Rolleiflex

Bringing home a new baby... The Automatic Rolleiflex 4x4 (featuring Rollei, ReraPan and Kodak 127 format films) - by Sherry Christensen

Bringing home a new baby… The Automatic Rolleiflex 4×4 (featuring Rollei, ReraPan and Kodak 127 format films) – by Sherry Christensen

Let me tell you about my adventures with my new Baby Rolleiflex 4×4 (technically speaking, the “Automatic Rolleiflex 4×4”) and Rollei Nightbird, ReraPan (and ReraChrome), …

Read moreBringing home a new baby… The Automatic Rolleiflex 4×4 (featuring Rollei, ReraPan and Kodak 127 format films) – by Sherry Christensen

My Rolleiflex 2.8GX, Aivaras Sidla

5 frames… of people with FujiFilm Velvia 50 and Rolleiflex 2.8GX – by Aivaras Sidla

I’m getting back to my “summer experiment” -– testing medium format slide film. This time I’d like to share results from FujiFilm Velvia 50. Why …

Read more5 frames… of people with FujiFilm Velvia 50 and Rolleiflex 2.8GX – by Aivaras Sidla

My Rolleiflex T, Olaf Lengler

5 Frames. Cumulus afternoon with a red filter on Rollei Superpan 200 (EI 200 / 120 format / Rolleiflex T) – by Olaf Lengler

Once again it was time for a spontaneous photo tour with a fixed theme. Normally I only shoot what comes to my nose. I am …

Read more5 Frames. Cumulus afternoon with a red filter on Rollei Superpan 200 (EI 200 / 120 format / Rolleiflex T) – by Olaf Lengler

MY Rolleiflex 3.5F and Shanghai GP3 100, Mustakim Irsan

5 Frames… Of Jakarta during lockdown on Shanghai GP3 100 (EI 100 / 120 format / Rolleiflex 3.5F Planar) – by Mustakim Irsan

As I write this in April 2020, I understand that many of us are still under stay at home orders. During this quarantine period, I …

Read more5 Frames… Of Jakarta during lockdown on Shanghai GP3 100 (EI 100 / 120 format / Rolleiflex 3.5F Planar) – by Mustakim Irsan

Kris Askey - Rolleiflex 2.8F and Cinestill 800T

5 Frames… Showing a different side to Birmingham on CineStill 800 Tungsten (EI 400 / 120 format / Rolleiflex 2.8F) – by Kris Askey

Around mid-2018, after seven years of shooting digital, I decided to put the digital camera down for a little while as I experimented with learning …

Read more5 Frames… Showing a different side to Birmingham on CineStill 800 Tungsten (EI 400 / 120 format / Rolleiflex 2.8F) – by Kris Askey

Reviewing the Rolleiflex 2.8GX Expression 75 years edition - it's bloody gold!

Reviewing the Rolleiflex 2.8GX Expression 75 years edition (it’s gold!) – By Aivaras Sidla

Let’s start with the elephant in the room – this camera comes with some serious bling. It is in fact, a special gold-dipped version officially called the “Rolleiflex 2.8GX Expression 75 years edition”.

Ilford HP4 120, Rolleiflex TLR, from “On Reading”

EMULSIVE interview #73: I am Ron Hammond and this is why I shoot film

Today’s interviewee is prolific to say the least. Ron Hammond has been actively photographing for over 50 years and exhibiting his work in solo shows for over 25 of them.

Self (Rolleiflex 2.8, Kodak 100TMX)

EMULSIVE interview #67: I am Pierluigi Tolu and this is why I shoot film

Well then, who do we have here? I’m incredibly pleased to welcome today’s interviewee and new (re)entrant to the film photography world.

Copyright - Riley Joseph

EMULSIVE interview #20: I am Riley Joseph and this is why I shoot film

Today I’m sitting down with self-proclaimed Canadian Gentleman, Riley Joseph.

Slightly more comfortable in his photographer’s skin now that he’s had the chance to “settle in” to carrying a camera after 17 long years of trying, I’m hoping to