Filter - Red #25


5 Frames… Of ILFORD SFX 200 Developed in Cinestill's Df96 monobath with a Fuji GS645S and a red filter - by Ed Steinerts

5 Frames… Of ILFORD SFX 200 Developed in Cinestill’s Df96 monobath with a Fuji GS645S and a red filter – by Ed Steinerts

The Fuji GS645S Professional was a camera I had an interest in ever since it was introduced back in 1984. It was a nice medium …

Read more5 Frames… Of ILFORD SFX 200 Developed in Cinestill’s Df96 monobath with a Fuji GS645S and a red filter – by Ed Steinerts

Vernicular rising - Kodak AEROCHROME III 1443 shot at EI 400. Color infrared aerial surveillance film in 120 format shot as 6x6. Shot with #21 orange filter.

Photography: Vernicular rising – Shot on Kodak AEROCHROME III 1443 (120)

Vernicular rising

Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Shot with #21 orange filter

Read the Kodak AEROCHROME review

 

 

 

 

 

Crimson woods - Kodak Aerochrome III Infrared Film 1443 shot at ISO200

Film stock review: Kodak AEROCHROME III color infrared film

Let me get this out of the way. AEROCHROME is hands-down my favourite film stock. Yes, that includes EKTACHROME E100VS and I implore you to try some AEROCHROME out if you can.