Tag: Kodak
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Blood-red Witchery: Portraits on Kodak AEROCHROME III color infrared slide film
I spent a year preparing to shoot a roll of portraits on Kodak AEROCHROME III Infrared 1443, the false-color infrared-sensitive film manufactured by Kodak for aerial reconnaissance and scientific purposes in one shape or form between the early 1940s and 2010. There are some informative articles on the web about the film and how to…
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5 Frames… With my late grandmother’s Kodak Jiffy Six-20 Series II, and my first ever roll of 120 (620) film
As if the year 2020 couldn’t get any worse for all of us; It was also the year in which I lost my grandfather. He passed in early June of, preceded by my grandmother in 2015. The day after my wife and I flew to Indiana for the funeral I was sitting in my mother’s…
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ILFORD HP5 PLUS vs Kodak Tri-X 400 at EI 1600 in the Moscow Metro with the Mamiya 7II
I highly recommend the Moscow Subway Metro. As someone who loves spending time exploring underground, this was perhaps an unexpected highlight of my 2019 trip to Russia. If you are going for a photo trip (after the obvious COVID restrictions are lifted), I highly suggest Sunday mornings between 8-10am. Weekdays will be hell as you’re…
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5 Frames of portraits in Shillong on Kodak Portra 400 (35mm Format / EI 400 / Canon AE 1- Program + Canon FD 50mm f/1.8)
I had developed a habit or better say GAS since I got my first vintage lens the “Helios 44-2 58mm f2”. However, I was pretty much excited to try out film photography but the bad news for me was that none of the stores in my hometown, Guwahati, Assam had any stores that developed or…
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5 Frames… Of life in Mexico during quarantine (Kodak UltraMax 400 / 35mm Format / EI 400)
All these frames were shot with my Minolta X-700 and a Minolta MD Rokkor 50mm f/1.7, the combination that made me discover my passion for photography almost a year ago. Even though I’m still in the phase of finding out which film stock I like the most, Ultramax 400 is the one that I always…
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5 Frames… Of the Pacific coast at Pomponio on Kodak Ektar 100 (EI 100 / 120 Format / Zenza-Bronica GS-1 + Zenzanon PG 100 f/3.5)
The fisherman were already there that morning. They had arrived long before sunrise with their reels and lines and pole holders made from cut off pieces of PVC pipe. Of course, there were the crabbers, too, who began to roll down to the surf just after I did, wearing their faded chest waders and carrying…
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5 (8) Frames of „Detritus / Nuovi” in Bucharest on Kodak Portra 400 ( 35mm / EI 400 / Contax T2)
Bucharest is a mix of old and new, beautiful and tasteless architecture mashed together in a dance of the absurd, visual clashes sprinkled at every step… I am always amazed at how the city evolves, in a way that virtually anything seems possible for the future. The city hall and private developers seem to have…
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5 Frames… Working within limitations: Long exposures at the Concours d’Elegance
I’ve always loved classic cars… I had a 1966 Mustang for a number of years, but I sold it to get the down payment on my first house. I still go to car shows once in a while and usually bring a film camera along to rip through a roll or two. It’s probably considered…
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Photostory: Never Forget 2008 – by Craig Pindell
Once again and with his kind permission, I’m posting one of Craig Pindell’s Never Forget series of photographs and his words in remembrance of the attack on New York’s World Trade Center on September 11th, 2001. If you are reading this at 08:46 EST on September 11th, 2020, Craig will have just captured the latest image in…
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5 Frames… Of stunning Piedmont on Kodak Ektar 100 (35mm Format / EI 100 / Yashica FX-3 Super 2000 + Yashica ML 28mm f/2.8)
I came across film photography by chance, after my exchange year during university a few years ago. I feel very blessed cause I had the opportunity to travel a lot in my free time and to visit many beautiful places in Europe. The only thing was that back then, I knew almost nothing about photography…
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5 Frames… Of a 1969 Olivetti Valentine on Kodak ColorPlus 200, Overexposed 2/3 stop (35mm Format / EI 125 / Nikon F3 + Nikkor 50mm f/1.4 AI)
5 Frames… Of a 1969 Olivetti Valentine on Kodak ColorPlus 200, Overexposed 2/3 stop (35mm Format / EI 125 / Nikon F3 + Nikkor 50mm f/1.4 AI) – by Lucas Dul I find myself with a lot of typewriters on hand, usually due to my job as a repair tech. A few weeks ago, one…
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5 Frames… Of the last time we all met on Kodak Pro Image 100 (35mm Format / El 100 / Seagull DF-300A + Seagull-610 MC 50mm f/1.8)
The semester was finally over and I had started to commit more of my time to my hobby of film photography. I’d recently got myself my first SLR: a Seagull DF-300A (a licensed third party copy of the Minolta’s X-300), which came with a not-so-sharp 50mm f/1.8 lens (the Seagull-610 MC) but that didn’t bother…
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5 Frames… In the bathtub with Kodak Portra 400 (35mm Format / El 400 / Contax G2 + TLA200)
I’ve been using the Contax G2 with the 45mm Planar lens for about 5 years now. It was the second proper film camera I had ever purchased, and upon shooting for the first time, I was in love. No other camera in any format has been as perfect for me as the G2. Similarly, as…
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5 Frames… Of medium format on a budget (Kodak Portra 160 / 120 Format / EI 160 / Minolta Autocord RG1)
I, like many of you here, suffer chronic GAS. It remains true that a great picture comes from the photographer, not the camera, but there is something uniquely satisfying about using a camera that looks and feels good. Although my student budget places heavy limitations upon my Leica-laden aspirations, bargains can be found, which may…
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5 Frames of the smallest town in Germany: Blankenberg on respooled Fujifilm NEOPAN 100 ACROS (Kodak Medalist II / 120 format / EI 100)
“My love affair with photography began about 45 years ago, parallel with my love affair with my first girlfriend. My passion for photography never ended. For about twenty years I used medium format cameras for the best quality feasible at the time, mostly 4.5×6 and 6×7. The lab process was also done in my own…
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5 Frames… From a Kodak Brownie Target Six-20 on T-MAX 400 (620 Format / EI 400)
Before I even got in to film photography, my mother gifted me a Kodak Brownie — a Kodak Brownie Target Six-20 — complete with original box, manual, and envelope to mail in the film. The camera sat on my shelf for months, until I decided to see about getting some film for it. I had…
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Fairchild K-20: the making of a meaningful portrait
A friend of mine gave me some 4×5 film a while back. It was originally purchased by her dad in 1979, who at the time was a professional photographer. He used mainly 120 medium format and 4×5 film for his work in that era, but did a ton of aerial work on a Fairchild K-20.…
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5 Frames… Of a desolate Blackpool with Kodak ColorPlus 200 (35mm Format / EI 200 / OLYMPUS OM-2)
I’ve been shooting on film (or with any non-convenient high-megapixel low-character smartphone capacity) for a little under half a year now, starting very feebly with what I chose would be worthy of taking a photo of, I slowly garnered the courage to capture moments spontaneously without fear of running out of film – I started…
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5 Frames… Of ballet on film shot on Kodak Portra 800 (120 Format / EI 800 / Yashica 635
‘Ballet on Film’ is an on-going collaboration with Honolulu Classical Ballet and artistic director Romi Beppu. It is an exploration into the rich hues, spirited movements and magical artistry that is ballet in Hawaii. Instead of focusing on the performance on stage, much of the visual story revolves around the in-between moments during rehearsal –…
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5 Frames… In Leipzig with Kodak ColorPlus 200 (EI 100 / Revue 400SE)
One day I woke up with the feeling that I really needed to have a classic rangefinder from the late 1970s. After some Googling in fora and other resources, I decided to go for the REVUE 400SE – a white-labelled camera based on a standard design that has been used by other brands like Konica…
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