film.photography
Leverage
Shot on Kodak Hawkeye Traffic Surveillance Black and White Film 2485 at EI 800
Black and white negative film in 35mm format
Push processed one-stop
My film development workflow shifted in 2020 and became almost entirely based around semi-stand methods. Previously I had used ILFORD DD-X and taken great care over timings and chemistry – including for stand dev, but as I’ve found more of my projects start to come together I have not been able to dedicate myself in […]
It was time to have some fun with Kosmo Foto Mono 100 while tour skiing in the Alps. This time around the Frauenalpe in Austria. The Frauenalpe used to be a ski resort but they removed the equipment. Which makes it so much better to experience nature. Going ski touring or snowshoe walking is really […]
This is my ever-changing long-term photo essay about Israel and the Palestinian territories. A place so complex and beautiful at the same time. It isn’t always easy or straightforward to put into words but I have done my best to paint
Ignominious defeat
Shot on ORWO N74 plus at EI 400
Black and white negative film in 35mm format
Development notes
Rodinal: 1+100, 21°C/70°F, 60:00 (N)
No presoak, 1-minute initial agitation, 3 inversions/ 30 minutes, normal stop/fix/rinse
 
Walking in the woods, that‘s my thing. So taking pictures in the woods seems to come naturally (pun intended).
FERRANIA P30 Alpha has had an interesting time of it since it got into the hands of eager customers in late 2017. Many photographers (including yours truly) have questioned everything from its true speed to the nature of the emulsion
I’m very pleased to be able to bring you the words and pictures of Ante Prskalo, previous contributor to EMULSIVE and dabbler in strange things with Rodinal.
Over to you, Ante!
Hi Ante, what’s this picture, then?
AP
To the beat of the same drum
Shot on Fuji Superia 1600 at EI 1600
Color negative film in 35mm format
Developed in Rodinal (1+100 / 20c / 60:00)
EMULSIVE: By way of a quick preface, regular readers and followers of EMULSIVE-related ramblings on Twitter will be familiar with our Interview and Photographer’s Daypack series should be familiar with Jonas Lundström.
