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In January 2006, after 5 or so years of film photography with a combination of cheaper cameras (e.g., a Minolta SRT-101, a...
In 1963, the Polaroid Corporation introduced the Automatic 100 Land Camera (also known as the Model 100). Named after Polaroid co-founder and...
Wet plate collodion doesn't spring to mind as either the most practical or in fact, legal approach to creating passport photographs but that didn't stop EMULSIVE interviewee #196 Markus Hofstaetter from giving it a shot. Markus isn't a stranger
Welcome, welcome, welcome!
Ladies and gentlemen, welcome to the 178th EMULSIVE interview! Today I have great pleasure in introducing you all to Lisa Toboz.
I shot over 14 portraits with the Polaroid 636 Close-up. I used it in different locations (inside of a white room, outside at 9:00 AM when it was a little bit colder, outside when it started raining.
Houston, Texas, is my hometown. My wife and I recently purchased a renovated 90-year-old home in the city’s urban core, which currently is in the midst of a major revitalization movement.
At some point in 2017, I went through a phase of photographic despondency but developed an interested in alternative, broadly photographic ventures.
I'm so pleased to be able to bring you the words and work of Ioana Tăut, set in the wonderful world of her instant photography. Over to you, Ioana! Hi Ioana, what's this picture, then? IT: I randomly
January 27th 2016. Let that date burn into your memory. The was the first time today's interviewee and I first made email contact.
It's a real pleasure to introduce you all to Rob Hawthorn, a photographer who many of you will remember from his stunning travelogue of Yucatan on Kodak AEROCHROME. Well Rob's back with something a little different.
Today's interviewee doesn't always share much of his own work on Twitter but take a peek on Instagram or his website and it's a totally different story. I'm so happy to be able to bring you the words and pictures
Long exposure film photography is a technique central to my currently ongoing photography project, Where We Meet. Capturing the smooth extensions of water movement, contrasted with static elements of the shoreline is the key to this visual narrative.
Instant obsessive or instantly obsessed? I've had a hard time pigeon holing today's interviewee and after much thought, I've decided that honour should be left to you, dear readers.
As you'll have probably guessed from the slightly altered headline above, this isn't going to be your run-of-the-mill EMULSIVE interview.
Before you scroll on, please be aware that today's interview is decidedly Not Safe For Work. Just in case you need some space, the interview starts below. Scroll down when you're ready. I'm sitting down with Scott D
Today's interviewee is a real treat, I'm honoured to me able to introduce you to David Rothschild, a native Virginian photographer an musician with a interesting adoration of naked trees and old houses. Over to you, David. Hi
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