Tag: Leica
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Photography: Split #04 – Fuji Provia 100F – RDP IIII (35mm)
Split #04 Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in 35mm format Read the Fuji Provia 100F (RDP III) review here.
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Photography: Split #03 – Fuji Provia 100F – RDP IIII (35mm)
Split #03 Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in 35mm format Read the Fuji Provia 100F (RDP III) review here.
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Photography: Split #02 – Fuji Provia 100F – RDP IIII (35mm)
Split #02 Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in 35mm format Read the Fuji Provia 100F (RDP III) review here.
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Photography: Split #01 – Fuji Provia 100F – RDP IIII (35mm)
Split #01 Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in 35mm format Read the Fuji Provia 100F (RDP III) review here.
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EMULSIVE interview #145: I am Aislinn Chuahiock and this is why I shoot film
I’m incredibly pleased to bring you the words and pictures of Aislinn Chuahiock in this week’s EMULSIVE interview.
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Photography: I don’t – Shot on Kodak Tri-X 400 at EI 400 (435mm)
I don’t Shot on Kodak Tri-X 400 at EI 400 Black and white negative film in 35mm format Overdeveloped two stops (N+2) Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push processing guide!  
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Photography: No loitering – Fuji Neopan 400 (35mm)
No loitering Shot on Fuji Neopan 400 at EI 400 Black and white negative film in 35mm format
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Photography: Stark – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm)
Stark Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 Black and white negative film in 35mm format
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EMULSIVE interview #141: I am Phil Harrison and this is why I shoot film
Readers with even the shortest of memories will remember today’s interviewee from his guest review of FILM Ferrania’s FERRANIA P30® emulsion back in April.
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Photography: Morning layers #02 – Shot on Kodak Portra 160NC at EI 100 (35mm format)
Morning layers #02 Shot on Kodak Portra 160NC at EI 100 Color negative film in 35mm format
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Photography: To the beat of the same drum – Fuji Superia 1600 (35mm)
To the beat of the same drum Shot on Fuji Superia 1600 at EI 1600 Color negative film in 35mm format Developed in Rodinal (1+100 / 20c / 60:00)
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Photography: In thought – ADOX Silvermax 100 (35mm)
In thought Shot on ADOX Silvermax 100 at EI 100 Black and white negative film in 35mm format
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Photography: Fire damage – ADOX Silvermax 100 (35mm)
Fire damage Shot on ADOX Silvermax 100 at EI 200 Black and white negative film in 35mm format Push processed 1 stop
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EMULSIVE interview #129: I am Barnaby Nutt and this is why I shoot film
Have we got a treat in store for you today.
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EMULSIVE interview #126: I am Lilly Schwartz and this is why I shoot film
It’s a pleasure to be able to bring you Lilly Schwartz or @blaurebell, as she’s know on Twitter for today’s interview. Lilly is a true film photography hero.
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EMULSIVE interview #123: I am Laidric Stevenson and this is why I shoot film
The eagle-eyed amongst you will recognise today’s interviewee from his excellent and much-discussed review of the Bronica GS-1 system; as well as the beautiful images which accompany it.
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Photography: Take the stairs – Fuji Neopan 400 (35mm)
Take the stairs Fuji Neopan 400 shot at EI 400 Black and white negative film in 35mm format
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Photography: Into the canopy – Fuji Pro 400H (35mm)
Into the canopy Fuji Pro 400H shot at EI 400 Color negative film in 35mm format