plane.
Film photography, or analog photography - to use a term that better encompasses other media and processes - really is a fascinating world.
To those relatively new to the world outside what is considered traditional film photography (such as myself
Snatched from the streets of San Diego in late March 2016 by a group of masked assailants, Diz has been spending some time at EMULSIVE HQ (voluntarily) working on a guest post covering his process for developing motion picture film
We've roped the very agreeable Michael Bitaxi into putting together a guest post for us covering everything you need to get started with pushing and pulling film.
It's a great read for those of you who are thinking about dipping
Time for a look at the latest frames from week 06-09 2016 of my 52 Rolls project (not 06-10, as I incorrectly tweeted).
The over/under exposure and push/pull/XPRO theme covered in my first update of 2016 continues unabated
We all know Print File, don't we?
Pioneers of 35mm archival products (and archival standards), Print File have been quietly working away for the past 50 years to develop photo storage and archival products in nearly every format you can
Spend any appreciable amount of time talking about film photography on Twitter and sooner or later you'll come into contact with AndaM, AKA @BeRadiant.
Now it seems that Anda's finally gotten around to putting on her first solo exhibition and
If you're a regular reader of EMULSIVE interviews, then you may remember our piece with Michael Jackson and his wonderful work at Poppit Sands back in October last year.
You may also have noticed that most of his output of
The high EI shootout is back for part two: the pushening.
Poorly executed references to the terrible sequel that was Highlander 2 aside, I'm hoping that you'll find this extension of part one just as informative as the first and
The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. I do what I can through this website and @EMULSIVEfilm Twitter account, Facebook page and Instagram but need more.