Tag: Kodak
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5 Frames… Of the Saskatchewan prairies on Kodak AEROCHROME III Infrared Film 1443 (120 Format / EI 400 / Mamiya C330 Professional S)
What an amazing way to visualise the world. I have pursued the joys and wonders of film photography and darkroom work for some decades now and within this journey find it not only therapeutic but fascinating when I can try new film emulsions, chemistry or papers (really liking ILFORD’S new RC MG V). Thanks to…
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5 Frames of Kodak VISION3 500T 5219 developed in RA-4 chemistry (35mm Format / EI 500 / Lomography Sprocket Rocket)
5 Frames of Kodak VISION3 500T 5219 developed in RA-4 chemistry (35mm Format / EI 500 / Lomography Sprocket Rocket) – by Steve Jones Like many analogue fans the Coronavirus lockdowns and restrictions, which started here in the UK in March, have both created time to fill and the means of filling it. I have…
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5 Frames… Of double exposures on Kodak Portra 160 (35mm Format / EI 160 / Minolta SRT 101 + MC W.Rokkor 35mm f/2.8)
When it comes to double exposure photography, I’ve never really seemed to get it quite right. Whether that is by not underexposing enough or just a lack of composition, the exposures never quite came out right. I’ve been shooting with my inherited camera (like many who got started in 35mm film photography), a Minolta SRT101,…
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5 Frames… Of Kodak Technical Pan 2415 developed as slides (35mm Format / EI 50 / Olympus OM-1 + Zuiko Auto-W 28mmm f/2.8)
2020 is a different year in every way. So how about using a technical ISO 50 film and doing a reverse process to get a B&W SLIDE? It all started with an old roll of the famous Kodak Technical Pan, the film with ultrafine grain, discontinued in 2004. This roll was bought in a purchase…
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5 Frames… By the historic Ho Chi Minh City District 1 Post Office on expired Kodak Portra 400NC (120 Format / EI 100 / Pentax 67 + SMC Pentax 67 90mm f/2.8)
This shoot was based on the Ao Dai – a traditional dress of Vietnam. The Ao Dai has always been something I wanted to shoot but the thing is, they are readily available everywhere here in Vietnam. You can get them from street vendors, tailors, etc., but the biggest problem for the look I was…
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5 Frames… Of Tampa’s Ybor City Historic District on ILFORD HP5 PLUS (620 Format / Kodak Duaflex IV)
This Kodak Duaflex IV has sat on my shelf for 20 years. It has been a family relic for as long as I can remember. Surrounded by a dozen other cameras, it never occurred to me to try it. After all, they don’t make 620 film anymore and the shutter never seemed to work years…
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5 Frames… From a trip to the White Mountains on Kodak Gold 200 (35mm Format / EI 200 / Olympus XA2 + Olympus D.Zuiko 35mm f/3.5)
Over the weekend I went on a hike to the White Mountains in New Hampshire. We covered 10 miles and over 5000 feet in elevation that day and the views were absolutely stunning. This was the first color roll I shot with the Olympus XA2. I got this camera back in March before the lockdown…
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5 Frames… Of a foggy forest on an English TLR and Kodak Tri-X 400 (120 Format / EI 400 / MPP Microcord MKII + 77.5mm f/3.5 Ross Xpres)
5 Frames… Of a foggy forest on an English TLR and Kodak Tri-X 400 (120 Format / EI 400 / MPP Microcord MKII + 77.5mm f/3.5 Ross Xpres) – by Leo Nikishin In summer 2020, I was lucky to spend 6 weeks wandering around the Sintra region in Portugal. It is a marvelous place and one of…
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5 Frames… Of Chicago on Kodak T-MAX 400 (EI 400 / 35mm Format / Chinon 3001)
I have been a film user for many years – well before digital existed. I purchased my first “good” camera with money that I made working a summer job while in college. Many cameras later, film as well as digital, I seem to find more enjoyment from film. It seems more real to me – shaking a tank…
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5 Frames… From a Hasselblad XPan at Lake Aloha on Kodak Portra 800 (35mm Format / EI 800)
My girlfriend, four of our friends, and I recently planned a backpacking trip to the scenic Lake Aloha in California’s Desolation Wilderness, not far from Lake Tahoe. I knew I wanted to capture the three-day, two-night trip on film, but had a difficult time deciding between my 13oz (0.36kg) point-and-shoot camera, or my 3lb (1.36kg)…
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5 Frames… On a Finetta IV D and Kodak Gold 200 (35mm Format / EI 200 / Anastigmat Finetar 1 5/8″ f/4)
I came across the Finetta the same way I have acquired hundreds of other cameras, in a box with another camera that I was interested in. This box had a lot of odd photographic detritus, unused flashbulbs, filters that do not fit anything, the Voigtlander I bought it all for…and the Finetta. I was surprised…
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5 Frames… Around Hamilton on Kodak Portra 400 (35mm Format / EI 200 / Nikon FM2n)
Just before COVID-19 hit Australasia, I was a student starting a 3-month overseas internship in Hamilton, New Zealand. Being 8,500 km away from home, I had dragged along most of my photography gear along with me, 7 rolls of film included. What I didn’t realize then was that those 3 months would be reduced to…
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5 Frames… With a new-to-me Seagull 4A-109 TLR (Kodak Portra 400 / 120 Format / EI 400)
Using a new-to-you camera is always a challenge; this was a specific challenge for me since I had never held a Twin Lens Reflex camera before this one. And, in terms of Seagull TLR’s, this Seagull 4A-109 with its SA-99 75mm f/3.5 lens is also rare. My biggest challenge wasn’t using the TLR itself, it…
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5 Frames… From my first roll of slide film and a Minolta CLE + Minolta Rokkor-M 40mm f/2 (Kodak EKTACHROME 100 / 35mm Format / El 100)
These 5 frames are my first try at shooting a slide film. About 5 months ago I decided to start my journey into the film photography. And it was a love from the first touch I would say. The whole process from unpacking the film and putting it into the camera, to cocking the shutter,…
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5 Frames… And a bit of luck with a Mamiya 645 PRo and Kodak Portra 400 (120 Format / EI 400 / Mamiya Sekor C 80mm f/2.8)
I wouldn’t say I’m a completely skeptical person. Superstition isn’t really my thing too. But when it comes to giveaways and raffles, sometimes I like to play the odds. With my Mamiya 645 Pro, that was the case. I saw a raffle online with three prizes and a few numbers at a reasonable price. The…
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5 Frames… Of Type 103 H-Alpha Kodak Spectroscopic Film with a Canon EF + Canon FD 50mm f1.8 SC (35mm Format / EI 100)
I received a 100-foot roll of fifty-one year old Type 103 H Kodak Spectrographic Film in June 2020. Like the 1978 Canon EF with stock 50mm lens I used to shoot it, it was a gift. Having a reputation for loving old cameras and weird film means that sometimes people you barely know will send…
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5 Frames… Of Kodak Ektar on a Horseman VH + Nikon Nikkor 210mm f/5.6 (120 format / EI 100)
Like many, I started taking pictures using my father’s old camera, a hefty Nikon F2 and a super-fast Nikkor 55mm f/1.2 back in the late 90’s. And again like many — drawn by the instant gratification of seeing the results right away -– soon I switched to a digital camera (Leica Digilux 1). While stunned…
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5 Frames… In Lima, Peru on Kodak Portra 400 (35mm Format / EI 400 / Canon AE-1 Program + Canon FD 50mm f/1.8)
My mother cranked out family photos that would feel as at home in a gallery as they do in their cardboard box in the attic. If she never took a certain portrait of me in a diaper, cowboy boots, a ten-gallon hat, and a badge, the world might have forgotten how good of a sheriff…
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5 Frames… Of island life on Kodak Gold 200 (35mm Format / EI 200 / Leica M4-2)
Photographic film prices have been on a steady climb in Canada for the last few years. Not a reasonable climb, either. Some of my go-to emulsions have gone up as much as 30-40% at local retailers in the last year alone. It’s now cheaper to purchase colour film from the US and ship it up…
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5 Frames… Of my first time trying Kodak EKTACHROME E100 on a Yashica Mat-124G
From the start of my “film shooters career” I was shooting either negative color film or BW negative film. My favorite emulsions were and still are Kodak Portra 400 for color and Kodak Tri-X 400 for BW shots. It’s staple, one of the most forgiving and beautiful films for my taste. Slide film on the…
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