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film.photography

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Home » Rodinal Film Developer

Tag: Rodinal Film Developer

Big night - Kodak Hawkeye Traffic Surveillance Black and White Film 2485 at EI 400. Black and white negative film in 35mm format. Push processed one-stop. Leica M6 TTL 0.85 and Nikon NIKKOR-H·C 5cm f/2.
Posted in35mm format

Photography: Big night – Kodak Hawkeye Traffic Surveillance Black and White Film 2485 (35mm)

Avatar - EMby EMOctober 5, 2021October 5, 2021

Leverage
Shot on Kodak Hawkeye Traffic Surveillance Black and White Film 2485 at EI 800
Black and white negative film in 35mm format
Push processed one-stop
 

 
 

 

Posted inDeveloping Film

My approach to Rodinal semi-stand film development

by Simon KingFebruary 12, 2021August 28, 2021

My film development workflow shifted in 2020 and became almost entirely based around semi-stand methods. Previously I had used ILFORD DD-X and taken great care over timings and chemistry – including for stand dev, but as I’ve found more of my projects start to come together I have not been able to dedicate myself in […]

BW pinhole photography with the Vermeer 6x12 and 120 format Kosmo Foto Mono 100
Posted inFilm stock reviews

B&W pinhole photography with the Vermeer 6×12 and 120 format Kosmo Foto Mono 100

Avatar photoby Gavin LyonsJanuary 28, 2020July 31, 2021

It was time to have some fun with Kosmo Foto Mono 100 while tour skiing in the Alps. This time around the Frauenalpe in Austria. The Frauenalpe used to be a ski resort but they removed the equipment. Which makes it so much better to experience nature. Going ski touring or snowshoe walking is really […]

Neshama Sheli: Documenting Israel and the Palestinian territories
Posted inFeatured projects

Neshama Sheli: Documenting Israel and the Palestinian territories

by Cristian GeelenAugust 30, 2019July 31, 2021

This is my ever-changing long-term photo essay about Israel and the Palestinian territories. A place so complex and beautiful at the same time. It isn’t always easy or straightforward to put into words but I have done my best to paint

Ignominious defeat - Shot on ORWO N74 plus at EI 400. Black and white negative film in 35mm format.
Posted in35mm format, Photography

Photography: Ignominious defeat – Shot on ORWO N74 plus at EI 400 (35mm format)

Avatar - EMby EMAugust 31, 2018July 31, 2021

Ignominious defeat

Shot on ORWO N74 plus at EI 400
Black and white negative film in 35mm format

 

Development notes
Rodinal: 1+100, 21°C/70°F, 60:00 (N)
No presoak, 1-minute initial agitation, 3 inversions/ 30 minutes, normal stop/fix/rinse

 

&nbsp

Thomas Ruschel - Minolta X700 Ferrania P30 Alpha EI50 - Frame 5 - Herr Schmitt
Posted in5 Frames..., Articles

5 Frames… With Ferrania P30 Alpha (EI 50 / 35mm format / Minolta X-700)

Avatar photoby Thomas RuschelMay 4, 2018July 31, 2021

Walking in the woods, that‘s my thing. So taking pictures in the woods seems to come naturally (pun intended).

Film tests - Getting the best out of Ferrania P30 Alpha part 1
Posted inDarkroom

Film tests: getting the best out of FERRANIA P30 Alpha part 1

by Scott MiccicheApril 11, 2018August 28, 2021

FERRANIA P30 Alpha has had an interesting time of it since it got into the hands of eager customers in late 2017.  Many photographers (including yours truly) have questioned everything from its true speed to the nature of the emulsion

Apocalypse Mom
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #161: I am Ante Prskalo and this is why I shoot film

Avatar - EMby EMNovember 8, 2017October 16, 2020

I’m very pleased to be able to bring you the words and pictures of Ante Prskalo, previous contributor to EMULSIVE and dabbler in strange things with Rodinal.
Over to you, Ante!
 
 
Hi Ante, what’s this picture, then?

AP

To the beat of the same drum - Fuji Superia 1600 Shot at EI 1600. Color negative film in 35mm format. Developed in Rodinal (1+100 / 20c / 60:00).
Posted in35mm format, Photography

Photography: To the beat of the same drum – Fuji Superia 1600 (35mm)

Avatar - EMby EMMay 16, 2017February 5, 2022

To the beat of the same drum

Shot on Fuji Superia 1600 at EI 1600
Color negative film in 35mm format
Developed in Rodinal (1+100 / 20c / 60:00)

 

 

 

 

 

Jonas Lundström
Posted inFilm stock reviews, Kodak Film Stock Reviews, Reviews

Film stock review: Kodak EASTMAN DOUBLE-X (5222) – 35mm format

by Jonas LundströmNovember 18, 2015July 3, 2021

EMULSIVE: By way of a quick preface, regular readers and followers of EMULSIVE-related ramblings on Twitter will be familiar with our Interview and Photographer’s Daypack series should be familiar with Jonas Lundström.

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Flightpath - Kodak Portra 400 shot at ISO200. Color negative film in 120 format shot as 6x6. Planar 80/2.8
Photography: Flightpath – Shot on Kodak Portra 400 at EI 200 (120 format)
5 Frames With... Kodak T-MAX P3200 (EI 3200 / 35mm format / Canon Canonet G-III QL17) - by Eric Meckley
5 Frames… Of mewithoutYou on Kodak T-MAX P3200 (EI 3200 / 35mm format / Canon Canonet G-III QL17)
365 textures #07 - Shot on Kodak Elitechrome 100 (EB-3) at EI 100 (35 mm format)
Photography: 365 textures #07 – Shot on Kodak PROFESSIONAL ELITE Chrome 100 (EB-3) at EI 100 (35mm format)
5 Frames With... Kodak Portra 400 (EI 400 / 120 format / Zeiss Ikonta 521/2) - by Sergio Plascencia
5 Frames… Shooting three National Parks with Kodak Portra 400 (EI 400 / 120 format / Zeiss Ikonta 521/2)
Quadrophenia - Rollei Infrared 400 shot at ISO400
Photography: Quadrophenia – Rollei Infrared 400 (120)
...and stretch - Unknown film at unknown ISO
Photography: ….and stretch – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)
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EMULSIVE is (among other things) a space for film photographers of all backgrounds to spread knowledge, experience and thoughts about everything related to film photography.

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  • 5 Frames… Of a Rhode Island Spring on Cinestill 400D (35mm Format / EI 800 / Nikon F4 + Nikon Nikkor 50mm f/1.8 AI-S) – by J Balcourt
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