Polaroid

Not for legal use: Polaroid passport photos on wet plate collodion

Wet plate collodion doesn't spring to mind as either the most practical or in fact, legal approach to creating passport photographs but that didn't stop EMULSIVE interviewee #196 Markus Hofstaetter from giving it a shot. Markus isn't a stranger

EMULSIVE interview #175: I am Ioana Tăut and this is why I shoot film

I'm so pleased to be able to bring you the words and work of Ioana Tăut, set in the wonderful world of her instant photography. Over to you, Ioana!     Hi Ioana, what's this picture, then? IT: I randomly

EMULSIVE interview #170: I am Rob Hawthorn and this is why I shoot film

It's a real pleasure to introduce you all to Rob Hawthorn, a photographer who many of you will remember from his stunning travelogue of Yucatan on Kodak AEROCHROME. Well Rob's back with something a little different.

A Brief History of… Polaroid

In an act of ultimate consumation, the company that was formed to save what was left of Polaroid Corporation's dying European infrastructure has now been assimilated into the very brand it sought to help...but the story of how this state

EMULSIVE interview #142: I am Don Lupo and this is why I shoot film

Today's interviewee doesn't always share much of his own work on Twitter but take a peek on Instagram or his website and it's a totally different story. I'm so happy to be able to bring you the words and pictures

Long exposure film tests part one: ILFORD PAN F+, ILFORD FP4+, ILFORD Delta 100 Professional – by Toni Skokovic

Long exposure film photography is a technique central to my currently ongoing photography project, Where We Meet. Capturing the smooth extensions of water movement, contrasted with static elements of the shoreline is the key to this visual narrative.