Tag: Kodak
-
EMULSIVE interview #93: I am Bobby Kulik and this is why I shoot film
If you believe when today’s photographer says he’s only been shooting film for the past four or five years, you’re in the minority.
-
Photography: Maintenance required – Kodak ULTRAMAX 400 (35mm)
Maintenance required Shot on Kodak ULTRAMAX 400 at EI 1600 Color negative film in 35mm format Push processed two stops
-
Photography: Resurfaced – Shot on Kodak Tri-X 400 at EI 3200 (35mm)
Resurfaced Shot on Kodak Tri-X 400 at EI 3200 Black and white negative film in 35mm format Push processed three stops Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push processing guide!  
-
Photography: Bamboozled – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800 (35mm)
Bamboozled Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800 Black and white negative film in 35mm format Push processed 1+2/3 stops
-
Photography: Looking out – Kodak EASTMAN DOUBLE-X 5222 (35mm)
Looking out Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800 Black and white film in 35mm format Push processed 1+2/3 stops
-
EMULSIVE interview #89: I am Greg McKnight and this is why I shoot film
Today’s interviewee sold all of his digital camera gear in 2015.
-
Photography: Red cabbage light study #01 – Kodak Ektar 100 (120)
Red cabbage light study #01 Shot on Kodak Ektar 100 at EI200 Color negative film in 120 format shot as 6×6 Developed as black and white in Rodinal
-
Photography: Safe to cross – Shot on Kodak Tri-X 400 at EI 400 (35mm)
Safe to cross Shot on Kodak Tri-X 400 at EI 400 Black and white negative film in 35mm format Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push processing guide!
-
EMULSIVE interview #88: I am Nick Skinner and this is why I shoot film
Today we’re sitting down with 23-year old Nick Skinner from Newcastle in the North East of England. Nick’s been shooting film for about two years and has a rather interesting background which, as you’ll see, imparts itself onto his photography
-
EMULSIVE interview #87: I am Christopher Schmidtke and this is why I shoot film
I’ve got more fresh blood for you today in the form of Christopher Schmidtke from Wuerzburg, Germany. I won’t spoil it and let you all jump in;
-
Travelogue: Shooting Kodak AEROCHROME in the Yucatan
Most film shooters have heard of Kodak’s AEROCHROME colour infrared film, it turns healthy green foliage a deep red or pink where infrared light is reflected.
-
EMULSIVE interview #86: I am Jamelle Bouie and this is why I shoot film
Today we’re sitting down with film photographer Jamelle Bouie.
-
Photography: Number 32 – Kodak Portra 400
2016-06-09 – Number 32 Kodak Portra 400 shot at EI 800. Color negative film in 120 format shot as 6×6. Push processed two stops.
-
Camera review: Me and my Kodak Star 435 Pinhole – Ian Christie
Hey gang, Ian here. Today I’ll share with you my Kodak Star 435 – with a twist. The Kodak Star 435 was made from 1990 – 1994 as an inexpensive snapshot camera.
-
Photography: Red or Dead – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)
Red or Dead Kodak Vision3 250D 5207 shot at EI 25 Color motion picture film in 35mm format Shot as redscale
-
A paean to ILFORD PAN F PLUS or: there’s something about slow film
Sub 100 ISO films… There’s mystique about them; smooth, finely grained, challenging. Something for the true pros and “serious types”.
-
EMULSIVE interview #84: I am Rory Power and this is why I shoot film
Today we’re sitting down with 20-year old Rory Power. It’s safe to say that he’s been around a bit but I’ll let him tell you that himself.
-
Photography: Festa della Repubblica – Kodak EKTACHROME 100VS – E100VS (35mm)
Festa della Repubblica Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 35mm format Cross Processed Read the EKTACHROME 100VS review Read the EKTACHROME 100VS experimentation guide
-
EMULSIVE interview #83: I am Joffrey Carpentier and this is why I shoot film
I’ve been looking forward to this one!