Tag: Kodak
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EMULSIVE Interview #222: I am Kris Askey and this is why I shoot film
After an 8-month hiatus, I’d like to welcome you all back to the EMULSIVE interview. Yes, yes, 2020 be damned, etc. Last year was a challenging one for me and I took a bit more of a hit than I expected but, as I kept telling myself, there are two things to remember: 1) things…
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5 Frames… On original Fujifilm ACROS with a century-old Kodak Hawkeye No2 Model B (120 Format / EI 100)
Last year’s lockdown left me simultaneously busy with work and also with lots of time stuck at home I would not have normally had. The up and downsides of the new lockdown lifestyle. One of the advantages of this was it gave me a bit of time to sort through some old cameras I’d been…
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5 Frames… Of Kodak Ektar 100 from a year around Georgia on Kodak Ektar 100 (35mm Format / EI 100 / Pentax K1000)
Late last year, my wife and I wanted to combine my love of photography with our shared love of travel, exploring, and just getting into adventures together. We decided to work on a personal photo project. For the project, we are attempting to visit every county in the state of Georgia in the 2021 Calendar…
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5 Frames… Testing a Canon AE-1 on Kodak Portra 400 (35mm Format / EI 125 / Canon AE-1 + FD 70-210mm f/4)
“Miss Kozun, you look fantastic! Love the outfit” … “Thanks! It was either this or I was going to be wearing a giraffe onesie all day!” Oh, 2020, what a strange year you have been! Thankfully with only a few days left, Kristi and I managed to squeeze in a little respite of normal and…
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3 simple lessons: What I saw (and learned) shooting street photography in 1990s New York
I made my first experiences as a street photographer in New York in the 1990s. During this time I learned a lot about New York and photography. The conclusions I drew for myself about photographic approaches have been confirmed over the years, and I’d like to share them with you. This is how it all…
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5 Frames… Of a ghost town called Chicago in January 2021 (Kodak T-MAX 400 (35mm Format / EI 320 / Nikon F + Nikkor NC Auto 24mm f/2.8 pre-AI)
It’s the beginning of 2021 and COVID is still running full force. I am a freelance corporate photographer and COVID-19 has decimated my business. So this was a rare instance in which a client from a Chicago law firm called for some portraits of a few new attorneys. I hadn’t been to downtown Chicago since…
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5 Frames… Of sharp shots on a soft lens with Kodak Portra 400 + flash (35mm Format / EI 400 / Olympus OM-1n + G. Zuiko 55mm f/1.2)
Oh … well, this is more of a story of how I quit film and then went back to it again. You see, I was having some issues with the toxicity of the film community here in Vietnam and so I decided to quit film photography for good. I got myself a Fujifilm X-T2 but…
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5 Frames… Of my (maybe) new favourite film, Kodak Ektar 100 (120 Format / EI 100 / Kowa Six + Kowa 85mm f/2.8)
Ever since I started shooting medium format film, I’ve been searching for a favourite film stock and I think I may have found it in Kodak’s Ektar 100 Professional After a short walk with my Kowa Six and Kowa Lens-S 85mm f/2.8 loading with a roll of Ektar 100, I found this tiny log in…
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5 Frames… Of Christmas double exposures on Kodak Color Plus 200 and a Vivitar Powershot (35mm Format / EI 200)
On Christmas Eve I polished up my Vivitar Powershot Point and Shoot 35mm camera that I rescued from the recycle bin at work and loaded it up with a roll of Kodak ColorPlus 200. I wanted to do something experimental, and the ease of point and shoot cameras lends itself perfectly to experimental photography. I…
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Shot 100 years ago: Developing Kodak Premo-Pack 4×5 film from a Rochester Premo B camera
Shot 100 years ago: Developing Kodak Premo-Pack 4×5 film from a Rochester Premo B camera ~ by Salvador Busquets One of the most fascinating things I’ve found by collecting cameras is that from time to time, there is some exposed — but not developed — film or glass plate. They often have spent decades inside…
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5 Frames… Of the Circo Atayde Hermanos on Kodak T-MAX 400 (EI 400 / 120 Format / Hasselblad 503CX + Planar CF 80mm f/2.8)
Do you remember the first camera that made you fall in love or impress you? By this, I mean a time when you knew nothing or very little about photography. In my case, it happened when I was a teenager and I saw a Hasselblad 500C/M for the first time, a Hasselblad, an expensive Hasselblad!…
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5 Frames… On 30+ year expired Kodak Panatomic X driving through New Mexico (EI 32 / Nikon F3 / Voigtlander Nokton 58mm f/1.4)
The bulk loader was a deal and came with mystery film. It had a label that said ‘Plus X 125’ so I loaded a small test roll, shot it and developed it in Kodak D-76. The results were way underexposed but it looked like it developed properly and I could read ‘KODAK SAFETY FILM 5060’…
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5 Frames… Of Mountain biking in the Valtellinesi Alps on Kodak Portra 160 (Canon A-1 and Canon FD 50mm f/1.8)
Autumn is always a great time of the year up there in the mountains. You can be pretty sure to find great colors and different atmosphere. Since last year when I started to get into film photography, I used to carry a film camera alongside a digital one during our outdoor adventures and projects. I…
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Shooting expired Agfa Scala 200X as a negative film: the Historic Port of Santos, Brazil
Agfa Scala 200X is a black and white transparency film, well known in its day for being the only option for generating slides in monochrome. Even back when it was readily available it was still hard to find a lab that could process it. I had never shot with it because of the high price…
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After 56 years: The last days of Riviera Salon on Kodak Portra 400
On an early grey wet and gloomy Friday morning I walk through Cape Town’s Thibault Square in search of Riviera Salon. With the weather hanging heavy and dark over the city and over myself, I feel a bitter weariness pulling at me and I know the story I’m most likely about to hear is certainly…
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5 Frames… Over 8 months on a Kodak Brownie Flash IV with respooled Kodak Portra 160 (620 Format / EI 160)
This ‘five frames’ might more properly be called ‘eight frames’ because it was inspired by an idea in the autumn of 2019 to dig out my very first camera, an old hand-me-down Kodak Brownie Flash IV from 1957, which was given to me by my photography mad dad when I was 8. That was in…
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EMULSIVE’S most popular film stock reviews of 2020
There are a few days left for 2020 (well, 2 at the time of publication) and like 2019, we didn’t see any film stocks being discontinued. A small blessing, given everything else that’s been going on. I was hoping for official news of a couple of new film stocks at least but you’ll have to…
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EMULSIVE’S most popular darkroom related articles of 2020
Here’s listicle #2 for this year, and it’s 100% focused on darkroom alchemy. From bringing back Kodachrome (development, that is!), to RA-4 color printing, to monobath developers, lith printing and…the list goes on. Darkroom and darkroom-related work continues to increase through our community as more and more photographers find them selves coming back to traditional…
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EMULSIVE’S most popular “5 Frames” of 2020
If you’re celebrating, Merry Christmas! If you’re not, welcome to the end of a year which, well, that’s enough about that. I made a promise to myself early in 2020 that I’d do my best to focus on the positives and share a little more love than usual this year. Things didn’t turn out exactly…
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5 Frames… Of Yosemite National Park on a Yashica Mat-124 G and Kodak Portra 400 (120 Format / EI 400)
In order to reduce the number of folks that are visiting Yosemite National Park due to Covid-19, only a handful of park passes were being released at 7am each day through the Yosemite National Park website. After a few failed attempts and early wake-ups that were in vain, my fiancée and I finally got the…
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