Rangefinder Camera
A look at two uniquely different medium format Fujifilm cameras: The Fuji GA645Zi Professional and Fuji GW690III Professional
From the fully automatic point and shoot Fujifilm GA645Zi to the totally manual Fujifilm GW690III, Fujifilm's medium format cameras encompass a wide...
Learning to love a rangefinder camera: Five years with the Leica M6 TTL 0.85
In late 2015 I was hit by a taxi making an illegal turn and received three fractured vertebrae for being in the...
Pocket wonder: The Olympus XA with ILFORD PAN 100
My first of roll of film for the new year 2020: a fresh roll of ILFORD PAN 100 all used up in...
Shooting the Leica M1: From 1960s British holiday camps to the streets of 21st century England
I am a great fan of the Leica M1, having first used this camera in the late 1960s as a camp photographer...
The best (and worst) film cameras of the 1990s
My take on the 10 "best" film cameras released during the 1990s. It’s not a countdown in the traditional sense and "best"...well...
A Day in the Life: London Street Photography with the Leica M6
This article is part diary, part camera review, part lens review, and part film review, all based around my average day-to-day exploits as a film-based street photographer and photojournalist in London.
Expectations and anticipation: Shooting a Leica M3 for the first time – by Linus Kafka
While my freshly shot and developed Tri-X 400 (using Kodak D76) is hanging up to dry, I would like to summarize some...
Comparing the Super Ikonta 532/16 and Ensign 12-20 folding cameras – by Tony Warren
British camera manufacturer Barnet Ross Ensign boldly advertised in the post-Second World War period that photographic development had now moved from Europe to Great Britain.
The best medium format camera ever made – Mamiya 6 MF review
About a year and a half ago I finally bit the bullet and bought my very first medium format camera, a Mamiya 6 MF.
Two out of three. A look at three bellows cameras from the 1950s: Agfa Record III, Voigtländer Perkeo I, and Agfa Isolette
Most of my photo output is from digital cameras, although I have an abiding love for film. I recently bought some 35mm and medium format cameras online.
The Olympus XA review: how I fell in love with a tiny plastic box… – by Virgil Roger
...and back in love with photography again and again.
Warning: the following review of the diminutive Olympus XA is highly biased and totally subjective. I love the darn thing and actually own 2 of them.
The Wabi-Sabi rangefinder: Yasuhara 一式 T981 (Isshiki T981)
After Shin Yasuhara left his job at Kyocera, the large Japanese high technology company, he set out on designing his own dream camera.
Sibling rivalry: Fujica GS645 & GS645S street photography shootout – by Michael C. Duke
The Fujica GS645 Professional and its sibling GS645S Professional are very much alike, but different enough that the cameras beg for comparison....which interestingly enough, is what this article is all about: a comparison of Fuji's two most well-known and loved
Camera review – the Zeiss Ikon Nettar II 517/16 6×6 folding camera – by David Hume
I bought my Zeiss Ikon Nettar 6x6 folder in 1992 for $50, pretty much in perfect nick. At the time I was shooting a Mamiya RB67 professionally; exclusively running Fuji Velvia through it for magazine covers and editorial work.
Camera review: Fuji GA645Zi
Today I’ll be reviewing the Fuji GA645Zi; a review that is not exactly typical. For me, the camera is a tool that is supposed to do whatever I want it to do.
Camera review: Fuji GA645i, “The Portrait Machine” – by Anil Mistry
In this piece, I will be reviewing the Fuji GA645i 6x4.5 medium format camera.
Double review: Mamiya Press Super 23 and Mamiya Universal Press
I'm here today to provide you with my review / comparative overview of the Mamiya Press Super 23 and the Mamiya Universal Press cameras.
Camera review: My Olympus 35SP by Matt Parry
The Olympus 35 SP holds a SPecial and somewhat privileged status in my pretty modest camera collection.
Mumbai 03: Heat tempered
MUMBAI-Nothing comes easily in India. At times it feels as if everything from the bureaucracy to nature itself is out to thwart whatever you are trying to do.
Recensione: vi racconto le mie folding – Zeiss Ikon Ikonta 520/2 & Zeiss Ikon Nettar 515/2
Il panorama della fotografia analogica è ricchissimo di fotocamere e attrezzature prodotte negli ultimi secoli da centinaia di produttori diversi, e questo ci aiuta a capire la bellezza e lo stato di evoluzione che questa Arte (la Fotografia) è riuscita
