Halfway through… six months in already? How did that happen… didn’t we just start? Actually, we are settling into our routine but the bloom is off the rose…
Tag: Minolta
EMULSIVE Interview #201: I am Allysse Riordan and this is why I shoot film
Welcome to a fresh instalment of my “…this is why I shoot film” series!
5 Frames… With Lomography Color Negative 400 (EI 400 / 35mm format / Minolta SRT 101)
“What about Berlin?”, I asked my partner.
We were looking for a city break last October and had no idea where to go.
5 Frames… With ILFORD Delta 3200 Professional at night (EI 6400 / 35mm format / Minolta SRT100x)
I had never pushed film before but upon my arrival on a recent trip to Dublin, Ireland I thought I would try my luck with some old-fashioned analog night photography.
Camera review: Minolta AF-Tele Super
It was always going to come to this point. With compact cameras that sport prime lenses, even though the image quality is as it should be, the photographer is limited to a single set focal length.
Interview #194: I am Ezequiel Grimaldi and this is why I shoot film
I’m pleased to be able to introduce today’s fresh interview with Ezequiel Grimaldi, film photographer based in Spain’s San Sebastian.
I’ll keep this short so you can spend as much time as possible on the images below.
5 Frames… With Fujifilm Superia X-TRA 400 (EI 200 / 35mm format / Minolta XD-7)
I purchased this camera through Gumtree because it came with some great accessories (Minolta Auto 320X Flash, the Hanimex lens used here, a Makinon MC f/4.5 80-200mm zoom, Minolta auto winder and various filters!) and, it was an excellent
5 Frames… With Cinestill 800T (EI 500 / 120 format / Minolta Autocord TLR)
So I decided it was time to experiment with Cinestill 800. I got myself some rolls of 35mm and 120. My weapon of choice was my ever trustworthy Minolta Autocord with its 75mm Rokkor lens.
EMULSIVE interview #192: I am Maxime Evangelista and this is why I shoot film
This week’s interviewee has been shooting film for a little over a year at the time of writing.
5 Frames… With Fuji Provia 100F RDP III (35mm / EI 100 / Minolta X-700)
In 2018, E-6 Processing is expensive. I shot this roll back in April and after shooting it, it sat in my freezer for 2 months, because I can’t afford to get too many rolls of E-6 processed at once.
5 Frames… With CineStill Tungsten 800 (EI 800 / 35mm format /Minolta X-700)
The tungsten aesthetic really is my thing. I love seeing it used for night outdoors shots; I’m convinced that even the most mundane things, shot at night, on tungsten film, automatically become statement shots…
Photo story: Rediscovering my 35mm soul through one photograph
I asked my self this question very recently: can one photo make a difference?
You betcha!
EMULSIVE's most popular film camera reviews of 2017
I’m back with the second in this series of end-of-year-lazy-posts.
Interview #158: I am Luis Barrancos and this is why I shoot film
Today’s interviewee hails from Portugal and is currently enjoying life in tropical Malaysia.
5 Frames… With Agfa Precisa CT 100 (EI 100 / 35mm format / Minolta X-700)
Having done a ‘5 Frames With’ from a camera point of view already for Hamish at 35mmc, so doing another one from a film point of view just had to be done.
EMULSIVE interview #151: I am Denise Grays and this is why I shoot film
Today’s interviewee is a stalwart of the Twitter film photography community and I’m so happy to be able to bring her interview to you today.
Camera review: Minolta Hi-Matic AF
In this article, I will be reviewing the 1979 Hi-Matic AF released in 1979. It is an automatic 35mm film camera with an Auto Focus capability.
EMULSIVE interview #136: I am Marta Beltowska and this is why I shoot film
Today we’re grabbing some time with Marta Beltowska, currently based in London, UK.
EMULSIVE interview #133: I am Lisa DeShantz-Cook and this is why I shoot film
After last week’s lifting of the curtain with my interview of myself (meta!), it’s back to business as usual with this week’s interview.
Well, I say business as usual but Lisa DeShantz-Cook’s photography is nothing of the sort.
My return to film: Adib Mufty
Indulge me a brief stroll down memory lane.
It was during the fall of 2004 when I was first exposed to photography through a course at university.