Tag: Leica
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Photography: God’s library – Agfa Scala 200X (35mm)
God’s library Agfa Scala 200X shot at EI 100 Black and white reversal (slide) film shot in 35mm format
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EMULSIVE interview #116: I am Richard Pickup and this is why I shoot film
I’m hoping you remember today’s interviewee from his wonderful contributed article discussing the importance and impact of effective visualisation for film photographers. If you haven’t read it yet head on over, we’ll wait. Back? Excellent.
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Photography: The longer you wait… – Agfa Scala 200X (35mm)
The longer you wait… Agfa Scala 200X shot at EI 100 Black and white reversal (slide) film shot in 35mm format
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EMULSIVE 52 Rolls 2016 – Week 22-25 update
Roll up, roll up! It’s time for another update! This time I’ll be taking you through week 22-25 2016, or as normal people say it, May 30th to June 26th.
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Instax モノクローム + Leica ゾフォート コンペティション
Instax モノクローム + Instax カメラで撮影した写真(フレーム付き)をJPGフォーマットにし、Eメールにてご応募ください。 賞品 1位: Instax Monochrome 10パック + Leica ゾフォート (オレンジ) 2位: Instax Monochrome 5パック 3位: Instax Monochrome 3パック 特別賞: Instax Monochrome パック その際 応募作品のタイトル・カメラ・説明・撮影場所。 Eメールアドレス: instaxmono@emulsive.org。 ご住所(受賞された際、賞品をお送りするため)を明記しお送りください。 応募締切は2016年11月30日です。 応募作品はこちらのサイトにて掲載させていただくこともありますので、ご了承ください。
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Mumbai Part 4: In which one requires a proportionate response
MUMBAI–India cannot be forced. India will not adapt to you. I am still learning the pattern and subtexts of interactions and could continue to learn them for several lifetimes to come.
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EMULSIVE interview #109: I am Unsavoryandgrouse and this is why I shoot film
Today we’ve got a little treat for you in the form of Nik, aka unsavouryandgrouse. Nik’s a relatively new film shooter and based in Australia.
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Film review: Fuji Instax Mini Monochrome
Welcome to – to the best of my knowledge – the world’s first review of Fuji Instax Mini Monochrome!
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EMULSIVE 52 Rolls 2016 – Week 18-21 update
I started off my last 52 Rolls update saying I was BORED. Well, by the time week 18 (May 2-8, 2016) rolled around, not much had changed.
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Mumbai 03: Heat tempered
MUMBAI-Nothing comes easily in India. At times it feels as if everything from the bureaucracy to nature itself is out to thwart whatever you are trying to do.
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Theater of the Everyday: Photographs
Manhattan often seems like a stage where performers and exhibitionists of all varieties put on a non-stop show. I started documenting these “performers” in 2008, as the U.S.
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Mumbai 02 : The world is changed
MUMBAI–I have a memory etched into my personal history, one I recall to remind myself of something. I was in Honduras on a nine month assignment with a medical relief NGO.
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EMULSIVE interview #89: I am Greg McKnight and this is why I shoot film
Today’s interviewee sold all of his digital camera gear in 2015.
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Photography: For whom the bell tolls – Rollei Infrared 400 (35mm)
For whom the bell tolls Shot on Rollei Infrared 400 at EI 400 Black and white negative film in 35mm format
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Mumbai 01: Pushan, Saint Christopher and Loki Walk into a Bar
MUMBAI–The smell hits you first. From the first moment India surrounds you, absorbs you into its atmosphere, its rush and flow. You have spent hour upon hour in the grey, nowhere interzone of the jet-plane.
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Photography: Prayer gates – Shot on Kodak EASTMAN Double-X 5222 at EI 250 (35mm format)
Prayer gates Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250 Black and white negative film in 35mm format Push processed 1 stop
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Photography: Prayer gates – Shot on Kodak EASTMAN Double-X 5222 at EI 250 (35mm format)
Prayer gates Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250 Black and white negative film in 35mm format Push processed 1 stop
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EMULSIVE interview #76: I am Melvin Mapa and this is why I shoot film
We often see the phrase “a long time coming” but what does that really mean? Well, in this case, it’s nine months. That’s how long we’ve been working on this with Melvin.