Tag: Rodinal
Popular right now
Our 20 most recent articles
Ignominious defeat – Shot on ORWO N74 plus at EI 400 (35mm format)
Ignominious defeat Shot on ORWO N74 plus at EI 400 Black and white negative film in 35mm format ...
Read More
5 Frames With… Ferrania P30 Alpha (EI 50 / 35mm / Minolta X-700) – by Thomas Ruschel
Walking in the woods, that‘s my thing. So taking pictures in the woods seems to come naturally...
Read More
Film tests: getting the best out of FERRANIA P30 Alpha part 1 – by Scott Micciche
FERRANIA P30 Alpha has had an interesting time of it since it got into the hands of eager...
Read More
EMULSIVE interview #161: I am Ante Prskalo and this is why I shoot film
I’m very pleased to be able to bring you the words and pictures of Ante Prskalo, previous...
Read More
Finding Film part 8: Getting to know my Lady Gray 400
Before I start this entry in the series, just a small disclaimer: Lomography UK very kindly sent...
Read More
Finding film part 2: expanding my horizons with Kodak Tri-X 400, Rodinal and Ilford DD-X
Welcome to part two of my journey with film in 2017. As you read in part one, I’ll be using...
Read More
Film Review: Kodak EASTMAN DOUBLE-X (5222) – 35mm format
EMULSIVE: By way of a quick preface, regular readers and followers of EMULSIVE-related ramblings...
Read More
All Categories
Articles (578)
52 Rolls (9)- A Brief History Of (1)
- AEROgraphic (6)
- Challenges (1)
- Community Critique (1)
- Dear Benice (7)
- Film Culture (20)
- Film Love (6)
- Film Parties (38)
- Delta Def Jam (7)
- FP4 Party (15)
- NEOPANTASTIC (3)
- Portra Party (1)
- Summer Film Party (7)
- TMAXParty (5)
- Finding Film (15)
- Horoscope (6)
- My inspiration (2)
- My Return to Film (8)
- News (11)
- Photoset (4)
- Photostory (11)
- Projects (28)
- Secret Santa (16)
- Thoughts (14)
- Travelogue (20)
- What Is (1)
- Why Shoot Film (5)
- Darkroom (28)
- Developing Film (13)
- Development Times (2)
- My Darkroom (1)
- Printing (3)
- Wet Plate (1)
- Experiments (43)
- Long Exposure (3)
- Reversal Development (1)
- Interviews (201)
- Community Interviews (11)
- Photography (1,084)
- 110 format (4)
- 35mm format (473)
- 5 Frames With (106)
- 65mm format (3)
- Large format (13)
- Medium format (483)
- Reviews (268)
- Camera Reviews (66)
- A&K Cameras (1)
- AGFA Cameras (1)
- Bronica Cameras (6)
- Canon Cameras (2)
- Chamonix Cameras (1)
- Exakta Cameras (1)
- Fuji Cameras (4)
- Gould Cameras (1)
- Hasselblad Cameras (7)
- Holga Cameras (3)
- Impossible Cameras (1)
- Intrepid Cameras (1)
- Kodak Cameras (2)
- Leica Cameras (1)
- Lomography Cameras (3)
- Mamiya Cameras (6)
- Minolta Cameras (1)
- Nagaoka Cameras (1)
- Olympus Cameras (3)
- Pentax Cameras (4)
- Ricoh Cameras (1)
- Rollei Cameras (3)
- Steky Camera Reviews (1)
- Voigtlander Cameras (1)
- Yashica Cameras (3)
- Zeiss Cameras (1)
- Zeiss Ikon Cameras (2)
- Zorki Cameras (1)
- Film Reviews (191)
- ADOX Films (2)
- AGFA Films (4)
- Arista Films (1)
- Bergger Films (11)
- CineStill Films (6)
- Dubblefilm films (1)
- Efke Films (1)
- FILM Ferrania Films (10)
- Foma Films (4)
- Fuji Films (38)
- ILFORD Films (37)
- JCH Films (4)
- Kodak Films (55)
- Lomography Films (10)
- Luckyfilm Films (4)
- Notes (7)
- Revolog Films (2)
- Rollei Films (13)
- Shanghai Films (1)
- Silberra Films (3)
- Street Candy Films (1)
- Tasma Films (1)
- Ultrafine Films (1)
- Washi Films (2)
- Yodica Films (1)
- Gear Reviews (11)
- Bag Reviews (3)
- Darkroom Equipment (1)
- Lens Reviews (4)
- Scanners (1)
- Strap Reviews (2)
- Print Reviews (2)
All Categories
- Articles (578)
- 52 Rolls (9)
- A Brief History Of (1)
- AEROgraphic (6)
- Challenges (1)
- Community Critique (1)
- Dear Benice (7)
- Film Culture (20)
- Film Love (6)
- Film Parties (38)
- Delta Def Jam (7)
- FP4 Party (15)
- NEOPANTASTIC (3)
- Portra Party (1)
- Summer Film Party (7)
- TMAXParty (5)
- Finding Film (15)
- Horoscope (6)
- My inspiration (2)
- My Return to Film (8)
- News (11)
- Photoset (4)
- Photostory (11)
- Projects (28)
- Secret Santa (16)
- Thoughts (14)
- Travelogue (20)
- What Is (1)
- Why Shoot Film (5)
- Darkroom (28)
- Developing Film (13)
- Development Times (2)
- My Darkroom (1)
- Printing (3)
- Wet Plate (1)
- Experiments (43)
- Long Exposure (3)
- Reversal Development (1)
- Interviews (201)
- Community Interviews (11)
- Photography (1,084)
- 110 format (4)
- 35mm format (473)
- 5 Frames With (106)
- 65mm format (3)
- Large format (13)
- Medium format (483)
- Reviews (268)
- Camera Reviews (66)
- A&K Cameras (1)
- AGFA Cameras (1)
- Bronica Cameras (6)
- Canon Cameras (2)
- Chamonix Cameras (1)
- Exakta Cameras (1)
- Fuji Cameras (4)
- Gould Cameras (1)
- Hasselblad Cameras (7)
- Holga Cameras (3)
- Impossible Cameras (1)
- Intrepid Cameras (1)
- Kodak Cameras (2)
- Leica Cameras (1)
- Lomography Cameras (3)
- Mamiya Cameras (6)
- Minolta Cameras (1)
- Nagaoka Cameras (1)
- Olympus Cameras (3)
- Pentax Cameras (4)
- Ricoh Cameras (1)
- Rollei Cameras (3)
- Steky Camera Reviews (1)
- Voigtlander Cameras (1)
- Yashica Cameras (3)
- Zeiss Cameras (1)
- Zeiss Ikon Cameras (2)
- Zorki Cameras (1)
- Film Reviews (191)
- ADOX Films (2)
- AGFA Films (4)
- Arista Films (1)
- Bergger Films (11)
- CineStill Films (6)
- Dubblefilm films (1)
- Efke Films (1)
- FILM Ferrania Films (10)
- Foma Films (4)
- Fuji Films (38)
- ILFORD Films (37)
- JCH Films (4)
- Kodak Films (55)
- Lomography Films (10)
- Luckyfilm Films (4)
- Notes (7)
- Revolog Films (2)
- Rollei Films (13)
- Shanghai Films (1)
- Silberra Films (3)
- Street Candy Films (1)
- Tasma Films (1)
- Ultrafine Films (1)
- Washi Films (2)
- Yodica Films (1)
- Gear Reviews (11)
- Bag Reviews (3)
- Darkroom Equipment (1)
- Lens Reviews (4)
- Scanners (1)
- Strap Reviews (2)
- Print Reviews (2)
Recent Comments