• All articles
    • 5 Frames…
    • Everything darkroom / wet printing
    • Film experiments + souping
    • Featured community projects
    • Global Film Lab Map
    • Guides & How-Tos
    • News
    • EMULSIVE Secret Santa
    • Opinion pieces
  • All reviews
    • Film camera reviews
      • Instant film camera review
      • 110 film cameras
      • 35mm film cameras
        • 35mm P&S/AF cameras
        • 35mm rangefinder cameras
        • 35mm SLR film cameras
        • 35mm zone/scale focus cameras
      • Medium format film cameras
        • Medium format P&S/AF cameras
        • Medium format rangefinder cameras
        • Medium format SLR cameras
        • Medium format TLR cameras
        • Medium format zone/scale focus cameras
      • Large format camera
    • Film stock reviews
    • Bag reviews
    • Lens/strap/accessory reviews
    • Print reviews
  • Guides / How-to
  • Interviews
    • Community interviews
    • Film photographer interviews
    • In conversation with…
    • My First Roll…
    • My return to film…
  • More
    • Film parties
    • Photography
      • 110 format film photography
      • 35mm format film photography
      • Medium format film photography
      • 65mm format film photography
      • Large format film photography
    • Sitemap
    • EMULSIVE Store
    • Write for EMULSIVE
    • Login
  • About
  • Submit
  • Contact
  • Buy stuff
  • Your account
    • Sign-in
    • Sign-up
    • Recover password
  • Facebook
  • Instagram
  • Pinterest
  • Reddit
  • Twitter
  • YouTube
  • Mastadon
  • 5 Frames…
  • Darkroom
  • Featured community projects
  • Film camera reviews
  • Film stock reviews
  • Film photographer interviews

More links

  • About
  • Submit
  • Buy stuff
  • Contact
  • Policies
  • Login
  • 5 Frames…
  • Darkroom
  • Featured community projects
  • Film camera reviews
  • Film stock reviews
  • Film photographer interviews

More links

  • About
  • Submit
  • Buy stuff
  • Contact
  • Policies
  • Login
Skip to content
  • About
  • Submit
  • Contact
  • Buy stuff
  • Your account
    • Sign-in
    • Sign-up
    • Recover password
  • Facebook
  • Instagram
  • Pinterest
  • Reddit
  • Twitter
  • YouTube
  • Mastadon
EMULSIVE

EMULSIVE

film.photography

  • All articles
    • 5 Frames…
    • Everything darkroom / wet printing
    • Film experiments + souping
    • Featured community projects
    • Global Film Lab Map
    • Guides & How-Tos
    • News
    • EMULSIVE Secret Santa
    • Opinion pieces
  • All reviews
    • Film camera reviews
      • Instant film camera review
      • 110 film cameras
      • 35mm film cameras
        • 35mm P&S/AF cameras
        • 35mm rangefinder cameras
        • 35mm SLR film cameras
        • 35mm zone/scale focus cameras
      • Medium format film cameras
        • Medium format P&S/AF cameras
        • Medium format rangefinder cameras
        • Medium format SLR cameras
        • Medium format TLR cameras
        • Medium format zone/scale focus cameras
      • Large format camera
    • Film stock reviews
    • Bag reviews
    • Lens/strap/accessory reviews
    • Print reviews
  • Guides / How-to
  • Interviews
    • Community interviews
    • Film photographer interviews
    • In conversation with…
    • My First Roll…
    • My return to film…
  • More
    • Film parties
    • Photography
      • 110 format film photography
      • 35mm format film photography
      • Medium format film photography
      • 65mm format film photography
      • Large format film photography
    • Sitemap
    • EMULSIVE Store
    • Write for EMULSIVE
    • Login
Home » Minolta » Page 2

Tag: Minolta

Frugal Film Project
Posted inArticles

The Frugal Film Project: the project that turned into something else: halfway update

by Sherry ChristensenAugust 2, 2019July 31, 2021

Halfway through… six months in already? How did that happen… didn’t we just start? Actually, we are settling into our routine but the bloom is off the rose…

Minolta SRT101 - Fujifilm Superia X-TRA 400 - Bristol
Posted inFilm Photographer Interviews

EMULSIVE Interview #201: I am Allysse Riordan and this is why I shoot film

Avatar - EMby EMJune 26, 2019July 31, 2021

Welcome to a fresh instalment of my “…this is why I shoot film” series!

5 Frames With... Lomography Color Negative 400 / 35mm / EI 400 Minolta SRT 101 - by Allysse Riordan
Posted in5 Frames..., Articles

5 Frames… With Lomography Color Negative 400 (EI 400 / 35mm format / Minolta SRT 101)

by Allysse RiordanJune 10, 2019July 31, 2021

“What about Berlin?”, I asked my partner.

We were looking for a city break last October and had no idea where to go.

Grand Canal Docks - 5 Frames With... ILFORD Delta 3200 Professional (EI 6400 _ 35mm _ Minolta SRT100x) - by Maxime Evangelista
Posted in5 Frames..., Articles

5 Frames… With ILFORD Delta 3200 Professional at night (EI 6400 / 35mm format / Minolta SRT100x)

Avatar - Maxime Evangelistaby Maxime EvangelistaApril 5, 2019July 31, 2021

I had never pushed film before but upon my arrival on a recent trip to Dublin, Ireland I thought I would try my luck with some old-fashioned analog night photography.

Posted inAll Reviews, Film camera reviews, Minolta film camera reviews

Camera review: Minolta AF-Tele Super

Avatar - Tom Perryby Tom PerryMarch 12, 2019July 31, 2021

It was always going to come to this point. With compact cameras that sport prime lenses, even though the image quality is as it should be, the photographer is limited to a single set focal length.

Biarzo, Italy, 2016 - Kodak T-MAX 400, Contax G2
Posted inFilm Photographer Interviews

Interview #194: I am Ezequiel Grimaldi and this is why I shoot film

Avatar - EMby EMDecember 19, 2018July 31, 2021

I’m pleased to be able to introduce today’s fresh interview with Ezequiel Grimaldi, film photographer based in Spain’s San Sebastian.

I’ll keep this short so you can spend as much time as possible on the images below.

Fuji 400 Superia (EI 200 / 35mm), Minolta XD-7 - by Pete Jordan
Posted in5 Frames..., Articles

5 Frames… With Fujifilm Superia X-TRA 400 (EI 200 / 35mm format / Minolta XD-7)

Avatar - Pete Jordanby Pete JordanDecember 14, 2018July 31, 2021

I purchased this camera through Gumtree because it came with some great accessories (Minolta Auto 320X Flash, the Hanimex lens used here, a Makinon MC f/4.5 80-200mm zoom, Minolta auto winder and various filters!) and, it was an excellent

Cinestill 800T (EI 500 : 120), Minolta Autocord TLR - by Anthony Cronin
Posted in5 Frames..., Articles

5 Frames… With Cinestill 800T (EI 500 / 120 format / Minolta Autocord TLR)

Avatar - Anthony Croninby Anthony CroninDecember 10, 2018July 31, 2021

So I decided it was time to experiment with Cinestill 800. I got myself some rolls of 35mm and 120. My weapon of choice was my ever trustworthy Minolta Autocord with its 75mm Rokkor lens.

People of San Francisco, California, USA - Focasport 1D, Fujifilm Superia 200
Posted inDarkroom printing, Film Photographer Interviews, Interviews

EMULSIVE interview #192: I am Maxime Evangelista and this is why I shoot film

Avatar - EMby EMNovember 21, 2018July 31, 2021

This week’s interviewee has been shooting film for a little over a year at the time of writing.

5 Frames With - Fuji Provia 100F (RDP III) - Lauri Lind
Posted in5 Frames..., Articles

5 Frames… With Fuji Provia 100F RDP III (35mm / EI 100 / Minolta X-700)

Avatar - Lauri Lindby Lauri Johan LindSeptember 14, 2018July 31, 2021

In 2018, E-6 Processing is expensive. I shot this roll back in April and after shooting it, it sat in my freezer for 2 months, because I can’t afford to get too many rolls of E-6 processed at once.

CineStill Tungsten 800 (35mm, EI 800, Minolta X-700) Mila Galinova
Posted in5 Frames..., Articles

5 Frames… With CineStill Tungsten 800 (EI 800 / 35mm format /Minolta X-700)

Avatar - Mila Galinovaby Mila GalinovaAugust 6, 2018July 31, 2021

The tungsten aesthetic really is my thing. I love seeing it used for night outdoors shots; I’m convinced that even the most mundane things, shot at night, on tungsten film, automatically become statement shots…

Rediscovering my 35mm soul through one photograph - Minolta XD-11 with Tamron 28-200 zoom lens; Kodak T-MAX 400 film.
Posted inArticles, Photosets and stories

Photo story: Rediscovering my 35mm soul through one photograph

by Kathleen JohnsonMay 8, 2018July 31, 2021

I asked my self this question very recently: can one photo make a difference?

You betcha!

The most popular EMULSIVE camera reviews 2017
Posted inArticles, Best Of

EMULSIVE's most popular film camera reviews of 2017

Avatar - EMby EMDecember 26, 2017December 16, 2019

I’m back with the second in this series of end-of-year-lazy-posts.

"Untitled", Cabeça Gorda, Redondo, Portugal. Minolta X700, MD 50mm f1.7, loaded with Kodak T-MAX 400 exposed at EI 800 and developed in Kodak T-MAX developer. Printed on ILFORD MGIV FB Warmtone, developed in Kodak Dektol. Dektol in general seemed to produce a slightly warmer rendition.
Posted inFilm Photographer Interviews, Interviews

Interview #158: I am Luis Barrancos and this is why I shoot film

Avatar - EMby EMOctober 18, 2017October 16, 2020

Today’s interviewee hails from Portugal and is currently enjoying life in tropical Malaysia.

Stig Starr - Agfa CT Precisa 100 - Minolta X700 - 50mm f/1.7
Posted in5 Frames..., Articles

5 Frames… With Agfa Precisa CT 100 (EI 100 / 35mm format / Minolta X-700)

Avatar photoby Stig StarrOctober 9, 2017July 3, 2021

Having done a ‘5 Frames With’ from a camera point of view already for Hamish at 35mmc, so doing another one from a film point of view just had to be done.

FPP Retrochrome 320 - Minolta Maxumm 800SI - Sedgwick County Zoo, Wichita, KS
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #151: I am Denise Grays and this is why I shoot film

Avatar - EMby EMAugust 30, 2017October 16, 2020

Today’s interviewee is a stalwart of the Twitter film photography community and I’m so happy to be able to bring her interview to you today.

Cover - Review - Minolta Hi-Matic AF
Posted inAll Reviews, Film camera reviews, Minolta film camera reviews

Camera review: Minolta Hi-Matic AF

Avatar - Adi Wby Adi WMay 23, 2017July 3, 2021

In this article, I will be reviewing the 1979 Hi-Matic AF released in 1979. It is an automatic 35mm film camera with an Auto Focus capability.

Selfie - I'm not necessarily this moody, I just like moody lighting. Kodak Portra 160VC, Mamiya RZ67
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #136: I am Marta Beltowska and this is why I shoot film

Avatar - EMby EMApril 19, 2017October 16, 2020

Today we’re grabbing some time with Marta Beltowska, currently based in London, UK.

Bella and Lost Lake, Kodak GC 400, Minolta SRT-102, West Michigan
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #133: I am Lisa DeShantz-Cook and this is why I shoot film

Avatar - EMby EMMarch 29, 2017October 16, 2020

After last week’s lifting of the curtain with my interview of myself (meta!), it’s back to business as usual with this week’s interview.

Well, I say business as usual but Lisa DeShantz-Cook’s photography is nothing of the sort.

#MySurrounding - Developing room
Posted inArticles, My Return to Film...

My return to film: Adib Mufty

Avatar photoby Adib MuftyFebruary 6, 2017March 24, 2020

Indulge me a brief stroll down memory lane.

It was during the fall of 2004 when I was first exposed to photography through a course at university.

Posts navigation

Newer posts 1 2 3 Older posts
  • Latest
  • Popular
Latest
Popular

New to film photography? Read this:

Related reading

My Pentax Spotmatic SP + Takumar 55mm f:1.8, Martin Kelley
5 Frames… Of the Jurassic Coast on Fomapan 100 Classic (EI 100 / 35mm Format / Pentax Spotmatic SP + Takumar 55mm f/1.8)
5 Frames... Of double exposure on Kodak Portra 160 (35mm Format / EI 160 / Minolta SRT 101 + MC Rokkor 35mm f/2.8) - by Nick Rees
5 Frames… Of double exposures on Kodak Portra 160 (35mm Format / EI 160 / Minolta SRT 101 + MC W.Rokkor 35mm f/2.8)
Cover - Month in review - 2018 September
EMULSIVE September 2018: month in review
Atop Trade Technical
EMULSIVE interview #33: I am Kwasi Boyd-Bouldin and this is why I shoot film
Street art - Shot on Fuji Superia 400 Premium at EI 400. Color negative film in 35mm format.
Photography: Street art – Shot on Fuji Superia 400 Premium at EI 400 (35mm format)
5 Frames With... Kodak Portra 400 (EI 100 / 35mm format / Olympus OM-2N) - by Jack Nelson
5 Frames… In the deserts of West Texas with Kodak Portra 400 (EI 100 / 35mm format / Olympus OM-2N)
EMULSIVE
  • Facebook
  • Instagram
  • Pinterest
  • Reddit
  • Twitter
  • YouTube
  • Mastadon

EMULSIVE is (among other things) a space for film photographers of all backgrounds to spread knowledge, experience and thoughts about everything related to film photography.

  • My First Roll… With a Yashica Mat 124G
  • The Contax 645: Not just a wedding camera
  • EMULSIVE Secret Santa 2023: Registration for year 9 is open until November 19th
  1. Gospodi on Compact camera mega test: Olympus MJU Zooms, all of themDecember 1, 2023
  2. Johny on Testing CT Scanners: Here’s how badly they can damage your photographic filmNovember 30, 2023
  3. Jill on My First Roll… With a Yashica Mat 124GNovember 30, 2023
  • About
  • Submit
  • Buy stuff
  • Contact
  • Policies
  • Login
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
© 2015-2023 EMULSIVE.